Alexandra Palace Theatre: Difference between revisions
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[[File:Stage Machinery at Alexandra Palace Theatre.jpg|thumb|Stage Machinery at Alexandra Palace]] |
[[File:Stage Machinery at Alexandra Palace Theatre.jpg|thumb|Stage Machinery at Alexandra Palace]] |
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[[File:Stage Machinery weights.png|thumb|Weights used with stage machinery]] |
[[File:Stage Machinery weights.png|thumb|Weights used with stage machinery]] |
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[[Alexandra Palace]] Theatre was originally built in 1873, designed for performance of opera and ballet, but within a few weeks was burnt to the ground with the rest of the Palace. |
[[Alexandra Palace]] Theatre was originally built in 1873, designed for performance of opera and ballet, but within a few weeks was burnt to the ground with the rest of the Palace. The Palace, including the theatre, was rebuilt and reopened in 1875, The new theatre included a 22 foot cellar below the stage which housed complex machinery for use in scene changes and movement of actors.<ref name=":8">{{Cite web |title=Victorian Special Effects: Stage Machinery at Alexandra Palace |url=https://artsandculture.google.com/story/MgUBF2DCIe1ZKg |website=Google Arts and Culture}}</ref><ref name=":4">{{Cite web |title=Alexandra Palace Theatre |url=https://database.theatrestrust.org.uk/resources/theatres/show/818-alexandra-palace-theatre |website=Theatres Trust}}</ref> It fell into disrepair for many years but was reopened in 2018 after refurbishment. The stage machinery is Grade I listed and one of the few surviving examples in the country. |
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== 1875: Theatre rebuilt == |
== 1875: Theatre rebuilt == |
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The co-architects of the second Place were [[John Johnson (architect, born 1807)|John Johnson]] and [[Alfred Meeson]].They worked with an expert in stage machinery called Thomas Walford Grieve, son of [[Thomas Grieve (painter)|Thomas Grieve]], who designed sets for many London theatres during the 19th century.<ref name=":0">{{Cite web |title=Set design by the Grieve family, probably Thomas Walford Grieve |url=https://collections.vam.ac.uk/item/O1315843/set-design-by-the-grieve-set-design-grieve-thomas-walford/ |website=Collections V&A}}</ref> |
The co-architects of the second Place were [[John Johnson (architect, born 1807)|John Johnson]] and [[Alfred Meeson]].They worked with an expert in stage machinery called Thomas Walford Grieve, son of [[Thomas Grieve (painter)|Thomas Grieve]], who designed sets for many London theatres during the 19th century.<ref name=":0">{{Cite web |title=Set design by the Grieve family, probably Thomas Walford Grieve |url=https://collections.vam.ac.uk/item/O1315843/set-design-by-the-grieve-set-design-grieve-thomas-walford/ |website=Collections V&A}}</ref> |
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According to articles in the Era |
According to articles in the Era and the Hornsey Journal, the theatre could hold 4,000 people<ref>{{Cite news |date=June 1874 |title=Alexandra Palace |pages=12 |work=The Era |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18740607/022/0012}}</ref> and the stage could hold hundreds<ref name=":5">{{Cite news |date=April 1901 |title=Comments and Pencillings |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0004660/19010413/005/0002 |work=Hornsey and Finsbury Park Journal |pages=2}}</ref>. It had a floor area about the same as Drury Lane<ref name=":9">{{Cite book |last=Harris |first=Janet |title=Alexandra Palace A Hidden History |publisher=Tempus Publishing |year=2005 |isbn=978 0 7524 3636 4 |edition=2nd |pages=18}}</ref>, but whereas the area of the Drury Lane stage is about half that of the whole theatre, that of Alexandra Palace Theatre is about a quarter, <ref name=":1">{{Cite book |last=McAndrew |first=Marlene |title=Alexandra Palace Theatre |publisher=Hornsey Historical Society |year=2013 |isbn=978-0-905794-48-8}}</ref> with a distance of 38 metres between the back row of the stalls to the stage.<ref name=":1" /> Statues of Greek muses were installed on either side of the proscenium arch.<ref name=":6">{{Cite news |date=May 1875 |title=Alexandra Palace Theatre |pages=11 |work=The Era |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18750509/024/0011}}</ref> |
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Most of the audience were seated in the raked floor |
