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=== Style ===
=== Style ===
Barclay creates large-scale installations, often made ''in situ'' and in response to the spaces in which they are shown.<ref>{{Cite book|url=http://www.worldcat.org/title/openwide/oclc/811321128&referer=brief_results|title=Openwide.|last=Barclay|first=Claire|last2=Fruitmarket Gallery (London)|date=2009|isbn=9780947912642|location=The Fruitmarket Gallery|language=English}}</ref> Her practice is also deeply rooted in process and [[Workmanship|craftsmanship]]; accordingly, her installations include an array of materials that oscillate between those associated with mechanization and those associated with the domestic: steel, cast-concrete, machined aluminium, rubber, brass mesh, ceramic, leather, canvas and printed fabric.<ref>{{Cite web|url=https://frieze.com/article/claire-barclay-0|title=Claire Barclay|website=frieze.com|language=en|access-date=2017-09-23}}</ref> These dualities further position her artistic process between the handcrafted and industrially produced, as well as the natural and man-made.<ref>{{Cite news|url=http://www.theguardian.com/artanddesign/2010/sep/02/artist-week-claire-barclay|title=Artist of the week 103: Claire Barclay {{!}} Skye Sherwin|last=Sherwin|first=Skye|date=2010-09-02|work=The Guardian|access-date=2017-09-23|language=en-GB|issn=0261-3077}}</ref>
Barclay creates large-scale installations, often made ''in situ'' and in response to the spaces in which they are shown.<ref>{{Cite book|url=http://www.worldcat.org/title/openwide/oclc/811321128&referer=brief_results|title=Openwide.|last=Barclay|first=Claire|last2=Fruitmarket Gallery (London)|date=2009|isbn=9780947912642|location=The Fruitmarket Gallery|language=English}}</ref> Her practice is also deeply rooted in process and [[Workmanship|craftsmanship]]; accordingly, her installations include an array of materials that oscillate between those associated with mechanization and those associated with the domestic: steel, cast-concrete, machined aluminium, rubber, brass mesh, ceramic, leather, canvas and printed fabric.<ref>{{Cite web|url=https://frieze.com/article/claire-barclay-0|title=Claire Barclay|website=frieze.com|language=en|access-date=2017-09-23}}</ref> These dualities further position her artistic process between the handcrafted and industrially produced, as well as the natural and man-made.<ref>{{Cite news|url=http://www.theguardian.com/artanddesign/2010/sep/02/artist-week-claire-barclay|title=Artist of the week 103: Claire Barclay {{!}} Skye Sherwin|last=Sherwin|first=Skye|date=2010-09-02|work=The Guardian|access-date=2017-09-23|language=en-GB|issn=0261-3077}}</ref>

== External Links ==
[http://www.stephenfriedman.com/artists/claire-barclay/ Claire Barclay at Stephen Friedman Gallery]

[http://www.clairebarclay.net Claire Barclay website]


== References ==
== References ==

Revision as of 15:31, 24 September 2017

Claire Barclay
Born1968
NationalityScottish
OccupationArtist

Claire Barclay (b. 1968) is a Scottish artist. Her artistic practice utilizes a number of traditional mediums that include installation, sculpture and printmaking, but it also expands to encapsulate a diverse array of craft techniques.[1] Central to her practice is a sustained exploration of materials and space.[2][3]

Early life and education

Claire Barclay received a Master of Fine Arts from the Glasgow School of Art, where she focused on environmental art.[4]

Career

In 2003, Barclay represented Scotland in the Venice Biennale.[4] She was the focus of a solo exhibition at the Tate Britain in 2004.[5] In 2009 she had a solo exhibition at the Fruitmarket Gallery, which documented significant works created by Barclay over the previous twelve years, alongside newly-commissioned installations.[6]

Themes

Situated within realms of the domestic, Barclay's work juxtaposes the reified space of the gallery with that of the everyday.[7] The objects present within her installations allude to dichotomies between function and disfunction; subsequently, this imbues them with qualities of both the familiar and strange, while simultaneously imparting her work with an elusory quality.[8]

Style

Barclay creates large-scale installations, often made in situ and in response to the spaces in which they are shown.[9] Her practice is also deeply rooted in process and craftsmanship; accordingly, her installations include an array of materials that oscillate between those associated with mechanization and those associated with the domestic: steel, cast-concrete, machined aluminium, rubber, brass mesh, ceramic, leather, canvas and printed fabric.[10] These dualities further position her artistic process between the handcrafted and industrially produced, as well as the natural and man-made.[11]

Claire Barclay at Stephen Friedman Gallery

Claire Barclay website

References

  1. ^ Barclay, Claire; Fruitmarket Gallery (London) (2009). Openwide. The Fruitmarket Gallery. ISBN 9780947912642.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ Shannon, Liz. "Claire Barclay: Openwide". list.co.uk. Retrieved 6 March 2015.
  3. ^ "Claire Barclay". belowanothersky.org. Retrieved 6 March 2015.
  4. ^ a b Sherwin, Skye. "Artist of the week 103: Claire Barclay". The Guardian. Guardian News and Media Limited. Retrieved 8 March 2015.
  5. ^ "Art Now: Claire Barclay: Half-light". Tate. Retrieved 7 March 2015.
  6. ^ Barclay, Claire; Fruitmarket Gallery (London) (2009). Openwide. The Fruitmarket Gallery. ISBN 9780947912642.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ^ Barclay, Claire; Fruitmarket Gallery (London) (2009). Openwide. The Fruitmarket Gallery. ISBN 9780947912642.{{cite book}}: CS1 maint: location missing publisher (link)
  8. ^ Tate. "Art Now: Claire Barclay: Half-light – Exhibition at Tate Britain | Tate". Tate. Retrieved 2017-09-23.
  9. ^ Barclay, Claire; Fruitmarket Gallery (London) (2009). Openwide. The Fruitmarket Gallery. ISBN 9780947912642.{{cite book}}: CS1 maint: location missing publisher (link)
  10. ^ "Claire Barclay". frieze.com. Retrieved 2017-09-23.
  11. ^ Sherwin, Skye (2010-09-02). "Artist of the week 103: Claire Barclay | Skye Sherwin". The Guardian. ISSN 0261-3077. Retrieved 2017-09-23.