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== Work ==
== Work ==


Gloria Garfinkel studied Apparel Design at the Fashion Institute of Technology in New York City from 1947-1949. She realized she wanted to be an artist while taking a 7:30am life-drawing class in the basement of FIT, then on West 24th Street.<ref>{{cite news |title=Alumni Notes |url=https://issuu.com/hue-mag/docs/hue26_final_single |issue=Spring 2016 |publisher=HUE FIT Magazine}}</ref> Since then, she has developed a daily practice creating paintings, sculptures and collaged prints showcase the artist’s interest in the fashion and decorative motifs of Japan.<ref>{{cite news |last1=Burnet |first1=Carand |url=https://artnewengland.com/ed_review/origami-interpretations-artwork-by-gloria-garfinkel-above-the-fold-new-expressions-in-origami/ |publisher=Art New England |date=March–April 2015}}</ref>
Gloria Garfinkel studied Apparel Design at the Fashion Institute of Technology in New York City from 1947-1949. She realized she wanted to be an artist while taking a 7:30am life-drawing class in the basement of FIT, then on West 24th Street.<ref>{{cite news |title=Alumni Notes |url=https://issuu.com/hue-mag/docs/hue26_final_single |issue=Spring 2016 |publisher=HUE FIT Magazine}}</ref> Since then, she has developed a daily practice creating paintings, sculptures and collaged prints showcase the artist’s interest in the fashion and decorative motifs of Japan.<ref>{{cite news |last1=Burnet |first1=Carand |url=https://artnewengland.com/ed_review/origami-interpretations-artwork-by-gloria-garfinkel-above-the-fold-new-expressions-in-origami/ |publisher=Art New England |title=Origami Interpretations: Artwork by Gloria Garfinkel; Above the Fold: New expressions in Origami |date=March–April 2015}}</ref>


She is best known for brightly colored, highly patterned works that bridge the gap between sculpture and painting.<ref>{{cite news |last1=Goodman |first1=Jonathan |url=https://sculpturemagazine.art/springfield-massachusetts-gloria-garfinkel-george-walter-vincent-smith-art-museum |publisher=Sculpture Magazine |date=November 2015}}</ref>
She is best known for brightly colored, highly patterned works that bridge the gap between sculpture and painting.<ref>{{cite news |last1=Goodman |first1=Jonathan |url=https://sculpturemagazine.art/springfield-massachusetts-gloria-garfinkel-george-walter-vincent-smith-art-museum |publisher=Sculpture Magazine |date=November 2015}}</ref>

Revision as of 02:16, 27 October 2021

  • Comment: Material usually should not be taken verbatim from any source. But sometimes this is appropriate, or even desirable. When you do this, you must demonstrate that it's a quotation, using either quotation marks or block formatting. The section "Career" was, in its entirety, pasted from the cited web page; not to indicate this would be plagiarism. This is why I reformatted it. Hoary (talk) 22:45, 26 October 2021 (UTC)
  • Comment: It appears that Ms Hrbacek writes less to inform, describe or explain than to impress. (And for me as one reader, she fails utterly.) Wikipedia articles are necessarily hard to follow when they're about, say, pure maths. When they're about art, they don't have to be. (See Wikipedia's "featured" articles about art and artists for examples of clarity.) Please summarize Hrbacek's prose for concision and clarity. Hoary (talk) 22:42, 26 October 2021 (UTC)

Gloria Garfinkel (b. 1929) is a visual artist based in New York.[1]

Work

Gloria Garfinkel studied Apparel Design at the Fashion Institute of Technology in New York City from 1947-1949. She realized she wanted to be an artist while taking a 7:30am life-drawing class in the basement of FIT, then on West 24th Street.[2] Since then, she has developed a daily practice creating paintings, sculptures and collaged prints showcase the artist’s interest in the fashion and decorative motifs of Japan.[3]

She is best known for brightly colored, highly patterned works that bridge the gap between sculpture and painting.[4]

As Mary Hrbacek said in a 2015 review of Garfinkel’s work for Artes Magazine:

Garfinkel’s modular process morphs the freshness of Japanese-engendered practices to an accessible post-modern mode of hybrid painterly expression. The works pivot on her extreme creative instinct for extending divergent motifs that inscribe meaning to recycled forms, which mine the limits of the abstract genre. Garfinkel’s ability to balance striking elements in an integral visual harmony brings transformation to the borders of imagination, yielding vibrant works whose fundamental truths probe the similarities between Western and Japanese art forms.[5]

Career

Garfinkel has exhibited internationally for more than 30 years, with solo exhibitions at Paul Sharpe Contemporary Art, Associated American Artists, and Bodely Gallery, all in New York; Yellow Bird Gallery, Newburgh, N.Y.; The International Museum of Art & Science, McAllen, Texas; Ulrich Museum, Wichita, Kansas; Artestudio Sumithra, Ravenna, Italy, and Emerson Gallery Museum, Hamilton College, Clinton, N.Y.[6]

References

  1. ^ . New York Times. October 3, 1990 https://www.nytimes.com/1990/10/03/style/miss-backman-researcher-wed.html. {{cite news}}: Missing or empty |title= (help)
  2. ^ "Alumni Notes". No. Spring 2016. HUE FIT Magazine.
  3. ^ Burnet, Carand (March–April 2015). "Origami Interpretations: Artwork by Gloria Garfinkel; Above the Fold: New expressions in Origami". Art New England.
  4. ^ Goodman, Jonathan (November 2015). Sculpture Magazine https://sculpturemagazine.art/springfield-massachusetts-gloria-garfinkel-george-walter-vincent-smith-art-museum. {{cite news}}: Missing or empty |title= (help)
  5. ^ Hrbacek, Mary (December 9, 2014). Artes Magazine https://artesmagazine.com/?p=17434. {{cite news}}: Missing or empty |title= (help)
  6. ^ . AMA Magazine. Fall 2019 https://www.albanymuseum.com/origami-variations.html. {{cite news}}: Missing or empty |title= (help)