Jump to content

Six moments musicaux (Schubert): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Line 6: Line 6:
It has been said that Schubert was deeply influenced in writing these pieces by the ''Impromptus'', Op. 7, of [[Jan Václav Voříšek]] (1822).<ref>Grove's Dictionary of Music and Musicians, 5th ed. 1954</ref><ref name=naxos/> These pieces have been described as "akin to [[Ludwig van Beethoven|Beethoven]]’s [[Bagatelles, Op. 126 (Beethoven)|Bagatelles]] in their brevity and quixotic character."<ref>[https://crosseyedpianist.com/2019/10/22/a-distinct-soundworld-in-microcosm-schuberts-moments-musicaux/ The Cross-Eyed Pianist, "A distinct soundworld in microcosm: Schubert’s Moments Musicaux," October 22, 2019]</ref>
It has been said that Schubert was deeply influenced in writing these pieces by the ''Impromptus'', Op. 7, of [[Jan Václav Voříšek]] (1822).<ref>Grove's Dictionary of Music and Musicians, 5th ed. 1954</ref><ref name=naxos/> These pieces have been described as "akin to [[Ludwig van Beethoven|Beethoven]]’s [[Bagatelles, Op. 126 (Beethoven)|Bagatelles]] in their brevity and quixotic character."<ref>[https://crosseyedpianist.com/2019/10/22/a-distinct-soundworld-in-microcosm-schuberts-moments-musicaux/ The Cross-Eyed Pianist, "A distinct soundworld in microcosm: Schubert’s Moments Musicaux," October 22, 2019]</ref>


They were published by Leidesdorf in Vienna in 1828, under the title "Six Momens [sic] musicals [sic]". The standard French forms are now usually used – '''moments''' (instead of ''momens''), and '''musicaux''' (instead of ''musicals''). The sixth number was published in 1824 in a Christmas album under the title ''Les plaintes d'un troubadour''.<ref name=naxos>[http://www.naxosdirect.com/title/8.550259 Naxos] {{webarchive|url=https://web.archive.org/web/20090314020533/http://www.naxosdirect.com/title/8.550259 |date=2009-03-14 }}</ref>
They were published by Leidesdorf in Vienna in 1828, under the title "Six Momens [sic] musicals [sic]". The standard French forms are now usually used – '''moments''' (instead of ''momens''), and '''musicaux''' (instead of ''musicals''). Because the title is not Schubert's own, it has been argued that we "might reasonably conclude that these are not really 'moments' of music at all, as some of the six pieces last more than five or six minutes."<ref>[https://www.pcmsconcerts.org/wp-content/uploads/2021/05/11%202-Goode-Notes-Rev.pdf Chamber Music Society, 2021.11.02, Richard Goode, program notes]</ref>

The sixth number was published in 1824 in a Christmas album under the title ''Les plaintes d'un troubadour''.<ref name=naxos>[http://www.naxosdirect.com/title/8.550259 Naxos] {{webarchive|url=https://web.archive.org/web/20090314020533/http://www.naxosdirect.com/title/8.550259 |date=2009-03-14 }}</ref>


==Structure==
==Structure==

Revision as of 01:39, 27 December 2023

Schubert in 1827

Six moments musicaux, D. 780 (Op. 94) is a collection of six short pieces for solo piano composed by Franz Schubert. Along with the Impromptus, they are among the most frequently played of all Schubert's piano music, and have been recorded many times. No. 3 in F minor has been arranged by Leopold Godowsky and others.

Background

It has been said that Schubert was deeply influenced in writing these pieces by the Impromptus, Op. 7, of Jan Václav Voříšek (1822).[1][2] These pieces have been described as "akin to Beethoven’s Bagatelles in their brevity and quixotic character."[3]

They were published by Leidesdorf in Vienna in 1828, under the title "Six Momens [sic] musicals [sic]". The standard French forms are now usually used – moments (instead of momens), and musicaux (instead of musicals). Because the title is not Schubert's own, it has been argued that we "might reasonably conclude that these are not really 'moments' of music at all, as some of the six pieces last more than five or six minutes."[4]

The sixth number was published in 1824 in a Christmas album under the title Les plaintes d'un troubadour.[2]

Structure

The movements are as follows:

  1. Moderato in C major
  2. Andantino in A major
  3. Allegro moderato in F minor (ends in F major)
  4. Moderato in C minor
  5. Allegro vivace in F minor (ends in F major)
  6. Allegretto in A major (ends on an open octave in an A minor context)

References