Irish traditional music session: Difference between revisions
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[[Image:Session2.jpg|252px|right|A Session by Olivier Longuet]] |
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'''Irish traditional music sessions''' are mostly-informal gatherings at which people play [[Irish traditional music]]. The [[Irish language]] word for "session" is ''seisiún'', although this is not a true Irish word. The general session scheme is that someone starts a tune, and those who know it join in. |
'''Irish traditional music sessions''' are mostly-informal gatherings at which people play [[Irish traditional music]]. The [[Irish language]] word for "session" is ''seisiún'', although this is not a true Irish word. The general session scheme is that someone starts a tune, and those who know it join in. |
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Revision as of 15:47, 13 September 2007
Irish traditional music sessions are mostly-informal gatherings at which people play Irish traditional music. The Irish language word for "session" is seisiún, although this is not a true Irish word. The general session scheme is that someone starts a tune, and those who know it join in.
In his "Field Guide to the Irish Music Session," Barry Foy defines a session as:
...a gathering of Irish traditional musicians for the purpose of celebrating their common interest in the music by playing it together in a relaxed, informal setting, while in the process generally beefing up the mystical cultural mantra that hums along uninterruptedly beneath all manifestations of Irishness worldwide.
Social and cultural aspects
Good session etiquette requires not playing if one does not know the tune, and waiting until a tune one knows comes along. Everyone who is able to play Irish music is welcome, within limits; this can be problematic when non-Irish musicians encounter a session and imagine that they may "jam" without knowing a single tune or even having a clear idea of what traditional music is, or when some over-enthusiastic neophyte shows up with a bodhrán, guitar, pair of spoons, or some other instrument chosen because "it's easy to play."
Most often there are more-or-less recognized session leaders; sometimes there are no leaders. At times a song will be sung or a slow air played by a single musician between sets, though singing - particularly by outsiders who feel that they simply need to sing - is often considered to be in poor form and an obstruction to a session, if not an outright violation of session etiquette.
The objective in a session is not to provide music for an audience of passive listeners; although the punters (non-playing attendees) often come for the express purpose of listening, the music is most of all for the musicians themselves. "Audience" requests for a particular song or tune of the players can be considered rude. The session is an experience that's shared, not a performance that's bought and sold.
The sessions are a key aspect of traditional music; some say it is the main sphere in which the music is formulated and innovated. Further, the sessions enable less advanced musicians to practice in a group.
Socially, sessions have often been compared to an evening of playing card games, where the conversation and cameraderie are an essential component. In many rural communities in Ireland, sessions are an integral part of community life.
Musical aspects
Typically, the first tune is followed by another two or three tunes in a set. The art of putting together a set is hard to put into words, but the tunes must flow from one to another in terms of key and melodic structure, without being so similar as to all sound the same. The tunes of a set will usually all be of the same sort, i.e. all jigs or all reels, although on rare occasions and amongst a more skilled group of players a complementary tune of a different sort will be included, such as a slip jig amongst the jigs. Although bands sometimes arrange sets of reels and jigs together, this is uncommon in an Irish session context.
Some sets are specific to a locale, or even to a single session, whilst others, like the "Coleman set" of reels ("The Tarbolton"/"The Longford Collector"/The Sailor's Bonnet"), represent longstanding combinations that have been played together for decades. Sets are sometimes thrown together ad hoc, which sometimes works brilliantly and sometimes fails on the spot.
After the set ends, someone will usually start another.
Locations and Times
Sessions are usually held in pubs (often with the hope that listeners will buy drink for the musicians). A pub owner might have one or two musicians paid to come regularly in order for the session to have a base. Sunday afternoons and weekday nights (especially Tuesday and Wednesday) are common times for sessions to be scheduled, on the theory that these are the least likely times for dances and concerts to be held, and therefore the times that professional musicians will be most able to show.
Sessions can be held in homes or at various public places in addition to pubs; often at a festival sessions will be got together in the beer tent or in the vendor's booth of a music-loving craftsman or dealer. When a particularly large musical event "takes over" an entire village, spontaneous sessions may erupt on the street corners.
Sessions are an excellent way to witness the real, amorphous identity of Irish traditional tunes.