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Revision as of 11:12, 22 November 2008

Kyoko Okazaki
NationalityJapanese
Area(s)Mangaka, Illustrator
Notable works
Pink, River's Edge, Helter Skelter


Kyoko Okazaki (岡崎京子 Okazaki Kyōko) born on 13 December, 1963, in Setagaya, Tokyo, Japan, is a Japanese mangaka (漫画家) and illustrator.[1] Okazaki's manga (まんが) are popular for their unorthodox style. Her work often depict today's urban Japanese society and values, and her writings are studded with modern jargon. Okazaki's characters do not follow traditional notions of love and romance that are typical in Japanese girl mangas, such as innocence and the ethereality. Instead, her characters are bold and freewheeling, holding unconventional sets of values. Okazaki's most major works include Pink (1989), River's Edge (1993-1994), and Helter Skelter (1995-1996).[2]

Helter Skelter has been awarded the Award for Excellence in the cartoon division at the Media Art Festival in 2003 and has won Grand Prize for the 8th Tezuka Osamu Cultural Prize in 2004.[3]

Her work has been translated into Chinese, German, and French.

On May 19, 1996, Okazaki was in a car accident, and has been in rehabilitation ever since.[4]


Biography 経歴

In 1983, while studying in Atomi University, Okazaki made her debut in 1983 with "Cartoon Burikko" (Byakuya Shobo), an erotic manga magazine primarily aimed for male adults. In the 80's and 90's, Okazaki released a large number of works in subculture magazines, comic magazines, and fashion magazines.[5] In 1994, Okazaki put on a solo exhibition at the grand opening of the experimental art space, P-House, in Tokyo. From 1993 to 1994, she did a serialization called River's Edge, in which she portrayed the conflicts and problems experienced by high-schoolers living in a Tokyo suburb; the series had a big influence on the literary world.[6]


Bibliography 単行本リスト

Manga (漫画)

Title Japanese Title Year Published Publisher
Virgin ヴァージン 1985 Byakuyashobou
Second Virgin セカンド・ヴァージン 1986 Futabasha
Boyfriend is Better ボーイフレンド・イズ ・ベター 1986 Hakusensha
Taikutsu ga Daisuki 退屈が大好き 1987 Kawadeshoboushinsha
TAKE IT EASY テイク・イット・イージー 1988 Skola
Georama Boy Panorama Girl ジオラマボーイ・パノラマガール 1989 Magazine House
Suki Suki Daikirai 好き好き大嫌い 1989 Takarajimasha
Pink ピンク 1989 Magazine House
Kuchibiru kara Sandanjuu VOL 1 くちびるから散弾銃 VOL 1 1989 Koudansha
Kuchibiru kara Sandanjuu VOL 2 くちびるから散弾銃 VOL 2 1990 Koudansha
Chocola na Kimochi ショコラな気持ち 1990 Fusousha
ROCK ロック 1991 Takarajimasha
Happy House VOL 1 ハッピィ・ハウス VOL 1 1992 Shufu to Seikatsusha
Happy House VOL 2 ハッピィ・ハウス VOL 2 1992 Shufu to Seikatsusha
Chocola Everyday ショコラ・エブリデイ 1992 Mainichi Shinbunsha
Kikenna Futari 危険な二人 1992 Kadokawa Shoten
Cartoons カトゥーンズ 1992 Kadokawa Shoten
Tōkyō Girls Bravo VOL 1 東京ガールズ・ブラボー VOL 1 1993 Takarajimasha
Tōkyō Girls Bravo VOL 2 東京ガールズ・ブラボー VOL 2 1993 Takarajimasha
La Vie d'Amour 愛の生活 1993 Kadokawa Shoten
Magic Point マジック・ポイント 1993 Shoudensha
River's Edge リバーズ・エッジ 1994 Takarajimasha
End of the World エンド・オヴ・ザ・ワールド 1994 Shoudensha
Watashi wa Anata no Omocha nano? (I Wanna Be Your Dog) 私は貴兄(あなた)のオモチャなの 1995 Shoudensha
Heterosexual ヘテロセクシャル 1995 Kadokawa Shoten
Chiwawa-chan チワワちゃん 1996 Kadokawa Shoten
UNTITLED アンタイトルド 1998 Kadokawa Shoten
Helter Skelter ヘルタースケルター 2003 Shoudensha
Like What Is Falling Love? 恋とはどういうものかしら? 2003 Magazine House
Utakata no Hibi うたかたの日々 2003 Takarajimasha
Bokutachi wa Nandaka Subete Wasurete Shimaune ぼくたちは何だかすべて忘れてしまうね 2004 Heibonsha
Onna no Kemonomichi 女のケモノ道 2005 Bungei Shunju
Aki no Hi wa Tsurubeotoshi 秋の日は釣瓶落とし 2006 Futabasha X[7][8]


Pink ピンク (1989)

Pink is a manga about a young girl named Yumi. During the day, Yumi works as a regular office lady (オーエル), but by night, she works as a prostitute. Yumi needs her two jobs to make ends meet. She also needs the extra income to feed her unusual pet, a crocodile, which she keeps in her apartment. Working in an office is quite normal for young Japanese women, but keeping a pet crocodile, and being a prostitute makes Yumi stand out. In truth, few girls are like Yumi, however, many can empathize with her. Young women love their "something", symbolized by her pet crocodile, and they can also identify with Yumi's "wild at heart" nature. And although the average girl doesn’t work as a call girl, she often plays on her sexuality, and thus, almost everyone has a bit of Yumi in them.[9]


River's Edge リバーズ・エッジ (1993-1994)

River's Edge is a very deep and refreshing manga that presents a side of life not typically seen in manga. The story takes place in a suburban housing area, constructed during the period of high economic growth, and the series takes a very realistic look at the tough life of a number of high school teens in a small city. It deals with a number of real life issues such as homosexuality, rape, and murder. Troubled characters include a teen that is always treated like a social outcast, a sad young girl who becomes a slut, as well as several others, each suffering in their own individual way. All this works to create the hard angst these teens must endure.[10] A relatively conventional setting at first glance, betrays the reader’s expectation as the manga follows one of the character’s blank gaze on a corpse found in the grass of a nearby riverbed, without neither signs of fear nor reality. The emergence of the new generation – the so called "Shin-Jinrui" (literally, "new human species"), the bubble economy and its burst/destruction, the Tsutomu Miyazaki incident (Miyazaki killed 4 young girls by between 1988 and 1989, and became to be known as the "otaku" (オタク) murderer), are some phenomena of the period which signified the disintegration of the social cohesion, until then held together by the universally shared vision and values in reconstructing and modernizing the nation. Okazaki firmly established her position as a manga artist by acutely depicting the emptiness of modern life.[11]


Helter Skelter ヘルタースケルター (1995-1996)

Helter Skelter features a beautiful model, whose body underwent a total cosmetic surgery, and illustrates the accelerating derailment of her success. Okazaki writes about the model's obsession, jealousy, and deprivation caused by her desire to acquire "beauty" and the overpowering economic and commercial circumstances surrounding such a desire.[12]


References 脚注

  1. ^ "Okazaki Kyoko bio".
  2. ^ "Manga writing style".
  3. ^ "Helter Skelter awards".
  4. ^ "Car accident and recovery".
  5. ^ "1980's manga".
  6. ^ "1990's manga".
  7. ^ "Bibliography1".
  8. ^ "Bibliography2".
  9. ^ "Pink" (PDF).
  10. ^ "River's Edge1".
  11. ^ "River's Edge2".
  12. ^ "Helter Skelter".