Jump to content

A Perfect Day for Bananafish: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Luckas-bot (talk | contribs)
m r2.7.1) (robot Adding: zh:逮香蕉鱼的最佳日子
Analysis: pipe to remove dab
Line 10: Line 10:
==Analysis==
==Analysis==


The short story is recognized for its technical achievement<ref>{{cite book |last=Alexander |first=Paul |authorlink= |title=Salinger: A Biography |year=1999 |publisher=Renaissance |location=Los Angeles |isbn=1-58063-080-4}}</ref> as well as the macabre sense of humor inherent in much of Salinger's works. Some critics focused on symbolism.<ref>Bloom, Harold, ed., ''J. D. Salinger'', [[Chelsea House]], 2002, pp. 50-51.</ref> Salinger used dialogue in the first section of the story to describe the shallowness of Muriel and her mother. The second section begins with Sybil Carpenter, a young girl wearing a two-piece swim suit, saying "see more glass." Her mother is also talking about clothes, similar to Muriel's mother. Seymour isolates himself on the beach, and his answers to Sybil's question of "where is the lady?" make it clear he is discouraged with her.<ref>Gwynn, Frederick L., and Joseph L. Blotner, "One Hand Clapping," in ''Salinger: A Critical and Personal Portrait'', Harper & Row, 1962, p. 110.</ref> There are many interpretations of the motives for his suicide, and at least one<ref>Gwynn and Blotner, "Against the cult of the Child," in ''Salinger: A Critical and Personal Portrait'', p. 241.</ref> contrasts his "vulgar, destructive" wife and the "clean, pure" aspect of little Sybil. Other interpretations include the theory of [[the Absurd (philosophy)]].
The short story is recognized for its technical achievement<ref>{{cite book |last=Alexander |first=Paul |authorlink= |title=Salinger: A Biography |year=1999 |publisher=Renaissance |location=Los Angeles |isbn=1-58063-080-4}}</ref> as well as the macabre sense of humor inherent in much of Salinger's works. Some critics focused on symbolism.<ref>Bloom, Harold, ed., ''J. D. Salinger'', [[Chelsea House]], 2002, pp. 50-51.</ref> Salinger used dialogue in the first section of the story to describe the shallowness of Muriel and her mother. The second section begins with Sybil Carpenter, a young girl wearing a two-piece swim suit, saying "see more glass." Her mother is also talking about clothes, similar to Muriel's mother. Seymour isolates himself on the beach, and his answers to Sybil's question of "where is the lady?" make it clear he is discouraged with her.<ref>Gwynn, Frederick L., and Joseph L. Blotner, "One Hand Clapping," in ''Salinger: A Critical and Personal Portrait'', Harper & Row, 1962, p. 110.</ref> There are many interpretations of the motives for his suicide, and at least one<ref>Gwynn and Blotner, "Against the cult of the Child," in ''Salinger: A Critical and Personal Portrait'', p. 241.</ref> contrasts his "vulgar, destructive" wife and the "clean, pure" aspect of little Sybil. Other interpretations include the theory of [[the Absurd|The Absurd (philosophy)]].


==References==
==References==

Revision as of 21:00, 30 March 2011

"A Perfect Day for Bananafish" is a short story by J. D. Salinger, originally published in the January 31, 1948 issue of The New Yorker. It was anthologized in 1949's 55 Short Stories from the New Yorker as well as in Salinger's 1953 collection, Nine Stories. It is the first of his stories to feature a member of the fictional Glass family; following Seymour Glass and his wife on a vacation in Florida.

The story, originally titled "A Fine Day for Bananafish",[1] was an important one in Salinger's career. The New Yorker, which at the time had published only one of his stories, accepted "Bananafish" for immediate publication and, because of its "singular quality," signed Salinger to a contract giving them right of first refusal on any future stories.[1] Upon its publication, the story was met with immediate acclaim; according to Salinger biographer Paul Alexander, it was "the story that would permanently change his standing in the literary community."[1]

When Brigitte Bardot wanted to buy the rights to the story, Salinger refused the request, but told his friend Lillian Ross, longtime staff writer for The New Yorker, "She's a cute, talented, lost enfante, and I'm tempted to accommodate her, pour le sport."[2]

Plot summary

The story details Seymour's day on the beach, as his wife, Muriel, spends her time in a hotel room talking to her mother on the phone about clothing and Seymour's behavior. She asks about the location of a book by a German poet which Seymour sent her, but which she had never read. Seymour is concerned about many obscure things, such as people staring at his feet, and wears a bathrobe on the beach to avoid people staring at a tattoo which he does not have. While in the water, Seymour tells a story of the bananafish to a young girl named Sybil. The fish, he says, are "very ordinary looking" when they swim into a hole, but once in the hole, eat so much they cannot escape and subsequently die of banana fever. He then returns to his room where Muriel is sleeping, retrieves a gun from his luggage, sits down in the bed next to hers and shoots himself in the right temple.

Analysis

The short story is recognized for its technical achievement[3] as well as the macabre sense of humor inherent in much of Salinger's works. Some critics focused on symbolism.[4] Salinger used dialogue in the first section of the story to describe the shallowness of Muriel and her mother. The second section begins with Sybil Carpenter, a young girl wearing a two-piece swim suit, saying "see more glass." Her mother is also talking about clothes, similar to Muriel's mother. Seymour isolates himself on the beach, and his answers to Sybil's question of "where is the lady?" make it clear he is discouraged with her.[5] There are many interpretations of the motives for his suicide, and at least one[6] contrasts his "vulgar, destructive" wife and the "clean, pure" aspect of little Sybil. Other interpretations include the theory of The Absurd (philosophy).

References

  1. ^ a b c Alexander, Paul (1999). Salinger: A Biography. Los Angeles: Renaissance. ISBN 1-58063-080-4. p. 124.
  2. ^ Lillian Ross (2010-02-08). "Bearable". The New Yorker. newyorker.com. pp. 22–23. Retrieved 2010-04-27.
  3. ^ Alexander, Paul (1999). Salinger: A Biography. Los Angeles: Renaissance. ISBN 1-58063-080-4.
  4. ^ Bloom, Harold, ed., J. D. Salinger, Chelsea House, 2002, pp. 50-51.
  5. ^ Gwynn, Frederick L., and Joseph L. Blotner, "One Hand Clapping," in Salinger: A Critical and Personal Portrait, Harper & Row, 1962, p. 110.
  6. ^ Gwynn and Blotner, "Against the cult of the Child," in Salinger: A Critical and Personal Portrait, p. 241.