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'''Dilhayât Kalfa''' (1710? - 1780) was a musician, singer, and composer at the [[Ottoman Empire|Ottoman]] court. She is regarded as the most significant female composer in the history of [[Ottoman music]].<ref name=":0">{{Cite book |last=Feldman |first=Walter |title=Music of the Ottoman court: makam, composition and the early Ottoman instrumental repertoire |last2=Dimitrie Cantemir |last3=Ali Ufkî |date=2024 |publisher=Brill |isbn=978-90-04-53125-3 |edition=New edition |series=Handbook of Oriental studies = Handbuch der Orientalistik. Section one: The Near and Middle East |location=Leiden ; Boston}}</ref>
'''Dilhayât Kalfa''' ({{date||MDY}} – {{fdate||MDY}}) is/was a musician.


Her title ''[[kalfa]]'' indicates that she was an enslaved woman with a relatively high status at the court. A singer and [[Turkish tambur|''tambur'']] player, she composed over a hundred pieces for voice and instrument, 12 of which survive today. Tradition holds that she was the teacher of [[Selim III|Prince Selim]]. <ref name=":0" />
== Early life and education ==
Dilhayât Kalfa was born on {{date||MDY}} in .

== Career ==


== Awards and honors ==
Dilhayât Kalfa won the .

Dilhayât Kalfa was nominated for the .

== Death and legacy ==
Dilhayât Kalfa died on in .


== References ==
== References ==
{{reflist}}
{{reflist}}

== External links==
*
*



Revision as of 17:00, 23 May 2024

Dilhayât Kalfa
Died1780 Edit this on Wikidata
OccupationComposer, singer Edit this on Wikidata

Dilhayât Kalfa (1710? - 1780) was a musician, singer, and composer at the Ottoman court. She is regarded as the most significant female composer in the history of Ottoman music.[1]

Her title kalfa indicates that she was an enslaved woman with a relatively high status at the court. A singer and tambur player, she composed over a hundred pieces for voice and instrument, 12 of which survive today. Tradition holds that she was the teacher of Prince Selim. [1]

References

  1. ^ a b Feldman, Walter; Dimitrie Cantemir; Ali Ufkî (2024). Music of the Ottoman court: makam, composition and the early Ottoman instrumental repertoire. Handbook of Oriental studies = Handbuch der Orientalistik. Section one: The Near and Middle East (New edition ed.). Leiden ; Boston: Brill. ISBN 978-90-04-53125-3. {{cite book}}: |edition= has extra text (help)