Music Analysis (journal): Difference between revisions
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'''''Music Analysis''''' is a [[peer review|peer-reviewed]] [[academic journal]] specializing in [[music theory]] and [[musical analysis|analysis]]. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the [[Society for Music Analysis]]."<ref name=home>{{cite journal |url=http://onlinelibrary.wiley.com/journal/10.1111/(ISSN)1468-2249 |title=Music Analysis |publisher=Wiley Online Library |accessdate=2011-02-04|doi=10.1111/(ISSN)1468-2249 }}</ref> |
'''''Music Analysis''''' is a [[peer review|peer-reviewed]] [[academic journal]] specializing in [[music theory]] and [[musical analysis|analysis]]. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the [[Society for Music Analysis]]."<ref name=home>{{cite journal |url=http://onlinelibrary.wiley.com/journal/10.1111/(ISSN)1468-2249 |title=Music Analysis|journal=Music Analysis |publisher=Wiley Online Library |accessdate=2011-02-04|doi=10.1111/(ISSN)1468-2249 }}</ref> |
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Its website describes ''Music Analysis'' as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by [[Theodor W. Adorno]] and [[Heinrich Schenker]].<ref name=home/> |
Its website describes ''Music Analysis'' as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by [[Theodor W. Adorno]] and [[Heinrich Schenker]].<ref name=home/> |
Revision as of 15:49, 10 January 2024
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Discipline | Music theory |
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Language | English |
Edited by | Alan Street |
Publication details | |
History | 1982-present |
Publisher | |
Frequency | Triannually |
Standard abbreviations | |
ISO 4 | Music Anal. |
Indexing | |
ISSN | 0262-5245 (print) 1468-2249 (web) |
LCCN | 83641578 |
JSTOR | 02625245 |
OCLC no. | 299336042 |
Links | |
Music Analysis is a peer-reviewed academic journal specializing in music theory and analysis. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the Society for Music Analysis."[1]
Its website describes Music Analysis as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by Theodor W. Adorno and Heinrich Schenker.[1]
The journal's first editor-in-chief was Jonathan Dunsby. It is currently edited by Edward Venn (editor-in-chief), Anne Hyland (associate editor) and Chris Stover (critical forum).
References
- ^ a b "Music Analysis". Music Analysis. Wiley Online Library. doi:10.1111/(ISSN)1468-2249. Retrieved 2011-02-04.