Spring Fire

Spring Fire

First edition Gold Medal Books cover, 1952
Author	Vin Packer
Cover artist	Barrye Phillips
Language	English
Genre	lesbian pulp fiction
Publisher	Gold Medal Books
Publication date	1952
Publication place	United States
Media type	Print (Paperback)

Spring Fire, written by Marijane Meaker, under the pseudonym of Vin Packer, is often considered to be the first lesbian pulp novel, although it also addressed issues of conformity in 1950s American society.

It was originally published in 1952 by Gold Medal Books, and sold 1.5 million copies through at least three printings. Cleis Press re-released the book in 2004 after extensive negotiations with Meaker, who had long denied permission because of her feelings about the ending. She said, "I still cringe when I think about it. I never wanted it republished. It was too embarrassing." Meaker explained in the 2004 foreword that Dick Carroll, editor at Gold Medal Books told her that because the book would be sent through the mail, no references to homosexuality as an attractive life could be in the book or postal inspectors would send it back to the publishing house. He said that one character must acknowledge that she is not a lesbian, and the other she's involved with "must be sick or crazy."

Background

The story is based on an affair Meaker had in boarding school as a teenager. She was awkward and shy in a new school and fell in love with a more experienced, older girl. They traded love letters, and the other girl's mother found them on the eve of a weekend trip they were to take together. When the girl's mother approached her, "She said she'd rather kill herself than be like me," Meaker remembered.

She initially wished to title the book Sorority Girl, but her business-minded editor changed the title to Spring Fire in order to confuse potential readers with the James A Michener title The Fires of Spring.

Plot Summary

Susan Mitchell ("Mitch") is pledging to the Tri Epsilon sorority at the fictional Cranston University. She is seen as a boon to the sorority due to her father's significant wealth, and the sorority is promised a new silverware set from the alumni if she is accepted. Large, ungainly, and shy, she is drawn to older sorority member Leda Taylor who is direct and independent; they become roommates and double date - Mitch with the president of the "Sig Eps" who turns out to be sullen, boorish, and humiliates her during a fraternity party one evening. Mitch flees the party after striking the fraternity president on the head and the sorority is blackballed. Much more experienced Leda trades her exasperation with Mitch's innocence with overt affection for her in rapid mood changes.

To avoid further exclusion, Mitch is persuaded by her sorority to invite the fraternity president to a dance at the sorority house, where he rapes her after getting her drunk. Afterwards Leda finds her stunned and calms her down by telling her how much she loves her. The begin an affair in secret, both of them continuing to date, Leda with her boyfriend whom she confesses to despise, and Mitch with relatively harmless "independents" (non-fraternity boys) to the chagrin of the sorority leaders.

Mitch's only friend in the pledge class is kicked out of the sorority after getting home at one in the morning because her date had a flat tire. Leda tries to teach Mitch how they must put men first in order not to be disrespected, but they may love each other in private. Leda's promiscuous and alcoholic young mother visits, and Leda tries to test Mitch to get her to be able to answer her mother's questions about men, despite Mitch's reservations and her unwillingness to lie about her feelings. But after her mother leaves, Leda is once again affectionate to Mitch in private, apologizing for ignoring her while her mother visited, and trying to reassure them both that neither is a lesbian.

Mitch tries to sleep with her date to see if he makes her feel the way Leda does, but he is unable to perform. Convinced that she is abnormal, infectious, and Leda is a temptation, Mitch writes to Leda telling her she's leaving the sorority. Leda tries to stop her by seducing her once more, but their sorority sisters enter the room and see what is happening. In an emergency meeting, Leda reads the sisters Mitch's heartfelt letter and explains that Mitch has had a crush on her and the sisters who saw it saw Mitch attacking Leda.

Mitch is interrogated by the Dean of Women while Leda gets drunk and wallows in her guilt for selling Mitch out to the sorority. When the dean asks to see Leda, the sorority finds her sobering up, but she is forced to drive to the dean's apartment when she crashes the car, then calling out for Mitch deliriously. Leda is injured seriously enough to put her in the hospital for three days during which time Mitch moves to the dormitory. They meet one last time as Mitch visits Leda in the hospital, driven there by the dean. After a tenuous final conversation, Mitch leaves Leda laughing and sobbing at once in the hospital. The sorority house learns that Leda has had complete nervous breakdown and is to be institutionalized, as they are unpacking their new set of silverware. Mitch begins new friendships as she realizes she never really loved Leda after all.

Impact

Released as a pulp fiction novel solely because of its content, Spring Fire was sold in train and bus station kiosks and drug stores with other sensationalist books about crime, drugs, gangsters, and cowboys. Although it was not reviewed by any renowned literary critiques, Spring Fire sold more copies in 1952 than The Postman Always Rings Twice by James Cain and My Cousin Rachel by Daphne du Maurier, also released the same year. When the paper in pulp novels was not designed to last more than a year, Spring Fire went through three printings, eventually selling nearly 1.5 million copies. Its success earned Meaker an invitation to met Roger Fawcett, the owner of Gold Medal Books' parent company, who wanted to, "shake the hand of the writer who outsold God's Little Acre (Erskine Caldwell)."

Spring Fire inspired other serious writers in the lesbian pulp fiction genre such as Ann Bannon and Valerie Taylor, and indeed, proved so profitable that the genre attracted (usually male) writers whose books exploited the topic of lesbianism. In short, it launched an entire genre of fiction.

In 1989, Meaker spoke about realization of the impact the book had while she was working at Gold Medal Books: "Spring Fire was not aimed at any lesbian market, because there wasn’t any that we knew about. I was just out of college. We were amazed, floored, by the mail that poured in. That was the first time anyone was aware of the gay audience out there."

In 2004 upon the re-release of the Cleis Press edition, a reviewer noted, "Spring Fire not only plays a vital pioneering role in lesbian writing, it’s also as a warning of how difficult things could be. It’s ironic that Spring Fire was released now, when we need it the most, to remind us of the incredible courage of those who came before, the enormity of what has been accomplished, and why we must remain vigil, and treasure and protect every step forward we’ve managed to take."

See also

• Lesbian fiction