Les Chants de Maldoror: Difference between revisions
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'''Les Chants de Maldoror''' (''The Songs of Maldoror'') is a [[poetic]] [[novel]] consisting of six [[canto]]s. It was written between [[1868]] and [[1869]] by the [[Comte de Lautreamont]], the pseudonym of Isidore Lucien Ducasse. Many of the surrealists ([[Salvador Dalí]], [[André Breton]], [[Antonin Artaud]], [[Marcel Duchamp]], [[Man Ray]], [[Max Ernst]], etc.) in the early 1900s cited the novel as a major inspiration to their own works and ''Maldoror'' |
'''Les Chants de Maldoror''' (''The Songs of Maldoror'') is a [[poetic]] [[novel]] consisting of six [[canto]]s. It was written between [[1868]] and [[1869]] by the [[Comte de Lautreamont]], the pseudonym of Isidore Lucien Ducasse. Many of the surrealists ([[Salvador Dalí]], [[André Breton]], [[Antonin Artaud]], [[Marcel Duchamp]], [[Man Ray]], [[Max Ernst]], etc.) in the early 1900s cited the novel as a major inspiration to their own works and ''Les Chants de Maldoror'', and its protagonist Maldoror, have continued to fascinate people since its publication. |
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==Theme and composition== |
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==Plot summary== |
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It is impossible to summarize the work because it does not have specific plot in the traditional sense, and the narrative style is non-linear and often [[surrealism|surrealistic]]. The work revolves around the [[misanthropy|misanthropic]] character of Maldoror, a figure of absolute [[evil]] who is opposed to [[God]] and [[human race|humanity]], and has renounced all ties to conventional morality and decency. The iconoclastic imagery and tone is typically violent and macabre, and ostensibly [[nihilism|nihilistic]]. Much of the imagery was borrowed from the popular [[gothic novel|gothic]] literature of the period, in particular [[Lord Byron]]'s ''[[Manfred]]'', [[Charles Robert Maturin]]'s ''[[Melmoth the Wanderer]]'' and [[Goethe]]'s ''[[Faust]]''. Of these figures, the latter two are particularly significant in their portrayal of a negative and [[Satan]]ic [[anti-hero]] who is in hostile opposition to God. The last eight stanzas of the final canto are in a way a small novel dealing with the seduction and murder of a youth. It has been shown that parts of the work have been [[Appropriation|appropriated]] from a work of natural history first published in 1861. |
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==Influence== |
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==Allusions/references to other works== |
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Much of the imagery was borrowed from the popular [[gothic novel|gothic]] literature of the period, in particular [[Lord Byron]]'s ''[[Manfred]]'', [[Charles Robert Maturin]]'s ''[[Melmoth the Wanderer]]'' and [[Goethe]]'s ''[[Faust]]''. Of these figures, the latter two are particularly significant in their portrayal of a negative and [[Satan]]ic [[anti-hero]] who is in hostile opposition to God. |
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| ⚫ | ''Les Chants de Maldoror'' is considered to have been a major influence upon French [[Symbolism (arts)|Symbolism]], [[Dada]], and [[Surrealism]]. Several editions of the book have included [[lithograph]]s by the French symbolist painter [[Odilon Redon]]. Surrealist painter Salvador Dalí also illustrated one edition of the book. The Italian painter [[Amadeo Modigliani]] used to carry a copy around in [[Montparnasse]] and quote from it. The outsider artist [[Unica Zürn]] was also influenced by it in writing her [[The Man of Jasmine]]. |
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==Allusions/references from other works== |
==Allusions/references from other works== |
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| ⚫ | ''Les Chants de Maldoror'' is considered to have been a major influence upon French [[Symbolism (arts)|Symbolism]], [[Dada]], and [[Surrealism]]. Several editions of the book have included [[lithograph]]s by the French symbolist painter [[Odilon Redon]]. Surrealist painter Salvador Dalí also illustrated one edition of the book. |
