Jump to content

The Castle of Otranto: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
m rm from parent cat
m →‎External links: adding link to Project Gutenberg edition
Line 34: Line 34:


==External links==
==External links==
{{cite wikisource|The Castle of Otranto|Horace Walpole}}
* {{gutenberg|no=696|name=The Castle of Otranto}}
* {{cite wikisource|The Castle of Otranto|Horace Walpole}}


[[Category:1764 novels]]
[[Category:1764 novels]]

Revision as of 21:45, 14 February 2008

The Castle of Otranto
Title page from the third edition
AuthorHorace Walpole
LanguageEnglish
Publication date
1764
Publication placeEngland

The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first gothic novel, initiating a literary genre which would become extremely popular in the later 18th century and early 19th century. Thus, Castle, and Walpole by extension is arguably the forerunner to such authors as Charles Robert Maturin, Ann Radcliffe, Bram Stoker, and Daphne du Maurier.

History

The initial 1764 edition was titled in full The Castle of Otranto, A Story. Translated by William Marshal, Gent. From the Original Italian of Onuphrio Muralto, Canon of the Church of St. Nicholas at Otranto. This first edition purported to be a translation based on a manuscript printed at Naples in 1529 and recently rediscovered in the library of "an ancient Catholic family in the north of England." The Italian manuscript's story, it was claimed, derived from a story still older, dating back perhaps as far as the Crusades. This Italian manuscript, along with alleged author "Onuphrio Muralto," were Walpole's fictional creations, and "William Marshal" his pseudonym.

In the second and subsequent editions, Walpole acknowledges authorship of his work, writing: "The favorable manner in which this little piece has been received by the public, calls upon the author to explain the grounds on which he composed it" as "an attempt to blend the two kinds of romance, the ancient and the modern. In the former all was imagination and improbability: in the latter, nature is always intended to be, and sometimes has been, copied with success..." There was some debate at the time about the function of literature, that is, whether or not works of fiction should be representative of life, or more purely imaginative (i.e. natural vs. romantic). The first edition was well received by some reviewers who understood the novel as belonging to medieval fiction, "between 1095, the era of the first crusade, and 1243, the date of the last," as the first preface states; and some referred to Walpole as an "ingenious translator." Following Walpole's admission of authorship, however, many critics were loath to lavish much praise on the work and dismissed it as absurd, fluffy, romantic fiction.

In his 1924 edition of The Castle of Otranto Montague Summers showed that the life story of Manfred of Sicily inspired some details of the plot. The real medieval castle of Otranto was among Manfred's possessions.

Plot summary

The plot of Castle begins full tilt as Conrad, son of Manfred of house Otranto, is crushed by a giant helmet on his wedding day, also his birthday. Because of the marraige's political connections, Manfred decides to divorce his wife, Hippolita, and marry Conrad's betrothed, Isabella. Amid speculations about an "ancient prophecy" claiming "That the castle and lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it," Manfred's second union is disrupted by a series of supernatural events involving many oversized limbs, ghosts, mysterious blood, and a true prince.

  • The Castle of Otranto at Project Gutenberg
  • Horace Walpole. The Castle of Otranto  – via Wikisource.