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A '''chansonnier''' ({{lang-ca|cançoner}}, {{lang-oc|cançonièr}}, [[Galician language|Galician]] and {{lang-pt|cancioneiro}}, {{lang-it|canzoniere ''or'' canzoniéro}}, {{lang-es|cancionero}}) is a [[manuscript]] or printed book which contains a collection of [[chanson]]s, or [[polyphonic]] and [[Monophony|monophonic]] settings of chansons. The most important chansonniers contain lyrics, poems and songs of the [[trouvère]]s or [[troubadour]]s of the Middle Ages. Prior to 1420, almost all chansonniers contained both sacred and secular music, with the exception of those containing the work of [[Guillaume de Machaut]]. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers were compiled primarily in [[France]], but also in [[Italy]], [[Germany]] and in the [[Iberian peninsula]].
A '''chansonnier''' ({{lang-ca|cançoner}}, {{lang-oc|cançonièr}}, [[Galician language|Galician]] and {{lang-pt|cancioneiro}}, {{lang-it|canzoniere ''or'' canzoniéro}}, {{lang-es|cancionero}}) is a [[manuscript]] or printed book which contains a collection of [[chanson]]s, or [[polyphonic]] and [[Monophony|monophonic]] settings of songs, hence literally "song-books," although some manuscripts are so called even though they preserve the text but not the music (for example, the [[Cancioneiro da Vaticana]] and [[Cancioneiro da Biblioteca Nacional]], which contain the bulk of [[Galician-Portuguese lyric]]). The most important chansonniers contain lyrics, poems and songs of the [[troubadour]]s and [[trouvère]]s of the Middle Ages. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of [[Guillaume de Machaut]]. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers were compiled primarily in [[France]], but also in [[Italy]], [[Germany]] and in the [[Iberian peninsula]].


A singer of ''chansons'' could also be called a chansonnier.
A singer of ''chansons'' could also be called a chansonnier.
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*[[Cancioneiro de Lisboa]]
*[[Cancioneiro de Lisboa]]
*[[Pergaminho Sharrer]] (fragment)
*[[Pergaminho Sharrer]] (fragment)
*[[Pergaminho Vindel]] (fragment)
*[[Pergaminho Vindel]] see [[Martin Codax]]


===Spanish===
===Spanish===

Revision as of 11:25, 4 July 2009

A chansonnier (Catalan: cançoner, Occitan: cançonièr, Galician and Portuguese: cancioneiro, [canzoniere or canzoniéro] Error: {{Lang-xx}}: text has italic markup (help), Spanish: cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally "song-books," although some manuscripts are so called even though they preserve the text but not the music (for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyric). The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères of the Middle Ages. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers were compiled primarily in France, but also in Italy, Germany and in the Iberian peninsula.

A singer of chansons could also be called a chansonnier.

List of important chansonniers

Catalan

French

Occitan

Galician-Portuguese

Spanish

References

Notes