Betty Marsden: Difference between revisions
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In the [[radio]] series ''[[Beyond Our Ken]]'', she played Fanny Haddock, a takeoff of [[Fanny Cradock]]. In the radio series ''[[Round the Horne]]'', she played a similar role (Daphne Whitethigh), as well as Lady Counterblast (''née'' Clissold), Buttercup Gruntfuttock (wife of J. Peasemold Gruntfuttock, personified by [[Kenneth Williams]]), Dame Celia Molestrangler, Judy Coolibar, Dame Bella Goatcabin, and others. |
In the [[radio]] series ''[[Beyond Our Ken]]'', she played Fanny Haddock, a takeoff of [[Fanny Cradock]]. In the radio series ''[[Round the Horne]]'', she played a similar role (Daphne Whitethigh), as well as Lady Counterblast (''née'' Clissold), Buttercup Gruntfuttock (wife of J. Peasemold Gruntfuttock, personified by [[Kenneth Williams]]), Dame Celia Molestrangler, Judy Coolibar, Dame Bella Goatcabin, and others. |
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She escaped the wrath of the critical community in London, 1975, when her role of Aunt Dahlia was removed from Andrew Lloyd Webber's flop musical ''[[By Jeeves|Jeeves]]'' before opening night.<ref>Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997),P.85, Abrams: New York</ref> |
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Perhaps her most famous catchphrase was "many, many, many times", delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftsbury Avenue. This long outlasted the Clissold character and was deployed to much audience appreciation on a few occasions in later series, possibly as an [[ad lib]]. Another was "'allo, cheeky face!", shouted into the microphone in the less-than-couth London tones of Buttercup Gruntfuttock. Marsden's vocal range was impressive and also included the husky Whitethigh, the strident stereotypical Aussie tones of the ultra feminist (but conflicted) Judy Coolibar, and the cut-glass received pronunciation of Dame Celia Molestrangler (in a series of loose pastiches of the stilted dialogue in 1930s' melodramas). |
Perhaps her most famous catchphrase was "many, many, many times", delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftsbury Avenue. This long outlasted the Clissold character and was deployed to much audience appreciation on a few occasions in later series, possibly as an [[ad lib]]. Another was "'allo, cheeky face!", shouted into the microphone in the less-than-couth London tones of Buttercup Gruntfuttock. Marsden's vocal range was impressive and also included the husky Whitethigh, the strident stereotypical Aussie tones of the ultra feminist (but conflicted) Judy Coolibar, and the cut-glass received pronunciation of Dame Celia Molestrangler (in a series of loose pastiches of the stilted dialogue in 1930s' melodramas). |
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Revision as of 20:16, 13 June 2009
Betty Marsden (February 24, 1919 – July 18, 1998) was an English comedy actress.
Originally from Liverpool, she attended the Italia Conti Stage School and ENSA.[1]
In the radio series Beyond Our Ken, she played Fanny Haddock, a takeoff of Fanny Cradock. In the radio series Round the Horne, she played a similar role (Daphne Whitethigh), as well as Lady Counterblast (née Clissold), Buttercup Gruntfuttock (wife of J. Peasemold Gruntfuttock, personified by Kenneth Williams), Dame Celia Molestrangler, Judy Coolibar, Dame Bella Goatcabin, and others.
She escaped the wrath of the critical community in London, 1975, when her role of Aunt Dahlia was removed from Andrew Lloyd Webber's flop musical Jeeves before opening night.[2]
Perhaps her most famous catchphrase was "many, many, many times", delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftsbury Avenue. This long outlasted the Clissold character and was deployed to much audience appreciation on a few occasions in later series, possibly as an ad lib. Another was "'allo, cheeky face!", shouted into the microphone in the less-than-couth London tones of Buttercup Gruntfuttock. Marsden's vocal range was impressive and also included the husky Whitethigh, the strident stereotypical Aussie tones of the ultra feminist (but conflicted) Judy Coolibar, and the cut-glass received pronunciation of Dame Celia Molestrangler (in a series of loose pastiches of the stilted dialogue in 1930s' melodramas).
She also appeared in two Carry On films, Carry On Spying (playing Mata Hari) and Carry On Camping (playing Terry Scott's wife with a braying laugh and jolly bossiness).
One of her theatre roles was in Joe Orton's What the Butler Saw at the Royal Court Theatre, and her many television appearances included Inspector Morse in 1990.
It has been reported that, during the filming of Carry On Camping, Marsden told fellow actress Dilys Laye that she wanted to die with a glass of gin in her hand and that in July 1998, merely a day after moving into a residential home for old actors, this is exactly what happened. Reportedly, Marsden had been chatting to friends in the home's bar when she collapsed into a chair, with such apparent grace that she spilt not one drop of her drink.[citation needed]
References
- ^ Took, Barry (1989). The Best of Round The Horne. Equation. ISBN 1-85336-162-3.
- ^ Andrew Lloyd Webber: His Life and Works – Walsh, Michael (1989, revised and expanded, 1997),P.85, Abrams: New York
External links
- Betty Marsden at IMDb
- Betty Marsden's Obituary on the BBC News web site.