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'''Brindabani Sarang''' or '''Brindavani Sarang''' is a [[Hindustani classical music|Hindustani classical]] [[raga]].
'''Brindabani Sarang''' or '''Brindavani Sarang''', also known as ''Sarang'', is a [[Hindustani classical music|Hindustani classical]] [[raga]].


== Theory ==
== Theory ==
Brindabani Sarang is a [[Kafi (thaat)|Kafi]] [[thaat]] [[raga]]. It was created by [[Swami Haridas]]. He brought Lord [[Krishna]] to earth by singing this raga who took the form of an idol which can still be seen in [[Mathura]]. The notes ''Ga'' and ''dha'' are not used in this raga. Its origin from thaat Kaafi is peculiar as it uses the shuddha form of "ni" in its Aaroha, whereas the komala form of "ni" and "ga" is the main characteristic of the Kaafi thaat. So it is possible to make a mistake in identifying its thaat as Khamaj.
Brindabani Sarang is a [[Kafi (thaat)|Kafi]] [[thaat]] [[raga]]. It was created by [[Swami Haridas]]. He brought Lord [[Krishna]] to earth by singing this raga who took the form of an idol which can still be seen in [[Mathura]]. The notes ''Ga'' and ''dha'' are not used in this raga. Its origin from thaat Kaafi is peculiar as it uses the shuddha form of "ni" in its Aaroha, whereas the komala form of "ni" and "ga" is the main characteristic of the Kaafi thaat. So it is possible to make a mistake in identifying its thaat as Khamaj.

This raga evokes the [[Sringara|sringara rasa]] - romantic love.<ref>{{Cite book|title=Shastriya Raag Darshan|last=Yagnik|first=Hasu|publisher=Gurjar Granthratna Karyalay|year=2013|isbn=978-81-8480-826-1|location=|pages=}}</ref>


=== Arohana & Avarohana ===
=== Arohana & Avarohana ===

Revision as of 02:47, 12 March 2019

Brindabani Sarang
ThaatKafi
Time of dayEarly afternoon, 12–3 Day Third Prahar
SeasonSummer
ArohanaSa Re Ma Pa Ni Sa
AvarohanaS n P M R S
PakadNi Sa Re Ma Re Pa Ma Re Ni Sa
Vadire
Samavadipa
SynonymBrindavani Sarang
SimilarMegh

Brindabani Sarang or Brindavani Sarang, also known as Sarang, is a Hindustani classical raga.

Theory

Brindabani Sarang is a Kafi thaat raga. It was created by Swami Haridas. He brought Lord Krishna to earth by singing this raga who took the form of an idol which can still be seen in Mathura. The notes Ga and dha are not used in this raga. Its origin from thaat Kaafi is peculiar as it uses the shuddha form of "ni" in its Aaroha, whereas the komala form of "ni" and "ga" is the main characteristic of the Kaafi thaat. So it is possible to make a mistake in identifying its thaat as Khamaj.

This raga evokes the sringara rasa - romantic love.[1]

Arohana & Avarohana

Arohana: Sa Re Ma Pa Ni Sa

Avarohana: Sa ni(komal) Pa Ma Re Sa.

Ni swara is Shuddha in Arohana and Komal in Avarohana.

Vadi & Samavadi

Vadi: re

Samavadi: pa

Pakad or Chalan

Ni Sa Re Ma Re Pa Ma Re Ni Sa

Organisation & Relationships

Thaat: Kaafi

Samay (Time)

Madhyanah (noon), Afternoon

It is generally sung as a part of Mehfil.[citation needed]

Seasonality

It is gradually regarded as a raaga of summer season.

Rasa

Shringar Rasa: The Rasa of Romance. It creates a romantic and mystic atmosphere.

Related Raga

Madhumad Sarang where shuddha ni is dropped. It is still considered a chanchal raga. Please note that Megh malhar has same notes but it is dhrupad anga raga and is serious in rendering with a lot of meend.

Important Recordings

Rashid khan - https://www.youtube.com/watch?v=OmayNk9PYVY Bhimsen Joshi - https://www.youtube.com/watch?v=J4owfAMyLDc Jhuti Muti Mitwa[2] - Lata Mangeshkar - https://www.youtube.com/watch?v=0_-5oCQHWTc

Carnatic Compositions

Amburuhânanâ by Kalyani Varadarajan

References

  1. ^ Yagnik, Hasu (2013). Shastriya Raag Darshan. Gurjar Granthratna Karyalay. ISBN 978-81-8480-826-1.
  2. ^ Rudaali
  • Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.

External links