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From a very young age Bates would read the [[liner notes]] to learn as much as he could about music. His mother listened to a variety of music so Bates was exposed to a variety of different styles of music; from [[Jesus Christ Superstar]] and [[Hair (musical)|Hair]] to [[Joni Mitchell]] and [[the Beatles]].<ref name="bio">[http://www.shocktillyoudrop.com/news/topnews.php?id=1103 Exclusive: Tyler Bates Interview!]</ref>
From a very young age Bates would read the [[liner notes]] to learn as much as he could about music. His mother listened to a variety of music so Bates was exposed to a variety of different styles of music; from [[Jesus Christ Superstar]] and [[Hair (musical)|Hair]] to [[Joni Mitchell]] and [[the Beatles]].<ref name="bio">[http://www.shocktillyoudrop.com/news/topnews.php?id=1103 Exclusive: Tyler Bates Interview!]</ref>


When he was older, he moved to [[Los Angeles]] to find a career as a songwriter and producer. In between music jobs, he'd take on small jobs including painting houses.<ref name="bio"/> He also joined a number of different bands and is currently a drummer in the band
When he was older, he moved to [[Los Angeles]] to find a career as a songwriter and producer. In between music jobs, he'd take on small jobs including painting houses.<ref name="bio"/> He also joined a number of different bands.


==300 Soundtrack controversy==
==300 Soundtrack controversy==

Revision as of 11:53, 6 December 2007

Tyler Bates is a music producer and composer for films. His most known work includes "The Hangman's Song" and various other tracks from the zombie horror film Dawn of the Dead. Other projects include See No Evil and Slither.

Biography

From a very young age Bates would read the liner notes to learn as much as he could about music. His mother listened to a variety of music so Bates was exposed to a variety of different styles of music; from Jesus Christ Superstar and Hair to Joni Mitchell and the Beatles.[1]

When he was older, he moved to Los Angeles to find a career as a songwriter and producer. In between music jobs, he'd take on small jobs including painting houses.[1] He also joined a number of different bands.

300 Soundtrack controversy

300's soundtrack has been accused of borrowing many elements from Elliot Goldenthal's 1999 soundtrack for Titus, which caused some controversy in the film composer community.[2] [3] [4] 300's "Remember Us" is identical in parts to the end of Titus's "Finale". Also similar is 300's "Returns A King" to Titus's "Victorius Titus".[5]

Portal On.net in the Republic of Macedonia revealed that the intro to the song "Message For The Queen" has the same melody as a folk song from the region of Macedonia "Zajdi, zajdi jasno Sonce"(in Macedonian)/"Zaidi, Zaidi Iasno Slance" (in Bulgarian) [Set, set bright Sun (in English)]. However, the soundtrack author Tyler Bates failed to provide proper attribution, and now claims the melody as his own copyrighted work.

This song has been included in numerous anthologies and has been interpreted by a number of Macedonian, Serbian and Bulgarian star singers, including Nikolina Chakardakova, Aleksandar Sarievski, Zafir Hadzimanov, and Tose Proeski. During the last 60 years, this was one one of the songs that people of former Yugoslavia most often associate with Macedonia, as shown in the 1998 movie Powder Keg by Serbian director Goran Paskaljević. On.net also published a response by Tyler Bates, who claims that he "can't say there is a specific source of inspiration for the cue."

Discography

Soundtrack albums

Film soundtracks

References