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{{trivia|date=October 2007}} |
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The [[England|English]] music group [[Current 93]] has several songs referencing Maldoror, the earliest being their debut track "Maldoror Est Mort" on the ''Mi-Mort'' cassette. |
The [[England|English]] music group [[Current 93]] has several songs referencing Maldoror, the earliest being their debut track "Maldoror Est Mort" on the ''Mi-Mort'' cassette. |
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Revision as of 21:16, 28 October 2007
| Author | Comte de Lautreamont |
|---|---|
| Original title | Les Chants de Maldoror |
| Language | French |
| Genre | Poetic novel |
| Publication place | France |
Les Chants de Maldoror (The Songs of Maldoror) is a poetic novel consisting of six cantos. It was written between 1868 and 1869 by the Comte de Lautreamont, the pseudonym of Isidore Lucien Ducasse. Many of the surrealists (Salvador Dalí, André Breton, Antonin Artaud, Marcel Duchamp, Man Ray, Max Ernst, etc.) in the early 1900s cited the novel as a major inspiration to their own works and Les Chants de Maldoror, and its protagonist Maldoror, have continued to fascinate people since its publication.
Theme and composition
It is impossible to summarize the work because it does not have specific plot in the traditional sense, and the narrative style is non-linear and often surrealistic. The work revolves around the misanthropic character of Maldoror, a figure of absolute evil who is opposed to God and humanity, and has renounced all ties to conventional morality and decency. The iconoclastic imagery and tone is typically violent and macabre, and ostensibly nihilistic. Much of the imagery was borrowed from the popular gothic literature of the period, in particular Lord Byron's Manfred, Charles Robert Maturin's Melmoth the Wanderer and Goethe's Faust. Of these figures, the latter two are particularly significant in their portrayal of a negative and Satanic anti-hero who is in hostile opposition to God. The last eight stanzas of the final canto are in a way a small novel dealing with the seduction and murder of a youth. It has been shown that parts of the work have been appropriated from a work of natural history first published in 1861.
Influence
Les Chants de Maldoror is considered to have been a major influence upon French Symbolism, Dada, and Surrealism. Several editions of the book have included lithographs by the French symbolist painter Odilon Redon. Surrealist painter Salvador Dalí also illustrated one edition of the book. The Italian painter Amadeo Modigliani used to carry a copy around in Montparnasse and quote from it. The outsider artist Unica Zürn was also influenced by it in writing her The Man of Jasmine.
Allusions/references from other works
 | This article contains a list of miscellaneous information. (October 2007) |
The English music group Current 93 has several songs referencing Maldoror, the earliest being their debut track "Maldoror Est Mort" on the Mi-Mort cassette.
Maldoror was used as the name for Merzbow's 1999 noise collaboration with Mike Patton.
Skinny Puppy's lead singer niveK oGre is stated to have based his early lyrical stylings on Maldoror.
Avant-garde cellist Erik Friedlander released an improvisational album entitled "Maldoror" in 2003 based around his impressions of the novel.
Portuguese alternative-rock band Mão Morta, together with some portuguese collaborators, conceived a show mixing music, theatre, video and declamation, based on the novel. It premiered in Braga on the 11th of May 2007.
British rock band Bauhaus references Maldoror in the song "The Three Shadows" from their 1982 LP entitled The Sky's Gone Out with the lyrics: "i hold the fresh pink baby with a smile. i slice off those rosy cheeks because i feel so thirsty."
Original French text
English translations
- Lykiard, Alexis (translator). Maldoror and the Complete Works. (1994) ISBN 1-878972-12-X
- Wernham, Guy (translator). Maldoror. (1943) ISBN 0-8112-0082-5
- Knight, Paul (translator). Maldoror and Poems. (1988) ISBN 0-14-044342-8
- Rodker, John (translator). The Lay of Maldoror. (1924)
 | This article about a 19th-century novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |