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[[Felix Mendelssohn]]'s "'''Wedding March'''", written in 1842, is one of the best known of the pieces from his [[A Midsummer Night's Dream (Mendelssohn)|suite of incidental music]] (Op. 61) to [[William Shakespeare|Shakespeare]]'s play ''[[A Midsummer Night's Dream]]''. It is one of the most frequently used [[wedding march]]es, generally being played on a church [[pipe organ]].
[[Felix Mendelssohn]]'s "'''Wedding March'''", written in 1842, is one of the best known of the pieces from his [[A Midsummer Night's Dream (Mendelssohn)|suite of incidental music]] (Op. 61) to [[William Shakespeare|Shakespeare]]'s play ''[[A Midsummer Night's Dream]]''. It is one of the most frequently used [[wedding march]]es, generally being played on a church [[pipe organ]].


At [[wedding]]s in many English-speaking countries, this piece is commonly used as a [[Recessional hymn|recessional]], though frequently stripped of its episodes in this context. It is frequently teamed with the "[[Bridal Chorus]]" from [[Richard Wagner]]'s opera ''[[Lohengrin (opera)|Lohengrin]]'',<ref name="Emmett 1996 755">{{cite book |title=The national and religious song reader |last=Emmett |first=William |year=1996 |publisher=Haworth Press |location=New York |isbn=9780789000996 |page=755 }}</ref> or with [[Jeremiah Clarke]]'s "[[Prince of Denmark's March]]",<ref>{{cite book |title=Wedding Ceremonies for the Historically Inclined |last=Crockett |first=Laura |year=2008 |publisher=Lulu.com |location=New York |isbn=9780557001408 |page=114 }}</ref> both of which are often played for the entry of the bride.
At [[wedding]]s in many English-speaking countries, this piece is commonly used as a [[Recessional hymn|recessional]], though frequently stripped of its episodes in this context. It is frequently teamed with the "[[Bridal Chorus]]" from Richard Wagner's opera ''Lohengrin'',<ref name="Emmett 1996 755">{{cite book |title=The national and religious song reader |last=Emmett |first=William |year=1996 |publisher=Haworth Press |location=New York |isbn=9780789000996 |page=755 }}</ref> or with Jeremiah Clarke's "[[Prince of Denmark's March]]",<ref>{{cite book |title=Wedding Ceremonies for the Historically Inclined |last=Crockett |first=Laura |year=2008 |publisher=Lulu.com |location=New York |isbn=9780557001408 |page=114 }}</ref> both of which are often played for the entry of the bride.


The first time that Mendelssohn's "Wedding March" was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter’s Church, [[Tiverton, Devon|Tiverton]], England, on 2 June 1847{{citation needed|date=February 2008}}. However, it did not become popular at weddings until it was selected by [[Victoria, Princess Royal|Victoria, The Princess Royal]] for her marriage to [[Frederick III, German Emperor|Prince Frederick William of Prussia]] on 25 January 1858.<ref name="Emmett 1996 755" /> The bride was the daughter of [[Victoria of the United Kingdom|Queen Victoria]], who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
The first time that Mendelssohn's "Wedding March" was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter’s Church, [[Tiverton, Devon|Tiverton]], England, on 2 June 1847{{citation needed|date=February 2008}}. However, it did not become popular at weddings until it was selected by [[Victoria, Princess Royal|Victoria, The Princess Royal]] for her marriage to [[Frederick III, German Emperor|Prince Frederick William of Prussia]] on 25 January 1858.<ref name="Emmett 1996 755" /> The bride was the daughter of [[Victoria of the United Kingdom|Queen Victoria]], who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
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== See also ==
== See also ==
The term "Wedding March" is also used for the ''[[Bridal Chorus]]'' from Richard Wagner's opera ''Lohengrin''.
The term "Wedding March" is also used for the "[[Bridal Chorus]]" from Richard Wagner's opera ''Lohengrin''.


== References ==
== References ==

Revision as of 22:40, 26 November 2010

Felix Mendelssohn's "Wedding March", written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.

At weddings in many English-speaking countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the "Bridal Chorus" from Richard Wagner's opera Lohengrin,[1] or with Jeremiah Clarke's "Prince of Denmark's March",[2] both of which are often played for the entry of the bride.

The first time that Mendelssohn's "Wedding March" was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter’s Church, Tiverton, England, on 2 June 1847[citation needed]. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858.[1] The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.

An organ on which Mendelssohn gave recitals of the "Wedding March", among other works, is housed in St Ann's Church in Tottenham.

Vladimir Horowitz transcribed the Wedding March into a virtuoso piece for piano and played it as an encore at his concerts.

See also

The term "Wedding March" is also used for the "Bridal Chorus" from Richard Wagner's opera Lohengrin.

References

  1. ^ a b Emmett, William (1996). The national and religious song reader. New York: Haworth Press. p. 755. ISBN 9780789000996.
  2. ^ Crockett, Laura (2008). Wedding Ceremonies for the Historically Inclined. New York: Lulu.com. p. 114. ISBN 9780557001408.