Jump to content

Cat's Eye (novel): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Line 30: Line 30:
==Plot summary==
==Plot summary==
After being called back to her childhood home of Toronto for a retrospective show of her art, Elaine reminisces about her childhood. At the age of eight she becomes friends with Carol and Grace, and, through their eyes, realises that her atypical background of traveling with her entomologist father has left her ill-equipped for conventional femininity. When Cordelia joins the group, Elaine is bullied by her "best friends". The bullying escalates that winter, when the girls abandon Elaine in the ravine pictured on the cover; half-frozen, she sees a vision of the Virgin Mary who guides her to safety. Afterwards, realising she had allowed herself to be a victim, Elaine makes new friends.
After being called back to her childhood home of Toronto for a retrospective show of her art, Elaine reminisces about her childhood. At the age of eight she becomes friends with Carol and Grace, and, through their eyes, realises that her atypical background of traveling with her entomologist father has left her ill-equipped for conventional femininity. When Cordelia joins the group, Elaine is bullied by her "best friends". The bullying escalates that winter, when the girls abandon Elaine in the ravine pictured on the cover; half-frozen, she sees a vision of the Virgin Mary who guides her to safety. Afterwards, realising she had allowed herself to be a victim, Elaine makes new friends.

The narrative then follows Elaine through her teenage years and her early adulthood as an art student and a Feminist artist. However, though out this time, she is haunted by her childhood and has difficulties forming relationships with other women.

Towards the end of the novel, owing to her retrospective exhibition and her return to Toronto she eventually faces up to her past and reaches closure.


==Themes==
==Themes==

Revision as of 16:36, 10 August 2010

Cat's Eye
An American paperback edition of Cat's Eye
AuthorMargaret Atwood
Cover artistT. M. Craan, design; Jamie Bennet, illustration (first edition, hardback)
LanguageEnglish
GenreNovel
PublisherMcClelland and Stewart
Publication date
September 1988
Publication placeCanada
Media typeHardback, Paperback, E-book
Pages420 (first edition, hardback)
ISBNISBN 0-7710-0817-1 (first edition, hardback) Parameter error in {{ISBNT}}: invalid character
OCLC19271117
813/.54 20
LC ClassPR9199.3.A8 C38 1988b
Preceded byThe Handmaid's Tale 
Followed byWilderness Tips 

Cat's Eye is a 1988 novel by Margaret Atwood. In it, controversial painter Elaine Risley vividly reflects on her childhood and teenage years. Her strongest memories are of Cordelia, who was the leader of a trio of girls who were both very cruel and very kind to young Elaine, in ways that tint Elaine's perceptions of relationships and her world—not to mention her art—into the character's middle years. The novel unfolds in Canada of the mid-20th century, from World War II to the late 1980s, and includes a look at many of the cultural elements of that time period, including feminism and various modern art movements. This book was a finalist for the 1988 Governor General's Award.

Explanation of the title

Elaine and her brother play marbles as children; Elaine keeps a prized possession, a cat eye marble in her red purse. The cat's eye later appears as a common motif in Elaine's paintings, linked with those she perceived to be an ally, although she does not remember why it is associated with those feelings. Elaine rediscovers the red purse years later, and as she looks through it, she regains all the memories she had lost: "her life entire".[1]

Plot summary

After being called back to her childhood home of Toronto for a retrospective show of her art, Elaine reminisces about her childhood. At the age of eight she becomes friends with Carol and Grace, and, through their eyes, realises that her atypical background of traveling with her entomologist father has left her ill-equipped for conventional femininity. When Cordelia joins the group, Elaine is bullied by her "best friends". The bullying escalates that winter, when the girls abandon Elaine in the ravine pictured on the cover; half-frozen, she sees a vision of the Virgin Mary who guides her to safety. Afterwards, realising she had allowed herself to be a victim, Elaine makes new friends.

The narrative then follows Elaine through her teenage years and her early adulthood as an art student and a Feminist artist. However, though out this time, she is haunted by her childhood and has difficulties forming relationships with other women.

Towards the end of the novel, owing to her retrospective exhibition and her return to Toronto she eventually faces up to her past and reaches closure.

Themes

Cat's Eye explores the construction of identity; it is written mostly as flashbacks, as Elaine reflects on the forgotten events of her childhood that shaped her personality and struggles to integrate lost aspects of her self.[2] In Elaine's self portrait, a pier glass reflects three little girls who are not in the painting demonstrating their simultaneous absence from Elaine's past and their presence in who she has become.

Allusions and references to other works

Allusions to Atwood's life

Atwood began Cat's Eye in 1964, but put away the novel until the late 1980s. By that time, her daughter was a teenager, and Atwood would have had the opportunity to observe the social dynamics of a group of young girls.[3]

The book is sometimes seen as containing autobiographical elements. For example, like Risley, Atwood is the daughter of an entomologist. However, Atwood has rarely, if ever, commented on the similarities directly.

See also Southern Ontario Gothic.

References

Brian Busby. Character Parts: Who's Really Who in Canlit. Toronto: Knopf, 2003. p. 37, 162, 218-19. ISBN 0-676-97579-8.

  1. ^ Atwood, Margaret. Cat's Eye : 420
  2. ^ Howells, Coral Ann. The Cambridge Companion to Margaret Atwood (Cambridge Companions to Literature) : 182
  3. ^ Cooke, Nathalie. Margaret Atwood: A Critical Companion : 17-18