Most of the audience were seated in the raked floor area but there were also 2 balconies, neither of which reached to the proscenium arch of the stage as was the case in many other London theatres of the time<ref name=":4" /> <ref name=":6" />. It was reported that the stage could be seen from all seats<ref name=":6" />. According reports at the time the acoustics were good from every seat <ref name=":2">{{Cite web |date=June 1874 |title=Alexandara Palace |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18740607/022/0012 |website=British Newspaper Archive}}</ref><ref name=":6" /> but others reported that the actors had to 'throw' their voices in order to be heard well by everyone.<ref name=":7">{{Cite news |date=May 1885 |title=Alexandra Palace |pages=15 |work=The Era |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18850523/036/0015}}</ref> |
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The theatre was originally lit by [[gaslight]] [[Chandelier| |
The theatre was originally lit by [[gaslight]] using [[Chandelier|gaseliers]] suspended from the ceiling<ref name=":3">{{Cite web |date=May 1875 |title=Alexandra Palace Theatre |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18750509/024/0011 |website=British Newspaper Archive}}</ref> but also had natural light from glazed roofing and six large sash windows, which were blocked with dark screens during performances<ref name=":3" />. The theatre was one of the first to install electric lighting in 1898 <ref name=":1" />, and the [[Salt Water Dimmers|saltwater dimmers]] used to control the brightness of the lights can still be seen backstage at the theatre. |
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Early performances at the theatre included the operetta Breaking the Spell by [[Jacques Offenbach|Offenbach,]] a pantomime based on the fairy tale [[The Yellow Dwarf]], and a ballet called Minerva<ref name=":10">{{Cite book |last=Willmott Nigel, Breary Patricia |first= |title=Drama at the Palace: Victorian Heyday: The Alexandra Palace Theatre 1873-1901 |publisher=North One Communications Ltd |year=1988 |isbn=978-0-9930727-0-3}}</ref> |
Early performances at the theatre included the operetta Breaking the Spell by [[Jacques Offenbach|Offenbach,]] a pantomime based on the fairy tale [[The Yellow Dwarf]], and a ballet called Minerva. <ref name=":10">{{Cite book |last=Willmott Nigel, Breary Patricia |first= |title=Drama at the Palace: Victorian Heyday: The Alexandra Palace Theatre 1873-1901 |publisher=North One Communications Ltd |year=1988 |isbn=978-0-9930727-0-3}}</ref> Performances of all types |
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== 1901: Cinema == |
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| ⚫ | A [[Cinematograph]] film projector was installed in 1901<ref name=":1" /> and the theatre was mostly used as a cinema<ref name=":1" />. The audience were allowed to smoke in the auditorium and as the projector was unprotected and was used to project highly flammable film, there was an inevitable fire risk. Middlesex County Council ordered some work to be done in order to prevent fire <ref name=":5" /> and as a result the theatre was closed from 1907-1908. One of these precautions was to build a box around the projector <ref name=":1" />, which can still be seen in the theatre today.<ref name=":11">{{Cite book |last=Willmott Nigel, Brearley Patricia |first= |title=Drama at the Palace 2 Lost and Found:The Alexandra Place Theatre 1901-2019 |publisher=North One Communications Ltd |year=2019 |isbn=978-0-9930727-1-0}}</ref> Another was to fit a large iron girder weighing 6 tons and 40 feet long above the proscenium arch of the stage to be used with a fire-proof safety curtain dividing the auditorium from the stage.<ref name=":5" /> The upper balcony was removed, wooden staircases to the other balcony were replaced and covered with brick walls, and emergency exits and an outside staircase added. |
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== 1901: Alexandra Palace Trust == |
== 1901: Alexandra Palace Trust == |
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| ⚫ | |||
Mr Macklin was the manager of the the theatre but also acted in productions<ref name=":7" />. |
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From 1875 to 1900 Alexandra Palace was privately owned, but In 1901 the palace and park became owned by the Alexandra Park Trust under the Alexandra Park and Palace (Public Purposes) Act..<ref name=":12">{{Cite book |last=Gay |first=Ken |title=Palace on the Hill. A history of Alexandra Palace and Park |publisher=Hornsey Historical Society |year=1992 |isbn=0 905794 08 7 |pages=21}}</ref> |
