Banjo

Old 6-string zither banjo

File:Banjos.jpg

4-string banjos

The banjo, derived from the "banjar", is a stringed instrument of American origins, sometimes called the "gourd banjo". The banjar, in turn was based on the African "akonting". Some etymologists derive it from a dialectal pronunciation of "bandore", though recent research suggests that it may come from a Senegambian term for the bamboo stick used for the instrument's neck.

The modern banjo comes in a variety of different forms, including four- (plectrum and tenor banjos) and five-string versions. A six-string version, tuned and played similar to a guitar is gaining popularity. In almost all of its forms the banjo's playing is characterised by a fast strumming or arpeggiated right hand, although there are many different playing styles.

The banjo consists of a wooden or metal rim with a plastic (Mylar) or calf or goat skin drumhead stretched across it, a neck mounted on the side of the rim, a tailpiece mounted opposite the neck, four or five strings, and a bridge. The woods used in construction vary, but are often combinations of maple, walnut, and ebony for fingerboards, pegheads, and the tops of bridges. In the five-string banjo, the fifth peg is normally on the side of the neck, although some English versions mount the fifth string tuner on the tuning head with the others, and route the string through a tube in the neck where it exits near the fifth fret.

The earliest banjos were unfretted, like the African and Asian instruments that inspired them, but most banjos today are fretted. Banjo strings are most commonly metal, although nylon and gut are used on simple fretless banjos and by players of the classical banjo style. The two most common modern day acoustic banjos are the resonator banjo which has a detachable chamber, or resonator, on the back of the rim and the open back banjo which does not have a resonator. There are also solid body electric banjos.

Five-string banjo

The origins of the five-string banjo can be traced back to Joel Walker Sweeney, an American minstrel performer. He wanted an instrument similar to the banjar played by African-Americans in the American south, but at the same time, he wanted to implement some new ideas. He worked with a New York drum maker to replace the banjar's skin-covered gourd with the modern open-backed drum-like pot, and added a bass string to give the instrument more range. This new banjo came to be tuned gCGBD; somewhat higher than the eAEG#B tuning of the banjar.

The banjo can be played in several styles and is used in various forms of music. In bluegrass music, which uses the five-string resonator banjo extensively, it is often played in Scruggs style, named after Earl Scruggs, melodic or Keith style, or two-finger style, also called Reno style after Don Reno. In these styles the emphasis is on arpeggiated figures played in a continuous eighth-note rhythm.

American Old-time music typically uses the five-string open back banjo. It is played in a number of different styles, the most common of which are called clawhammer (or "claw-hammer") and frailing, characterised by the use of a downward rather than upward motion when striking the strings with the fingers. Frailing techniques use the thumb to catch the fifth string for a drone after each strum, or to pick out additional melody notes in what is known as 'drop-thumb'. Pete Seeger popularised a folk style by combining clawhammer with "up picking" without the use of finger picks.

Many tunings are used for the five-string banjo. Probably the most common, certainly in bluegrass, is the open G tuning: gDGBd. In earlier times, the tuning gCGBd was commonly used instead. Other tunings common in old-time music include double C (gCGCd), sawmill or mountain minor (gDGCd) also called Modal or Mountain Modal, and open D (f#DF#Ad). These tunings are often taken up a tone, either by tuning up or using a capo.

The fifth (drone) string is the same gauge as the first, but it is five frets shorter, three quarters the length of the rest. This presents special problems for using a capo to change the pitch of the instrument. For small changes (going up or down one or two semitones, for example) it is possible to simply retune the fifth string. Otherwise various devices are available to effectively shorten the string. Many banjo players favour the use of model railroad spikes (usually installed at the seventh fret and sometimes at others), under which the string can be hooked to keep it pressed down on the fret.

Four-string banjo

The plectrum banjo has four strings, lacking the shorter fifth string, and 22 frets; it is usually tuned CGBD. As the name suggests, it is usually played with a guitar-style pick (that is, a single one held between thumb and forefinger), unlike the five-string banjo, which is almost always played with a set of three fingerpicks, or occasionally with bare fingers. The plectrum banjo evolved out of the five-string banjo to cater for styles of music involving strummed chords. A further development is the tenor banjo, which also has four strings and is typically played with a plectrum too. It has a shorter neck of 19 frets is usually tuned CGDA, like a viola, or GDAE, like a violin (but an octave lower), and has become quite a standard instrument for Irish traditional music where is mainly used in its shorter 17 frets variant. Eddie Peabody (plectrum) and Harry Reser (tenor and plectrum) are regarded as two of the best four string banjo players of all times.

Other banjo variants

A number of hybrid instruments exist, crossing the banjo with other stringed instruments. Most of these use the body of a banjo, often with a resonator, and the neck of the other instrument. Examples include the guitar banjo, 'banjitar' or gitjo, the banjo mandolin and the banjo ukulele or banjolele. These were especially popular in the early decades of the twentieth century, and were probably a result of a desire either to allow players of other instruments to jump on the banjo bandwagon at the height of its popularity, or to get the natural amplification benefits of the banjo resonator in an age before electric amplification. Instruments using the five-string banjo neck on a wooden body (for example, that of a bouzouki or resonator guitar) have also been made, though these are not so common.

A 20th-Century Turkish instrument very similar to the banjo is called Cümbüs.

Other uses of "banjo"

• 'Banjo' was the nickname of Australian poet A.B. Paterson.
• In baseball, a "banjo hitter" is a hitter who lacks power.
• Banjo was a classic Rareware computer game character in the 1998 game Banjo-Kazooie

See also

• List of banjo players
• Prewar Gibson banjo

Further reading

• Gura, Philip F. and James F. Bollman, America's Instrument: The Banjo in the Nineteenth Century, The University of North Carolina Press, 1999. The definitive history of the banjo, focusing on the instrument's development in the 1800's.

• Seeger, Pete, "How to Play the 5-String Banjo", Music Sales Corporation, 3rd edition 1969. The seminal instruction book, still in print decades later. Seeger has since recorded an instruction video, available on DVD.

• Tsumura, Akira, Banjos: The Tsumura Collection, Kodansha International Ltd., 1984. An illustrated history of the banjo featuring the world's premier collection.

• Webb, Robert Lloyd, Ring the Banjar!, Centerstream Publishing, 1996 (2nd edition). A short history of the banjo, with pictures from an exhibition at the MIT Museum.