Josias Priest: Difference between revisions
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== History == |
== History == |
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In 1669, he was arrested along with four others for dancing and making music without a license. In 1668, he was a dancing-master in [[Holborn]], and in 1675 he moved to [[Leicester Fields]] to run a [[boarding school]] for [[Gentleman|gentelwomen]]. In 1680 he started a similar school at Gorge's House in |
In 1669, he was arrested along with four others for dancing and making music without a license. In 1668, he was a dancing-master in [[Holborn]], and in 1675 he moved to [[Leicester Fields]] to run a [[boarding school]] for [[Gentleman|gentelwomen]]. In 1680 he started a similar school at Gorge's House in Chelsea, London. Here Priest hosted [[opera]]s, including [[John Blow]]'s ''[[Venus and Adonis (opera)|Venus and Adonis]]'' (1684) and [[Henry Purcell]]'s ''[[Dido and Aeneas]]'' (1689). It is widely believed that Priest choreographed dances for these and other semi-operas by Purcell, including ''[[Dioclesian]]'', ''[[The Fairy-Queen]]'', ''[[The Indian-Queen]]'', and ''[[King Arthur (opera)|King Arthur]]'' ; however, the evidence is not entirely conclusive. |
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In 1699 [[Thomas Bray]] published a collection of dance music which included music for dances by Josias Priest and his son, Thomas Priest. Only one dance by Priest survives, a 'Minuet by Mr |
In 1699 [[Thomas Bray]] published a collection of dance music which included music for dances by Josias Priest and his son, Thomas Priest. Only one dance by Priest survives, a 'Minuet by Mr Priest' in ''An Essay for the Further Improvement of Dancing'' (1711) published by Edmund Pemberton. References to Priest's choreography remain in some musical sources, however. The surviving minuet is for twelve women and uses a limited step vocabulary of [[minuet step]]s forwards, backwards and sideways, the main choreographic interest being in the floor patterns. It is recorded in a simpified form of [[Beauchamp-Feuillet notation]] that was typically used for recording [[English country dance]]s<ref>A [http://memory.loc.gov/cgi-bin/ampage?collId=musdi&fileName=134/musdi134.db&recNum=32&itemLink=r?ammem/musdibib:@field(NUMBER+@band(musdi+134)) facsimile of Priest's choreography] can be found at The Library of Congress' [[An American Ballroom Companion]]</ref>. |
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==References== |
==References== |
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<references/> |
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{{Persondata |
{{Persondata |
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|NAME= Priest, Josias |
|NAME= Priest, Josias |
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|ALTERNATIVE NAMES= Josiah |
|ALTERNATIVE NAMES= Josiah Priest |
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|SHORT DESCRIPTION= English dancing-master and choreographer |
|SHORT DESCRIPTION= English dancing-master and choreographer |
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|DATE OF BIRTH= circa 1645 |
|DATE OF BIRTH= circa 1645 |
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|PLACE OF BIRTH= |
|PLACE OF BIRTH= |
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|DATE OF DEATH= |
|DATE OF DEATH= 3 January 1735 |
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|PLACE OF DEATH= |
|PLACE OF DEATH= Chelsea, London |
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}} |
}} |
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{{dance-stub}} |
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[[Category:Historical dance|Priest, Josias]] |
[[Category:Historical dance|Priest, Josias]] |
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Revision as of 18:44, 29 October 2006
Josias Priest (c. 1645–January 3 1735 in Chelsea, London) was an English dancer, dancing-master and choreographer.
History
In 1669, he was arrested along with four others for dancing and making music without a license. In 1668, he was a dancing-master in Holborn, and in 1675 he moved to Leicester Fields to run a boarding school for gentelwomen. In 1680 he started a similar school at Gorge's House in Chelsea, London. Here Priest hosted operas, including John Blow's Venus and Adonis (1684) and Henry Purcell's Dido and Aeneas (1689). It is widely believed that Priest choreographed dances for these and other semi-operas by Purcell, including Dioclesian, The Fairy-Queen, The Indian-Queen, and King Arthur ; however, the evidence is not entirely conclusive.
In 1699 Thomas Bray published a collection of dance music which included music for dances by Josias Priest and his son, Thomas Priest. Only one dance by Priest survives, a 'Minuet by Mr Priest' in An Essay for the Further Improvement of Dancing (1711) published by Edmund Pemberton. References to Priest's choreography remain in some musical sources, however. The surviving minuet is for twelve women and uses a limited step vocabulary of minuet steps forwards, backwards and sideways, the main choreographic interest being in the floor patterns. It is recorded in a simpified form of Beauchamp-Feuillet notation that was typically used for recording English country dances[1].
References
Jennifer Thorp. "Josias Priest", Grove Music Online, ed. L. Macy (accessed July 22 2006), grovemusic.com (subscription access).
- ^ A facsimile of Priest's choreography can be found at The Library of Congress' An American Ballroom Companion