From 1875 to 1900 Alexandra Palace was privately owned, but In 1901 the palace and park became owned by the Alexandra Park Trust under the Alexandra Park and Palace (Public Purposes) Act..<ref name=":12">{{Cite book |last=Gay |first=Ken |title=Palace on the Hill. A history of Alexandra Palace and Park |publisher=Hornsey Historical Society |year=1992 |isbn=0 905794 08 7 |pages=21}}</ref> |
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== 1914- 1918:World War I == |
== 1914- 1918:World War I == |
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During WW1 the entire Palace was requisitioned as a transit camp for Belgian refugees<ref name=":12" /> and then as an internment camp. The theatre was used for many purposes including a dormitory |
During WW1, the entire Palace was requisitioned as a transit camp for Belgian refugees<ref name=":12" /> and then as an internment camp. The theatre was used for many purposes including a dormitory, chapel, cinema and a space in which internees performed concerts.<ref name=":9" /><ref name=":10" /><ref name=":11" /> |
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== 1922-1936 == |
== 1922-1936 == |
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The theatre general manager, [[W. J. MacQueen-Pope]] decided to use the war reparation money |
The theatre general manager, [[W. J. MacQueen-Pope]] decided to use the war reparation money which the Place received to refurbish the auditorium. The upper balcony was removed, a new staircase added to the remaining balcony, new mouldings added to the ceiling to reduce echo<ref name=":11" /><ref name=":13">{{Cite web |date=Nov 2022 |title=The BBC’s ‘Studio C’ at the Palace |url=https://www.alexandrapalace.com/blog/the-bbcs-studio-c-at-the-palace/ |website=Alexandra Palace}}</ref>, and a new foyer created. The work was completed in 1923 and reopened with a performance of the pantomime Cinderella.<ref name=":14">{{Cite web |title=Alexandra Palace The birthplace of television |url=https://www.bbc.com/historyofthebbc/buildings/alexandra-palace/ |website=History of the BBC}}</ref> It was reported in The Era that the theatre was a 'comfortable, warm, modern playhouse capable of staging the biggest shows'. <ref>{{Cite news |date=1 Feb 1923 |title=Alexandra Palace Theatre |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/19230201/129/0010 |work=The Era |pages=10}}</ref>. The under stage machinery that produced the effects necessary in Victorian melodrama was no longer used, but most of the machinery is preserved at the theatre. <ref name=":8" /> |
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After the reopening the |
After the reopening, the performances in the theatre included drama, opera and musical theatre, and variety. The Alexandra Palace Operatic and Dramatic Society, set up by [[W. J. MacQueen-Pope|MacQueen-Pope]], with their key performer Nancy McMillan, <ref name=":11" /> performed a number of [[Gilbert and Sullivan]] light operas and [[Edwardian Musical Comedies|Edwardian musical comedies.]] |
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In 1926 the theatre was leased by [[Archie Pitt]]<ref name=":1" />, husband and manager of the singer [[Gracie Fields]], who practiced and performed in the theatre<ref name=":11" />. |
In 1926 the theatre was leased by [[Archie Pitt]] <ref name=":1" />, husband and manager of the singer [[Gracie Fields]], who practiced and performed in the theatre<ref name=":11" />. |
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Audiences declined during this period and the last public performance in the theatre, before it reopened in 2018, <ref name=":15">{{Cite web |title=Restoration |url=https://www.alexandrapalace.com/restoration/overview/ |website=Alexandra Palace}}</ref>was a concert by a Royal Artillery band in 1934.<ref name=":11" /> |
Audiences declined during this period and the last public performance in the theatre, before it reopened in 2018, <ref name=":15">{{Cite web |title=Restoration |url=https://www.alexandrapalace.com/restoration/overview/ |website=Alexandra Palace}}</ref>was a concert by a Royal Artillery band in 1934.<ref name=":11" /> |
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Revision as of 08:22, 8 April 2024
Alexandra Palace Theatre was originally built in 1873, designed for performance of opera and ballet, but within a few weeks was burnt to the ground with the rest of the Palace. The Palace, including the theatre, was rebuilt and reopened in 1875, The new theatre included a 22 foot cellar below the stage which housed complex machinery for use in scene changes and movement of actors.[1][2] It fell into disrepair for many years but was reopened in 2018 after refurbishment. The stage machinery is Grade I listed and one of the few surviving examples in the country.
