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| occupation = Actress
| occupation = Actress
| yearsactive = 1968–2007
| yearsactive = 1968–2007
| spouse = {{marriage|[[Carl Lumbly]]|1987}}
| spouse = {{marriage|[[Carl Lumbly]]|1986}}
| domesticpartner = [[Max Julien]] (1970–1977)
| domesticpartner = [[Max Julien]] (1970–1977)
| children = 1
| children = 1
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She appeared in an episode of the TV series ''[[Starsky & Hutch]]'' named "Black and Blue" in 1979. She appeared as Marlene, the high-energy lot manager, in the 1984 cult classic ''[[Repo Man (film)|Repo Man]]''.
She appeared in an episode of the TV series ''[[Starsky & Hutch]]'' named "Black and Blue" in 1979. She appeared as Marlene, the high-energy lot manager, in the 1984 cult classic ''[[Repo Man (film)|Repo Man]]''.


Vonetta McGee always discussed the racism that existed within the industry.&nbsp; When singer Diana Ross landed lead roles and was hailed as proof of equal opportunity Hollywood, McGee argued otherwise. “She has had the luxury of a studio behind her,<nowiki>'' McGee said. ''This is where a lot of us fell short. We all needed a certain amount of protection. But we were on our own.''</nowiki> <ref name=":0" />
Vonetta McGee always discussed the racism that existed within the industry.&nbsp; When singer Diana Ross landed lead roles and was hailed as proof of equal opportunity Hollywood, McGee argued otherwise. “She has had the luxury of a studio behind her,<nowiki>'' McGee said. ''This is where a lot of us fell short. We all needed a certain amount of protection. But we were on our own.''</nowiki><ref name="LAT" />


McGee disliked the term [[Blaxploitation]]. She told the LA Times the label was “like racism, so you don’t have to think of the individual elements, just the whole.” Instead, McGee preferred the “Black-film genre.” “[[Black film]],” she once said, “is the most valuable art form in pictures since [[Andy Warhol]] and Campbell Soup cans, because of the impact it made on the Black community.”<ref name=":1" />
McGee disliked the term [[Blaxploitation]]. She told the ''LA Times'' the label was “like racism, so you don’t have to think of the individual elements, just the whole.” Instead, McGee preferred the “Black-film genre.” “[[Black film]],” she once said, “is the most valuable art form in pictures since [[Andy Warhol]] and Campbell Soup cans, because of the impact it made on the Black community.”<ref name=":1" />


==Personal life and death==
==Personal life and death==
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She wanted to focus on writing and filmmaking but she was facing an ongoing battle with Hodgkin's Lymphoma, and took a break to focus on her health in the late 1970s and early 1980s. The 1984 film, ''[[Repo Man (film)|Repo Man]]'' marked her return to the screen.<ref name=":0" />
She wanted to focus on writing and filmmaking but she was facing an ongoing battle with Hodgkin's Lymphoma, and took a break to focus on her health in the late 1970s and early 1980s. The 1984 film, ''[[Repo Man (film)|Repo Man]]'' marked her return to the screen.<ref name=":0" />


She met [[Carl Lumbly]] on the set of ''[[Cagney & Lacey]]'', and married him in 1987.{{citation needed|date=June 2023}} They had one child, Brandon, born in 1988. The couple were spokespeople for the [[American Lung Association]].{{citation needed|date=June 2023}}
She met [[Carl Lumbly]] on the set of ''[[Cagney & Lacey]]'' and married him in 1986.<ref name="LAT" /> They had one child, Brandon, born in 1988. The couple were spokespeople for the [[American Lung Association]].{{citation needed|date=June 2023}}


McGee was diagnosed with cancer in 2001, and Lumbly became her primary caregiver.<ref name=":0" /> McGee died of [[cardiac arrest]] on July 9, 2010, at the age of 65.<ref name="LAT" /><ref name="NYT" />
McGee was diagnosed with cancer in 2001, and Lumbly became her primary caregiver.<ref name=":0" /> McGee died of [[cardiac arrest]] on July 9, 2010, at the age of 65.<ref name="LAT" /><ref name="NYT" />

Revision as of 05:59, 17 November 2023

Vonetta McGee
McGee in 1975
Born
Vonetta Lawrence McGee[1]

(1945-01-14)January 14, 1945
San Francisco, California, U.S.
DiedJuly 9, 2010(2010-07-09) (aged 65)
Berkeley, California, U.S.
EducationSan Francisco State University
OccupationActress
Years active1968–2007
Spouse
​
(m. 1986)​
PartnerMax Julien (1970–1977)
Children1

Vonetta Lawrence McGee (January 14, 1945 – July 9, 2010) was an American actress.[2] She debuted in the Spaghetti Western The Great Silence and went on to appear in blaxploitation films such as Hammer, Melinda, Blacula, Shaft in Africa, Detroit 9000, and 1974's Thomasine & Bushrod alongside her then-boyfriend Max Julien. In 1975, she was Clint Eastwood's co-star in The Eiger Sanction. She was a regular on the 1987 Universal Television situation comedy Bustin' Loose, starring as Mimi Shaw for its only season (1987–88).

