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'''Verdensteatret''' is a hybrid performance art company based in [[Norway]].
'''Verdensteatret''' is a hybrid performance art company based in [[Norway]].


In 1986 Lisbeth Bodd and Asle Nilsen founded Verdensteatret, a collective of artists from different fields who collaborate to stage pieces which are a combination of performance, installation, shadow-play, sound and animation.<ref>Kourlas, Gia. "The World Spins (Bicycle Wheels, Too)." ''The New York Times'', February 27, 2011, p.C2.</ref> Using mostly found and repurposed material (they use the word "flotsam") like driftwood, wire, bicycle parts and bones, they use both computers and live actors to create audiovisual concerts.<ref>Lonmo, Sølveig. "Dreamtime." ''Adresseavisen.'' November 12, 2008.</ref> For example, their 2008 show ''Louder'' combined robotics, videography, music and shadow play to create a dreamlike journey through the [[Mekong Delta]].<ref>http://offbroadway.broadwayworld.com/article/PS_122_to_Present_New_York_Premiere_of_Verdensteatrets_Louder_Starting_925_20080925</ref> For "Concert for Greenland" in 2006, the group won a [[Bessie Award]] in the category Performance, Installation, and [[New Media]]. The official jury statement for this award read "for building exquisite links between seemingly incompatible technologies and materials-robots, video, piano, driftwood, and computers; for sharing their succinctly visualized yet beautifully ambivalent relationship to hidden landscapes; and for offering a poetically and emotionally evocative soundscape of a far-off place...."<ref>http://www.verdensteatret.com</ref>. "Concert for Greenland" was located at [[P.S. 122]] (Performance Space 122) in New York.
In 1986 Lisbeth Bodd and Asle Nilsen founded Verdensteatret, a collective of artists from different fields who collaborate to stage pieces which combine performance, installation, shadow-play, sound and animation.<ref>Kourlas, Gia. "The World Spins (Bicycle Wheels, Too)." ''The New York Times'', February 27, 2011, p.C2.</ref> Using mostly found and repurposed material (they use the word "[[flotsam]]") like driftwood, wire, bicycle parts and bones, they use both computers and live actors to create audiovisual concerts.<ref>Lonmo, Sølveig. "Dreamtime." ''Adresseavisen.'' November 12, 2008.</ref> For example, their 2008 show ''Louder'' combined robotics, videography, music and shadow-play to create a dreamlike journey through the [[Mekong Delta]].<ref>http://offbroadway.broadwayworld.com/article/PS_122_to_Present_New_York_Premiere_of_Verdensteatrets_Louder_Starting_925_20080925</ref> In 2006 ''Concert for [[Greenland]]'' won a [[Bessie Award]] in the category Performance, Installation, and [[New Media]] "for building exquisite links between seemingly incompatible technologies and materials-robots, video, piano, driftwood, and computers; for sharing their succinctly visualized yet beautifully ambivalent relationship to hidden landscapes; and for offering a poetically and emotionally evocative soundscape of a far-off place...," according to the jury statement.<ref>http://www.verdensteatret.com</ref>. ''Concert for Greenland'' was performed at [[P.S. 122]] (Performance Space 122) in New York.


==Production History==
==Production History==

Revision as of 23:46, 16 March 2011

Verdensteatret
Formation1986
TypeTheatre group
Location
  • Norway
Websitewww.verdensteatret.com

Verdensteatret is a hybrid performance art company based in Norway.

In 1986 Lisbeth Bodd and Asle Nilsen founded Verdensteatret, a collective of artists from different fields who collaborate to stage pieces which combine performance, installation, shadow-play, sound and animation.[1] Using mostly found and repurposed material (they use the word "flotsam") like driftwood, wire, bicycle parts and bones, they use both computers and live actors to create audiovisual concerts.[2] For example, their 2008 show Louder combined robotics, videography, music and shadow-play to create a dreamlike journey through the Mekong Delta.[3] In 2006 Concert for Greenland won a Bessie Award in the category Performance, Installation, and New Media "for building exquisite links between seemingly incompatible technologies and materials-robots, video, piano, driftwood, and computers; for sharing their succinctly visualized yet beautifully ambivalent relationship to hidden landscapes; and for offering a poetically and emotionally evocative soundscape of a far-off place...," according to the jury statement.[4]. Concert for Greenland was performed at P.S. 122 (Performance Space 122) in New York.

Production History

  • And All the Questionmarks Started to Sing (2010)
  • Louder (2008)
  • Fortellerorkestret (2005/06)
  • Concert for Greenland (2003/05)
  • Tsalal (2001/02)
  • Régla (2000/01)
  • Faust/Massnamhe (1998)
  • Philoktetes (1996/97)
  • Orfeo (1995)

References

  1. ^ Kourlas, Gia. "The World Spins (Bicycle Wheels, Too)." The New York Times, February 27, 2011, p.C2.
  2. ^ Lonmo, Sølveig. "Dreamtime." Adresseavisen. November 12, 2008.
  3. ^ http://offbroadway.broadwayworld.com/article/PS_122_to_Present_New_York_Premiere_of_Verdensteatrets_Louder_Starting_925_20080925
  4. ^ http://www.verdensteatret.com

External links