1875: Theatre rebuilt
The co-architects of the second Place were John Johnson and Alfred Meeson.They worked with an expert in stage machinery called Thomas Walford Grieve, son of Thomas Grieve, who designed sets for many London theatres during the 19th century.[3]
According to articles in the Era and the Hornsey Journal, the theatre could hold 4,000 people[4] and the stage could hold hundreds[5]. It had a floor area about the same as Drury Lane[6], but whereas the area of the Drury Lane stage is about half that of the whole theatre, that of Alexandra Palace Theatre is about a quarter, [7] with a distance of 38 metres between the back row of the stalls to the stage.[7] Statues of Greek muses were installed on either side of the proscenium arch.[8]
Most of the audience were seated in the raked floor area but there were also 2 balconies, neither of which reached to the proscenium arch of the stage as was the case in many other London theatres of the time[2] [8]. It was reported that the stage could be seen from all seats[8]. According reports at the time the acoustics were good from every seat [9][8] but others reported that the actors had to 'throw' their voices in order to be heard well by everyone.[10]
The theatre was originally lit by gaslight using gaseliers suspended from the ceiling[11] but also had natural light from glazed roofing and six large sash windows, which were blocked with dark screens during performances[11]. The theatre was one of the first to install electric lighting in 1898 [7], and the saltwater dimmers used to control the brightness of the lights can still be seen backstage at the theatre.
Early performances at the theatre included the operetta Breaking the Spell by Offenbach, a pantomime based on the fairy tale The Yellow Dwarf, and a ballet called Minerva. [12] Performances of all types
1901: Cinema
A Cinematograph film projector was installed in 1901[7] and the theatre was mostly used as a cinema[7]. The audience were allowed to smoke in the auditorium and as the projector was unprotected and was used to project highly flammable film, there was an inevitable fire risk. Middlesex County Council ordered some work to be done in order to prevent fire [5] and as a result the theatre was closed from 1907-1908. One of these precautions was to build a box around the projector [7], which can still be seen in the theatre today.[13] Another was to fit a large iron girder weighing 6 tons and 40 feet long above the proscenium arch of the stage to be used with a fire-proof safety curtain dividing the auditorium from the stage.[5] The upper balcony was removed, wooden staircases to the other balcony were replaced and covered with brick walls, and emergency exits and an outside staircase added.
1901: Alexandra Palace Trust
From 1875 to 1900 Alexandra Palace was privately owned, but In 1901 the palace and park became owned by the Alexandra Park Trust under the Alexandra Park and Palace (Public Purposes) Act..[14]
1914- 1918:World War I
During WW1, the entire Palace was requisitioned as a transit camp for Belgian refugees[14] and then as an internment camp. The theatre was used for many purposes including a dormitory, chapel, cinema and a space in which internees performed concerts.[6][12][13]
1922-1936
The theatre general manager, W. J. MacQueen-Pope decided to use the war reparation money which the Place received to refurbish the auditorium. The upper balcony was removed, a new staircase added to the remaining balcony, new mouldings added to the ceiling to reduce echo[13][15], and a new foyer created. The work was completed in 1923 and reopened with a performance of the pantomime Cinderella.[16] It was reported in The Era that the theatre was a 'comfortable, warm, modern playhouse capable of staging the biggest shows'. [17]. The under stage machinery that produced the effects necessary in Victorian melodrama was no longer used, but most of the machinery is preserved at the theatre. [1]
After the reopening, the performances in the theatre included drama, opera and musical theatre, and variety. The Alexandra Palace Operatic and Dramatic Society, set up by MacQueen-Pope, with their key performer Nancy McMillan, [13] performed a number of Gilbert and Sullivan light operas and Edwardian musical comedies.
