Washington Allston: Difference between revisions
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Image:Allston, Washington - Coast Scene on the Mediterranean, oil on canvas, 1811.jpg|''Coast Scene on the Mediterranean'', 1811, Columbia Museum of Art, Columbia, South Carolina |
Image:Allston, Washington - Coast Scene on the Mediterranean, oil on canvas, 1811.jpg|''Coast Scene on the Mediterranean'', 1811, Columbia Museum of Art, Columbia, South Carolina |
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Image:Moonlit Landscape.jpg|''Moonlit Landscape'', 1809, Museum of Fine Arts, Boston, |
Image:Moonlit Landscape.jpg|''Moonlit Landscape'', 1809, Museum of Fine Arts, Boston, Massachusetts |
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Image:Storm Rising at Sea.jpg|''Storm Rising at Sea'', 1804, Museum of Fine Arts, Boston, |
Image:Storm Rising at Sea.jpg|''Storm Rising at Sea'', 1804, Museum of Fine Arts, Boston, Massachusetts |
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Revision as of 23:59, 24 January 2009
Washington Allston | |
|---|---|
 | |
| Born | November 5, 1779 |
| Died | July 9, 1843 |
| Occupation(s) | Painter Poet |
Washington Allston (November 5, 1779 - July 9, 1843) was a U.S. poet and influential painter, born in Waccamaw, South Carolina. Allston pioneered America's Romantic movement of landscape painting. He was well known during his lifetime for his experiments with dramatic subject matter and his bold use of light and atmospheric color.
Biography
Allston was born on a plantation on the Waccamaw River near Georgetown, South Carolina. His mother Rachel Moore had married Captain William Allston in 1775, though her husband died in 1781, shortly after the Battle of Cowpens.[1] Moore remarried to Dr. Henry C. Flagg, the son of a wealthy shipping merchant from Newport, Rhode Island.[2]
Allston graduated from Harvard College in 1800 and moved to Charleston, South Carolina for a short time before sailing to England in May 1801.[2] He was admitted to the Royal Academy in London in September, when painter Benjamin West was then the president.[3]
From 1803 to 1808 he visited the great museums of Paris and then for several years those of Italy, where he met Washington Irving in Rome,[4] and Coleridge, his lifelong friend. In 1809 Allston married Ann Channing, sister of William Ellery Channing.[2] Samuel F. B. Morse was one of Allston's art pupils and accompanied Allston to Europe in 1811. After traveling throughout western Europe, Allston finally settled in London, where he won fame and prizes for his pictures.
Allston was also a published writer. In London in 1813, he published The Sylphs of the Seasons, with Other Poems, republished in Boston, Massachusetts later that year.[5] His wife died in February 1815, leaving him saddened, lonely, and homesick for America.[6]
In 1818 he returned to the United States and lived in Cambridge, Massachusetts for 25 years. He was the uncle of the artists George Whiting Flagg and Jared Bradley Flagg, both of whom studied painting under him.
In 1841 he published Monaldi, a romance illustrating Italian life, and in 1850, a volume of his Lectures on Art, and Poems.[7]
Allston died on July 9, 1843, at age 64. Allston is buried in Harvard Square, in "the Old Burying Ground" between the First Parish Church and Christ Church.
Recognition
Allston was sometimes called the "American Titian" because his style resembled the great Venetian Renaissance artists in their display of dramatic color contrasts. His work greatly influenced the development of U.S. landscape painting. Also, the themes of many of his paintings were drawn from literature, especially Biblical stories.[8]
His artistic genius was much admired by Samuel Taylor Coleridge, and Ralph Waldo Emerson was strongly influenced by his paintings and poems, but so were both Margaret Fuller and Sophia Peabody, wife of Nathaniel Hawthorne.[8] The influential critic and editor Rufus Wilmot Griswold dedicated his famous anthology The Poets and Poetry of America to Allston in 1842.[9] Poet Henry Wadsworth Longfellow, 17 years after Allston's death, wrote that: "One man may sweeten a whole time. I never pass through Cambridge Port without thinking of Allston. His memory is the quince in the drawer and perfumes the atmosphere."[2]
Boston painter William Morris Hunt was an admirer of Allston's work, and in 1866 founded the Allston Club in Boston, and in his arts classes passed on to his students his knowledge of Allston's techniques.[10]
Washington Allston coined the term "objective correlative," which T. S. Eliot described as a situation or a chain of events that acts as a formula and is used in art to evoke emotion.
The west Boston, Massachusetts neighborhood of Allston is named after him.
Gallery
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References
- ^ Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 274.
- ^ a b c d Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 275.
- ^ Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 276.
- ^ Burstein, Andrew. The Original Knickerbocker: The Life of Washington Irving. Basic Books, 2007:43. ISBN 978-0-465-00853-7
- ^ Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 277.
- ^ Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 278.
- ^ Ware's Lectures on the Works and Genius of Washington Allston (Boston, 1852) and Artist Biographies, Allston (1879).
- ^ a b Vetter, H.F. "Poets of Cambridge, USA". Harvard Square Library (2006). Retrieved 2007-06-12.
- ^ *Pattee, Fred Lewis (1966). The First Century of American Literature: 1770–1870. New York: Cooper Square Publishers. p. 279.
- ^ Wright, Nathalia. The Correspondence of Washington Allston, Published by University Press of Kentucky, 1993, ISBN 0813117089
Further reading
- Allston, Washington, Lectures on Art and Poems, 1850 (facsimile ed., with Monaldi, 1841, 1967, Scholars' Facsimiles & Reprints, ISBN 9780820110011).
External links
- Works by Washington Allston at Project Gutenberg
- Washington Allston in the New Students Reference Work.
