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This article is about a group of architects. For other uses, see Ant farm (disambiguation)

Founded in San Francisco in 1968 by Chip Lord and Doug Michels, Ant Farm was an avant-garde architecture, graphic arts, and environmental design practice. The name was given to them by a friend to whom they had described what they were doing as “underground architecture,” taking the name literally she responded, “oh underground architecture is what ants do!” ^[1] Eventually, Lord and Michels were joined by Hudson Marquez and Curtis Schreier.
The group was a self-described "art agency that promotes ideas that have no commercial potential, but which we think are important vehicles of cultural introspection." In addition to their architecture works, the collective was well-known for their counter-cultural performances and media events, such as Media Burn. Their installation, Cadillac Ranch, remains an icon of American popular culture.^[2] Ant Farm disbanded in 1978 when a fire destroyed their San Francisco studio. Doug Michels went on to design the unbuilt statue The Spirit of Houston.

Projects

Inflatables, 1971

Ant Farm traveled America with a tour of "architectural performances" during which the group unfurled its anti-architectural Inflatables - inexpensive, portable shelters made of vinyl that provided the stage for lectures and "happenings." Anyone who wanted to make an inflatable could buy Ant Farm's Inflatocookbook.

House of the Century, 1972

In collaboration with architect Richard Jost, Ant Farm designed and built a Futurist ferro-cement residence. The house is noted for its curvilinear and organic shapes, inspired by the Apollo 11 lunar landing.

Cadillac Ranch, 1974

In Amarillo, Texas, Ant Farm half-buried a row of used and junk Cadillac automobiles dating from 1949 to 1963, nose-first in the ground, at an angle corresponding to that of the Great Pyramid of Giza.

Media Burn, 1975

In 1975 Ant Farm, dressed as astronauts, drove a space-age Cadillac full speed through a wall of flaming TV sets in the parking lot of the Cow Palace, San Francisco. Media Burn offered a critique of media and technology. Their video of the performance was also styled after news coverage of a space launch, including melodramatic pre-stunt interviews with the artists.

The Eternal Frame, 1975

A re-enactment of the assassination of John F. Kennedy as seen in the Zapruder film. Done in collaboration with the media art collective, T. R. Uthco (Diane Andrews Hall, Doug Hall, Jody Procter). The Eternal Frame focused on this event as a crucial site of fascination and repression in the American mindset.

Media Van

As they traveled the United States, Ant Farm drove in the Media Van, a customized Chevy complete with a bubble skylight for videotaping road side scenery.

In 2009, Ant Farm revived Media Van for an exhibition at the San Francisco Museum of Modern Art (SFMOMA) titled “The Art of Participation: 1950 to Now”^[3]^[4]. The Media Van had electronic connections that allowed the public to upload images, videos, and songs onto the van's hard-drive. The van was then sealed, like a time-capsule, with a scheduled reopening in 2030.

References

^ Jose M. Hernandez (Winter 2004). "Antfarm Retrospective". Eyecandy issue 14. University of California, Santa Cruz. Archived from the original on 2009-02-24. Retrieved 2010-05-09.
^ Melissa E. Feldman (January, 2005). "Unearthing Ant Farm". Art in America. pp. 42–45. Retrieved 2010-05-09. {{cite web}}: Check date values in: |date= (help) ^{[dead link]}
^ "ANT FARM Media Van v.08 (Time Capsule)" (audio with images). San Francisco Museum of Modern Art. November 2008. Retrieved 2010-05-10.
^ "Chip Lord , Curtis Schreier, and Bruce Tomb on the Ant Farm Media Van v.08 (Time Capsule)". San Francisco Museum of Modern Art. November 2008. Retrieved 2010-05-10.

External links

Media Burn Retrospective Exhibition, Tate Gallery 16 December 2006 – 18 February 2007.
"Ant Farm official website". Archived from the original on December 5, 2006. Retrieved 2010-05-09.
Ant Farm at the Video Data Bank
"Ant Farm: 1968-1978 exhibition at the Yale Architecture Gallery, full description". August 29, 2005. Archived from the original on August 28, 2006. Retrieved 2010-05-09.
Lawrence Harris (2000). "House of the Century photographic tour".
Ric Gruwez (1995–2000). "Cadillac Ranch history, photos". Retrieved 2010-05-09.{{cite web}}: CS1 maint: date format (link) Detailed description with photos.
Ant Farm Media Van v.08 (Time Capsule) Sealing ceremony (photos). SFMOMA, 2008.
Ant Farm archive and selected works, Berkeley Art Museum collection

[1] Jose M. Hernandez (Winter 2004). "Antfarm Retrospective". Eyecandy issue 14. University of California, Santa Cruz. Archived from the original on 2009-02-24. Retrieved 2010-05-09.

[2] Melissa E. Feldman (January, 2005). "Unearthing Ant Farm". Art in America. pp. 42–45. Retrieved 2010-05-09. {{cite web}}: Check date values in: |date= (help) ^{[dead link]}

[3] "ANT FARM Media Van v.08 (Time Capsule)" (audio with images). San Francisco Museum of Modern Art. November 2008. Retrieved 2010-05-10.

[4] "Chip Lord , Curtis Schreier, and Bruce Tomb on the Ant Farm Media Van v.08 (Time Capsule)". San Francisco Museum of Modern Art. November 2008. Retrieved 2010-05-10.

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 Founded in [[San Francisco]] in 1968 by [[Chip Lord]] and Doug Michels, Ant Farm was an [[avant-garde]] architecture, graphic arts, and environmental design practice. The name was given to them by a friend to whom they had described what they were doing as “underground architecture,” taking the name literally she responded, “oh underground architecture is what ants do!” <ref>{{cite web| url=http://eyecandy.ucsc.edu| archiveurl=http://www.scribd.com/doc/12778901/Eye-Candy-14| author=Jose M. Hernandez| title=Antfarm Retrospective| publisher=[[University of California, Santa Cruz]]| work=Eyecandy issue 14| date=Winter 2004| archivedate=2009-02-24| accessdate=2010-05-09}}</ref> Eventually, Lord and Michels were joined by Hudson Marquez and Curtis Schreier. <br>
-The group was a self-described "art agency that promotes ideas that have no commercial potential, but which we think are important vehicles of cultural introspection." In addition to their architecture works, the collective was well-known for their counter-cultural performances and media events, such as ''Media Burn''. Their installation, ''[[Cadillac Ranch]]'', remains an icon of American popular culture.<ref>{{cite web| author=Melissa E. Feldman| url=http://findarticles.com/p/articles/mi_m1248/is_1_93/ai_n8590989/| title=Unearthing Ant Farm| publisher=[[Art in America]]| pages=42–45| date= January, 2005| accessdate=2010-05-09}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> Ant Farm disbanded in 1978 when a fire destroyed their San Francisco studio.
+The group was a self-described "art agency that promotes ideas that have no commercial potential, but which we think are important vehicles of cultural introspection." In addition to their architecture works, the collective was well-known for their counter-cultural performances and media events, such as ''Media Burn''. Their installation, ''[[Cadillac Ranch]]'', remains an icon of American popular culture.<ref>{{cite web| author=Melissa E. Feldman| url=http://findarticles.com/p/articles/mi_m1248/is_1_93/ai_n8590989/| title=Unearthing Ant Farm| publisher=[[Art in America]]| pages=42–45| date= January, 2005| accessdate=2010-05-09}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> Ant Farm disbanded in 1978 when a fire destroyed their San Francisco studio. Doug Michels went on to design the unbuilt statue [[The Spirit of Houston]].
 ==Projects==