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Caus arrived in England late in 1610 or in the first months of 1611. His first royal patron was [[Anne of Denmark]] or her son, [[Henry Frederick, Prince of Wales|Prince Henry]] who granted him a pension of £100 in 1610.<ref>John Nichols, ''The Progresses, Processions, and Magnificent Festivities of King James the First'', vol. 3 (London, 1828), p. 77: [[Thomas Birch]], ''Life of Prince Henry'' (London, 1760), p. 466.</ref> Anne of Denmark made him a groom of her chamber, with the authors [[Samuel Daniel]] and [[John Florio]].<ref>Leeds Barroll, 'The Arts at the English Court of Anna of Denmark', S. P. Cerasano & Marion Wynne-Davies, ''Readings in Renaissance Women's Drama: Criticism, History, and Performance'' (Routledge, 1998).</ref>
Caus arrived in England late in 1610 or in the first months of 1611. His first royal patron was [[Anne of Denmark]] or her son, [[Henry Frederick, Prince of Wales|Prince Henry]] who granted him a pension of £100 in 1610.<ref>John Nichols, ''The Progresses, Processions, and Magnificent Festivities of King James the First'', vol. 3 (London, 1828), p. 77: [[Thomas Birch]], ''Life of Prince Henry'' (London, 1760), p. 466.</ref> Anne of Denmark made him a groom of her chamber, with the authors [[Samuel Daniel]] and [[John Florio]].<ref>Leeds Barroll, 'The Arts at the English Court of Anna of Denmark', S. P. Cerasano & Marion Wynne-Davies, ''Readings in Renaissance Women's Drama: Criticism, History, and Performance'' (Routledge, 1998).</ref>


In November 1611 Caus was advising the [[Robert Cecil, 1st Earl of Salisbury|Earl of Salisbury]] at [[Hatfield House]]. He is described in the exchequer records beginning in 1611 or 1612 (the date is uncertain) as "Gardener to the Queen". He worked at [[Greenwich Palace]] and [[Somerset House|Denmark House]] where he made a fountain with an artificial "rock". An engineer Richard Barnwell made a pump for the fountain. The "rock" represented [[Mount Parnassus]] and featured shells and a cavern inhabited by the nine [[Muses]]. On top was a figure of [[Pegasus]] and nearby a female personification of the [[River Thames]] in black marble. At Greenwich, Caus may have designed a grotto which served as an aviary. He revamped the gardens at [[Richmond Palace]] for Prince Henry, and worked at Heidelberg for [[Elizabeth Stuart, Queen of Bohemia|Elizabeth of Bohemia]].<ref>[[Jemma Field]], ''Anna of Denmark: Material and Visual Culture of the Stuart Courts'' (Manchester, 2020), pp. 58-62, 78 fn. 90.</ref> [[James VI and I|King James]] gave him a gift of £50 in 1614.<ref>John Nichols, ''The Progresses, Processions, and Magnificent Festivities of King James the First'', vol. 3 (London, 1828), p. 77.</ref>
In November 1611 Caus was advising the [[Robert Cecil, 1st Earl of Salisbury|Earl of Salisbury]] at [[Hatfield House]]. He is described in the exchequer records beginning in 1611 or 1612 (the date is uncertain) as "Gardener to the Queen". He worked at [[Greenwich Palace]] and [[Somerset House|Denmark House]] where he made a fountain with an artificial "rock". An engineer Richard Barnwell made a pump for the fountain. The "rock" represented [[Mount Parnassus]] and featured shells and a cavern inhabited by the nine [[Muses]].<ref>[[Simon Thurley]], ''Palaces of the Revolution, Life, Death & Art at the Stuart Court'' (Collins, 2021), pp. 60-1.</ref> On top was a figure of [[Pegasus]] and nearby a female personification of the [[River Thames]] in black marble. At Greenwich, Caus may have designed a grotto which served as an aviary. He revamped the gardens at [[Richmond Palace]] for Prince Henry, and worked at Heidelberg for [[Elizabeth Stuart, Queen of Bohemia|Elizabeth of Bohemia]].<ref>[[Jemma Field]], ''Anna of Denmark: Material and Visual Culture of the Stuart Courts'' (Manchester, 2020), pp. 58-62, 78 fn. 90.</ref> [[James VI and I|King James]] gave him a gift of £50 in 1614.<ref>John Nichols, ''The Progresses, Processions, and Magnificent Festivities of King James the First'', vol. 3 (London, 1828), p. 77.</ref>


