Stephan Sinding: Difference between revisions
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'''Stephan Sinding''' ([[1846]]–[[1922]]), was a [[Norway|Norwegian]]-[[Denmark|Danish]] [[Sculpture|sculptor]]. |
'''Stephan (Abel) Sinding''' ([[4 August]] [[1846]]– [[23 January]][[1922]]), was a [[Norway|Norwegian]]-[[Denmark|Danish]] [[Sculpture|sculptor]]. |
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Sinding was the brother of the composer [[Christian Sinding]] and artist [[Otto Ludvig Sinding]]. |
Sinding was the brother of the composer [[Christian Sinding]] and artist [[Otto Ludvig Sinding]]. |
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Sinding broke of his law studies in Christiania (now [[Oslo]]) in order to take drawing and modelling lessons first in Norway at 'Den kongelige Tegneskole' in Christiania under the direction of Julius Middelthun. Later he was tought sculpting by Albert Wolff in Berlin. Sinding spent his grown up life working in different places mostly [[Rome]], [[Copenhagen]], and finally [[Paris]]. He picked up influence from the newest and most modern french sculptures of his times (among others [[August Rodin]], [[Barrias]][[Paul Dubois]] etc.) and was at first met with failing recognition from the norwegian public since his style was considered too modern. He found Copenhagen a better working place and obtained danish citizenship in 1890. Denmark by that time, was still under great artistic influence by the late [[Bertel Thorvaldsen]], which neo-greek/neo-classical sculptures were still considered to be the art as it should be. Never the less he found recognition and support from brewer [[Carl Jacobsen]] (owner of the brewery [[Ny Carlsberg]], son of [[Iakob Christian Jacobsen]] founder of [[Carlsberg]]) which had an interest for sculptures. Carl Jacobsen bought his first Sinding sculpture "En barbarkvinde bærer sin dræbte søn bort fra slaget” in 1883 adding it to his ever growing collection in his private [[Glyptothek]]], which later was transformed into the [[Ny Carlsberg Glyptotek]], which still holds the largest collection in the world of Sinding sculptures. |
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Sinding created a number of - by that time - adored sculptures, among others "Fangen Moder" (given Grand Prix at the world fair in Paris, 1889), "To Mennesker" (1889), "Ung kvinde med sin mands lig"/"Enken" (1892) etc. |
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In 1910 Sinding left Copenhagen for Paris, where he worked until his death. He is interned at the Pere Lachaise Cemetery. |
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Many of Sindings sculptures are credited to realism but he also - together with among others danish sculptor [[Niels Hansen Jacobsen]], though much stronger and radical in his work - worked in the style of [[symbolism]]. An example of his symbolism work is his sculpture "Valkyrie", a bronze copy currently displayed at the "Churchill Park" in central [[Copenhagen]]. |
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Sinding wrote - helped by Franz von Jessen - an autobiography titled ”En Billedhuggers Liv” (printet Christiania, Gyldendalske Boghandel, 1921). |
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[[Category:Danish sculptors]] |
[[Category:Danish sculptors]] |
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[[Category:Norwegian sculptors]] |
[[Category:Norwegian sculptors]] |
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[[Category:Burials in France|Pere Lachaise Cemetery]] |
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[[Category:Cemeteries in Paris|Pere Lachaise Cemetery, burials at]] |
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Revision as of 06:23, 29 April 2008
Stephan (Abel) Sinding (4 August 1846– 23 January1922), was a Norwegian-Danish sculptor. Sinding was the brother of the composer Christian Sinding and artist Otto Ludvig Sinding. Sinding broke of his law studies in Christiania (now Oslo) in order to take drawing and modelling lessons first in Norway at 'Den kongelige Tegneskole' in Christiania under the direction of Julius Middelthun. Later he was tought sculpting by Albert Wolff in Berlin. Sinding spent his grown up life working in different places mostly Rome, Copenhagen, and finally Paris. He picked up influence from the newest and most modern french sculptures of his times (among others August Rodin, BarriasPaul Dubois etc.) and was at first met with failing recognition from the norwegian public since his style was considered too modern. He found Copenhagen a better working place and obtained danish citizenship in 1890. Denmark by that time, was still under great artistic influence by the late Bertel Thorvaldsen, which neo-greek/neo-classical sculptures were still considered to be the art as it should be. Never the less he found recognition and support from brewer Carl Jacobsen (owner of the brewery Ny Carlsberg, son of Iakob Christian Jacobsen founder of Carlsberg) which had an interest for sculptures. Carl Jacobsen bought his first Sinding sculpture "En barbarkvinde bærer sin dræbte søn bort fra slaget” in 1883 adding it to his ever growing collection in his private Glyptothek], which later was transformed into the Ny Carlsberg Glyptotek, which still holds the largest collection in the world of Sinding sculptures. Sinding created a number of - by that time - adored sculptures, among others "Fangen Moder" (given Grand Prix at the world fair in Paris, 1889), "To Mennesker" (1889), "Ung kvinde med sin mands lig"/"Enken" (1892) etc. In 1910 Sinding left Copenhagen for Paris, where he worked until his death. He is interned at the Pere Lachaise Cemetery.
Many of Sindings sculptures are credited to realism but he also - together with among others danish sculptor Niels Hansen Jacobsen, though much stronger and radical in his work - worked in the style of symbolism. An example of his symbolism work is his sculpture "Valkyrie", a bronze copy currently displayed at the "Churchill Park" in central Copenhagen.
Sinding wrote - helped by Franz von Jessen - an autobiography titled ”En Billedhuggers Liv” (printet Christiania, Gyldendalske Boghandel, 1921).
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Statue of Henrik Ibsen, National Theater in Oslo
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Suddenly a widow, in the collection of the Ny Carlsberg Glyptotek.
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Adoration I, in the collection of the Ny Carlsberg Glyptotek.