In 1926 the theatre was leased by Archie Pitt [7], husband and manager of the singer Gracie Fields, who practiced and performed in the theatre[13].
Audiences declined during this period and the last public performance in the theatre, before it reopened in 2018, [18]was a concert by a Royal Artillery band in 1934.[13]
1936-1969: BBC
The east section of Alexandra Palace, including the theatre, was leased by the BBC in order to produce and broadcast the first public television shows. [16] There were plans to develop the theatre as a third television studio, but after the second world war these plans were abandoned[15]. The theatre was instead used as a storage and rehearsal space by the BBC.[15] After BBC productions moved to Lime Grove Studios, BBC News moved in and when they moved out in 1969 the Open University production team took over the lease until 1981.
2002: Friends of Alexandra Palace
The Friends of Alexandra Palace Theatre was set up in 2002 by a number of local supported of the theatre, including local actors[13] to support restoration of the theatre.
2013 -2018: Restoration
Alexandra Palace was awarded major grants from the National Lottery Heritage Fund and Haringey Council for the East Wing Restoration Project, including the theatre, which was the biggest investment in the palace for a generation.[18][19] Additional funds came from charitable trusts, businesses and individual donations. Construction in the theatre began in 2016 and included replacing the raked floor with a more versatile flat floor and reinstalling the original floorboards, stablising and sealing the plasterwork installing new stairs to the circle while retaining the original decor as much as possible in the conservation style of arrested decay, and strengthening and realigning the balcony.[13]
2018: Reopening
The theatre was used to perform and broadcast a BBC Prom of Gilbert and Sullivan's Trial by Jury in September 2018 and was officially reopened to the public in December 2018 with three days of performances involving 16 schools and a range of charities and organisations.[19] Since then it has hosted many performances of pantomime, opera, concerts, stand-up comedy and drama, including community performances, and has also been used for recording and live streaming television and filming.
References
- ^ a b "Victorian Special Effects: Stage Machinery at Alexandra Palace". Google Arts and Culture.
- ^ a b "Alexandra Palace Theatre". Theatres Trust.
- ^ "Set design by the Grieve family, probably Thomas Walford Grieve". Collections V&A.
- ^ "Alexandra Palace". The Era. June 1874. p. 12.
- ^ a b c "Comments and Pencillings". Hornsey and Finsbury Park Journal. April 1901. p. 2.
- ^ a b Harris, Janet (2005). Alexandra Palace A Hidden History (2nd ed.). Tempus Publishing. p. 18. ISBN 978 0 7524 3636 4.
- ^ a b c d e f g McAndrew, Marlene (2013). Alexandra Palace Theatre. Hornsey Historical Society. ISBN 978-0-905794-48-8.
- ^ a b c d "Alexandra Palace Theatre". The Era. May 1875. p. 11.
- ^ "Alexandara Palace". British Newspaper Archive. June 1874.
- ^ "Alexandra Palace". The Era. May 1885. p. 15.
- ^ a b "Alexandra Palace Theatre". British Newspaper Archive. May 1875.
- ^ a b Willmott Nigel, Breary Patricia (1988). Drama at the Palace: Victorian Heyday: The Alexandra Palace Theatre 1873-1901. North One Communications Ltd. ISBN 978-0-9930727-0-3.
- ^ a b c d e f g h Willmott Nigel, Brearley Patricia (2019). Drama at the Palace 2 Lost and Found:The Alexandra Place Theatre 1901-2019. North One Communications Ltd. ISBN 978-0-9930727-1-0.
- ^ a b Gay, Ken (1992). Palace on the Hill. A history of Alexandra Palace and Park. Hornsey Historical Society. p. 21. ISBN 0 905794 08 7.
- ^ a b c "The BBC's 'Studio C' at the Palace". Alexandra Palace. Nov 2022.
- ^ a b "Alexandra Palace The birthplace of television". History of the BBC.
- ^ "Alexandra Palace Theatre". The Era. 1 Feb 1923. p. 10.
- ^ a b "Restoration". Alexandra Palace.
- ^ a b "Reclaiming the People's Palace" (PDF).