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8. I am not a magic realist/ Alberto Fuguet --http://www.salon.com/june97/magical970611.html
8. I am not a magic realist/ Alberto Fuguet --http://www.salon.com/june97/magical970611.html


here are some i found that i'm definitely gon use - --[[Special:Contributions/128.189.77.82|128.189.77.82]] ([[User talk:128.189.77.82|talk]]) 05:49, 20 January 2010 (UTC)
here are some i found that are definitely worth using from what i've read --[[User:Jeremyblaugrana|Jeremyblaugrana]] ([[User talk:Jeremyblaugrana|talk]]) 05:52, 20 January 2010 (UTC) -
also, TonyBill (still dont know your real name sorry!) sent me a good list of sources they had, not sure how many you think are worth using, but we'll keep in touch on that


9. Magical Neoliberalism
9. Magical Neoliberalism

Revision as of 05:52, 20 January 2010

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Template:MaReRe

maybe smthg for y'all

Hi,

In my searches, I came upon this article on Jstor. However, it is not actually accessible on Jstor; if you find it there, you'll be sent to the Cambridge journals page. It's very particular, so maybe not appropriate, but I feel like finding material for this group will be fairly difficult. Anyway, here is the abstract of what the article is about:

This article is about the role of García Márquez and particularly macondismo as an ideology in establishing the canonic validity of vallenato as a folk genre from the Colombian Caribbean. García Marquez' chronicles of the early 1950s are seen as foundational texts on the aesthetics and value of vallenato; texts which influence subsequent writings on the topic. One of the main topics explored is how these texts acquire canonic validity through the success of One Hundred Years of Solitude. It is then that macondismo – the Latin Americanist celebration of magical realism – becomes an interpretive metaphor for Colombia and vallenato music becomes the sonorous emblem of this metaphor. This occurs through García Marquez' writings, his multiple interventions in Colombian vallenato festivals, and the way vallenato is subsequently taken by a journalistic elite of the country as representing a macondian sonorous paradigm. The article explores how these different elements coalesce in constructing a genealogy of aurality for vallenato, setting the parameters of its interpretive significance through multiple processes of folklorisation of the genre.

  1. García Márquez, Macondismo, and the Soundscapes of Vallenato
  2. Ana María Ochoa
  3. Popular Music, Vol. 24, No. 2, Literature and Music (May, 2005), pp. 207-222
  4. Published by: Cambridge University Press
  5. Stable URL: http://www.jstor.org/stable/3877644

Ta! Larodge (talk) 21:26, 19 January 2010 (UTC)[reply]

Sources

Here is my list of sources I've compiled for the project; I have yet to take any of them out but I did order Soldán's from UBC Okanagan

1. Translation and the Rise of the Inter-American Literature/ Elizabeth Lowe & Earl E. Fitz -- Available as of this morning at Koerner

2. McOndo/ Alberto Fuguet, Sergio Gómez -- On Loan (I hope one of you have already taken this out!)

3. Cuerpos Errantes: Literatura Latina y Latinoamericana en Estados Unidos/ Loustau, Laura Rosa -- Available as of this morning at Koerner

4. Latin American Literature and Mass Media/ Edmundo Paz-Soldán -- I ordered this from Okanagan Library

5. The Cambridge Companion to Modern Latin American Culture/ John King -- On Loan

6. Literature of Latin America/ Ocasio Rafael -- Available at Koerner

7. Puerta al tiempo: literatura latinoamericana del siglo XX - Maricruz Castro Ricalde -- Available at Koerner

8. I am not a magic realist/ Alberto Fuguet --http://www.salon.com/june97/magical970611.html

here are some i found that are definitely worth using from what i've read --Jeremyblaugrana (talk) 05:52, 20 January 2010 (UTC) -[reply]

9. Magical Neoliberalism by A Fuguet - 2001

10. Giving up the Ghost - article by Angel Gurria-Quintana 2007

11. De Macondo a McOndo - book by Diana Polversich



Robertsk88 (talk) 05:00, 20 January 2010 (UTC) --128.189.77.82 (talk) 05:48, 20 January 2010 (UTC)[reply]