Early life

Born Vonetta Lawrence McGee in San Francisco, California, to Lawrence McGee and Alma McGee (née Scott).[3] McGee graduated from San Francisco Polytechnic High School in 1962. She was diagnosed with Hodgkin's Lymphoma at the age of 17. Her family encouraged her to be a lawyer.[4]

She enrolled at San Francisco State University to study pre-law and acted with the racially conscious Black theater group Aldridge Players West. She eventually dropped out of college and went abroad to seek active work.[5]

Career

McGee landed her first role in 1968, when she performed alongside Jean-Louis Trintignant and Klaus Kinski in Sergio Corbucci's Spaghetti Western The Great Silence, and made her first released film appearance earlier that year as the eponymous character in the Italian comedy Faustina.[1] She later became well known for her parts in the 1972 Blaxploitation films Melinda and Hammer. In the action thriller Shaft in Africa (1973), McGee took the role of Aleme, the daughter of an emir, who teaches John Shaft (Richard Roundtree) Ethiopian geography. Earlier that year she had appeared in a supporting role as an occult priestess in The Norliss Tapes. In 1974, McGee appeared as Thomasine, alongside Max Julien as Bushrod, in the western action film Thomasine & Bushrod, which was intended as a counterpart to the 1967 film Bonnie and Clyde. The next year, she starred alongside Clint Eastwood in the action thriller The Eiger Sanction (1975).

The 1977 film, Brothers, in which Mcgee played a character similar to Angela Davis, was pulled from the box office because of the fear of riots. That same year she noted in an interview with Ebony Magazine the decrease in black-led films over the last 2 years.[4]

She appeared in an episode of the TV series Starsky & Hutch named "Black and Blue" in 1979. She appeared as Marlene, the high-energy lot manager, in the 1984 cult classic Repo Man.

Vonetta McGee always discussed the racism that existed within the industry.  When singer Diana Ross landed lead roles and was hailed as proof of equal opportunity Hollywood, McGee argued otherwise. “She has had the luxury of a studio behind her,'' McGee said. ''This is where a lot of us fell short. We all needed a certain amount of protection. But we were on our own.''[2]

McGee disliked the term Blaxploitation. She told the LA Times the label was “like racism, so you don’t have to think of the individual elements, just the whole.” Instead, McGee preferred the “Black-film genre.” “Black film,” she once said, “is the most valuable art form in pictures since Andy Warhol and Campbell Soup cans, because of the impact it made on the Black community.”[5]

Personal life and death

McGee was in a live-in relationship with actor Max Julien from 1974 to 1977.[citation needed] They starred together in the 1974 film Thomasine & Bushrod.

She wanted to focus on writing and filmmaking but she was facing an ongoing battle with Hodgkin's Lymphoma, and took a break to focus on her health in the late 1970s and early 1980s. The 1984 film, Repo Man marked her return to the screen.[4]

She met Carl Lumbly on the set of Cagney & Lacey and married him in 1986.[2] They had one child, Brandon, born in 1988. The couple were spokespeople for the American Lung Association.[citation needed]

McGee was diagnosed with cancer in 2001, and Lumbly became her primary caregiver.[4] McGee died of cardiac arrest on July 9, 2010, at the age of 65.[2][3]

Selected filmography

Film
Year Title Role Notes
1968 Faustina Faustina Ceccarelli
The Great Silence Pauline Middleton
1969 The Lost Man Diane Lawrence
1970 The Kremlin Letter "The Negress"
1972 The Big Bust Out Nada
Melinda Audrey Miller / Melinda Lewis
Blacula Tina Williams / Luva
Hammer Lois
1973 The Norliss Tapes Mademoiselle Jeckiel
Shaft in Africa Aleme
Detroit 9000 Roby Harris
1974 Thomasine & Bushrod Thomasine
1975 The Eiger Sanction C-2 Agent Jemima Brown
1977 Brothers Paula Jones
Foxbat Toni Hill
1978 Superdome Sonny
1984 Repo Man Marlene
1985 Hell Town Sister Indigo TV movie
1990 To Sleep with Anger Pat
1991 Brother Future Mortilla
1998 Johnny B Good Lidia
2007 Black August Georgia Jackson (final film role)
Television
Year Title Role Notes
1979 Starsky & Hutch Joan Meredith 1 episode "Black and Blue"
1984–1986 Cagney & Lacey Claudia Petrie 4 episodes
1985 Hell Town Sister Indigo 8 episodes
1987 Amen Monica Rutledge 1 episode
1987–1988 Bustin' Loose Mimi Shaw 26 episodes
1989–1990 L.A. Law Jackie Williams 7 episodes

References

  1. ^ a b Cox, Alex (July 20, 2010). "Vonetta McGee obituary". The Guardian. Retrieved September 15, 2015.
  2. ^ a b c d McLellan, Dennis (July 15, 2010). "Vonetta McGee dies at 65; film actress during 1970s blaxploitation era". The Los Angeles Times. Retrieved January 29, 2011.
  3. ^ a b Fox, Margalit (July 16, 2010). "Vonetta McGee, Film and TV Actress, Dies at 65". The New York Times. ISSN 0362-4331. Retrieved February 15, 2014.
  4. ^ a b c d McBridge, Clare (March 18, 2020). "Forgotten Women of Genre: Vonetta McGee". SYFY Official Site. Retrieved April 21, 2023.
  5. ^ a b Chibelushi, Wedaeli (June 20, 2018). "The Radical Life of Blaxploitation's Forgotten Hero, Vonetta McGee". www.vice.com. Retrieved April 21, 2023.
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