Salomon de Caus carried letters from [[Robert Sidney, 1st Earl of Leicester|Viscount Lisle]], the Chamberlain of the Queen's Household, to his wife at [[Penshurst Place]]. His name in letters and other court records was often spelled "Solomon Cole".<ref>William Shaw & G. Dyfnallt Owen, HMC 77 Manuscripts of the Viscount De L'Isle, vol. 5 (London, 1962), p. 408.</ref>
Salomon de Caus carried letters from [[Robert Sidney, 1st Earl of Leicester|Viscount Lisle]], the Chamberlain of the Queen's Household, to his wife at [[Penshurst Place]]. His name in letters and other court records was often spelled "Solomon Cole".<ref>William Shaw & G. Dyfnallt Owen, HMC 77 Manuscripts of the Viscount De L'Isle, vol. 5 (London, 1962), p. 408.</ref>

Revision as of 15:35, 5 January 2022

Salomon de Caus

Salomon de Caus (1576, Dieppe – 1626, Paris) was a French Huguenot engineer, once (falsely) credited with the development of the steam engine.

Biography

Caus was the elder brother of Isaac de Caus. Being a Huguenot, Caus spent his life moving across Europe.

He worked as a hydraulic engineer and architect under Louis XIII. Caus also designed gardens in England, that of Somerset House among them; also, the Hortus Palatinus, or Garden of the Palatinate, in Heidelberg, Germany.

Caus arrived in England late in 1610 or in the first months of 1611. His first royal patron was Anne of Denmark or her son, Prince Henry who granted him a pension of £100 in 1610.[1] Anne of Denmark made him a groom of her chamber, with the authors Samuel Daniel and John Florio.[2]

In November 1611 Caus was advising the Earl of Salisbury at Hatfield House. He is described in the exchequer records beginning in 1611 or 1612 (the date is uncertain) as "Gardener to the Queen". He worked at Greenwich Palace and Denmark House where he made a fountain with an artificial "rock". An engineer Richard Barnwell made a pump for the fountain. The "rock" represented Mount Parnassus and featured shells and a cavern inhabited by the nine Muses.[3] On top was a figure of Pegasus and nearby a female personification of the River Thames in black marble. At Greenwich, Caus may have designed a grotto which served as an aviary. He revamped the gardens at Richmond Palace for Prince Henry, and worked at Heidelberg for Elizabeth of Bohemia.[4] King James gave him a gift of £50 in 1614.[5]

Salomon de Caus carried letters from Viscount Lisle, the Chamberlain of the Queen's Household, to his wife at Penshurst Place. His name in letters and other court records was often spelled "Solomon Cole".[6]

In 1615, he published Les Raisons des forces mouvantes which showed a steam-driven pump similar to one developed by Giovanni Battista della Porta fourteen years earlier. Nevertheless, François Arago called him the inventor of the steam engine as a result. Caus also describes a just-intonation scale,[7] now known as the Ellis Duodene, after Alexander John Ellis who reinvented it. Caus was one of the first to employ the term work in the sense that it is used in the modern field of mechanics.[8]

Works

  • Hortus Palatinus (1620) at the University of Heidelberg
  • La Perspective avec la raison des ombres et miroirs (1611)
  • Les Raisons des forces mouvantes (1615)

Malcolm Pryce's 2015 novel "The Case of the 'Hail Mary' Celeste[9] refers to de Caus as the originator of the idea of using steam to power wheeled transport.

Salomon de Caus is also described in Hans Andersen's story "The Thorny Path" as the discoverer of the power of steam.

References

  1. ^ John Nichols, The Progresses, Processions, and Magnificent Festivities of King James the First, vol. 3 (London, 1828), p. 77: Thomas Birch, Life of Prince Henry (London, 1760), p. 466.
  2. ^ Leeds Barroll, 'The Arts at the English Court of Anna of Denmark', S. P. Cerasano & Marion Wynne-Davies, Readings in Renaissance Women's Drama: Criticism, History, and Performance (Routledge, 1998).
  3. ^ Simon Thurley, Palaces of the Revolution, Life, Death & Art at the Stuart Court (Collins, 2021), pp. 60-1.
  4. ^ Jemma Field, Anna of Denmark: Material and Visual Culture of the Stuart Courts (Manchester, 2020), pp. 58-62, 78 fn. 90.
  5. ^ John Nichols, The Progresses, Processions, and Magnificent Festivities of King James the First, vol. 3 (London, 1828), p. 77.
  6. ^ William Shaw & G. Dyfnallt Owen, HMC 77 Manuscripts of the Viscount De L'Isle, vol. 5 (London, 1962), p. 408.
  7. ^ David J. Benson, Music: a mathematical offering
  8. ^ Dugas, Rene (1988). A History of Mechanics. Dover. p. 128.
  9. ^ The Case of the 'Hail Mary' Celeste, 2015, Bloomsbury Publishing, ISBN 978-1-4088-5193-7
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