Gondal (fictional country): Difference between revisions
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The Gondal saga is set on two islands in the South Pacific. The northern island, Gondal, is a realm of moorlands and snow (based on [[Yorkshire]]). The southern island, Gaaldine, features a more tropical climate. Gaaldine is subject to Gondal, which may be related to the time period of the early nineteenth-century in which Britain was expanding its Empire.<ref name=Encyclopedia /> |
The Gondal saga is set on two islands in the South Pacific. The northern island, Gondal, is a realm of moorlands and snow (based on [[Yorkshire]]). The southern island, Gaaldine, features a more tropical climate. Gaaldine is subject to Gondal, which may be related to the time period of the early nineteenth-century in which Britain was expanding its Empire.<ref name=Encyclopedia /> |
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The character stories created by the Bronte children are filled with melodrama and intrigue. The early part of Gondal's history follows the life of the warlike Julius Brenzaida, a figure reminiscent of the Duke of Zamorna from the siblings' |
The character stories created by the Bronte children are filled with melodrama and intrigue. The early part of Gondal's history follows the life of the warlike Julius Brenzaida, a figure reminiscent of the Duke of Zamorna from the siblings' earlier Tales of Angria and Prince of Gondal's primary kingdom of Angora. The two loves of his life are Rosina, who becomes his wife and queen, and Geraldine Sidonia, who gives birth to his daughter, Augusta Geraldin Almeda (A.G.A). Julius is evidently a two-faced king. After sharing a coronation with Gerald, King of Exina, he imprisons and executes him. Julius is eventually assassinated during a civil war and his succeeded by his daughter, A.G.A., who is similar to her father in temperament. She has several lovers, including Alexander of Elbë, Fernando De Samara, and Alfred Sidonia of Aspin Castle, all of whom die. She also is eventually murdered during a civil war.<ref name=Encyclopedia>{{cite book|title=A Brontë Encyclopedia|year=2007|publisher=Blackwell|location=Oxford|editor1-last=Bernard|editor1-first=Robert|editor2-last=Bernard|editor2-first=Louise|pages=126—127|url=http://books.google.com/books?id=i0NZUTJ_Em8C}}</ref> |
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Anne Brontë used characters that her sister Emily did not. However, these are all lost now and are unlikely to be recovered.<ref name=Encyclopedia /> |
Anne Brontë used characters that her sister Emily did not. However, these are all lost now and are unlikely to be recovered.<ref name=Encyclopedia /> |
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Revision as of 12:35, 11 June 2011
Gondal is an imaginary world or paracosm created by Emily Brontë and Anne Brontë in their youth. Gondal is an island in the South Pacific, just north of the island Gaaldine. The poems are characterised by war, romance and intrigue. The earliest surviving reference comes from a diary entry in 1834. None of the prose fiction now survives but poetry still exists, mostly in the form of a manuscript donated to the British Museum in 1933; as do diary entries and scraps of lists. The Gondal setting, along with the similar Angria setting created by the other Brontë siblings, has been described as an early form of speculative fiction.
Invention
The world of Gondal was inventing as a joint venture by sisters Emily and Anne. It was a game which they may possibly have played to the end of their lives. Early on they had played with their older siblings Charlotte and Branwell in the imaginary country and game of Angria, which featured the Duke of Wellington and his sons as the heroes.
As in the case of Angria, Gondal has its origins in the Glasstown Confederacy, an earlier imaginary setting created by the siblings as children. Glasstown was founded when twelve wooden soldiers were offered to Branwell Brontë by his father, Patrick Brontë, on June 5, 1826.[1] The soldiers became characters in their imaginary world. Charlotte wrote:
Branwell came to our door with a box of soldiers Emily & I jumped out of bed and I snat[c]hed up one & exclaimed this is the Duke of Wellington it shall be mine!! [Wellington was the current prime minister of England, and he had defeated the French leader Napoléon Bonaparte at the famous Battle of Waterloo.] When I said this Emily likewise took one & said it should be hers when Anne came down she took one also. Mine was the prettiest of the whole & perfect in every part Emilys was a Grave looking fellow we called him Gravey. Anne's was a queer little thing very much like herself. [H]e was called Waiting Boy[.] Branwell chose Bonaparte.
However, it was only during December 1827 that the world really took shape, when Charlotte suggested that everyone own and manage their own island, which they named after heroic leaders: Charlotte had Wellington, Branwell had Sneaky, Emily had Parry, and Anne had Ross. Each island capital's was called Glasstown, hence the name of the Glasstown Confederacy.[4]
Emily and Anne, as the youngest siblings, were often relegated to inferior positions within the game. Therefore, they staged a rebellion and established the imaginary world of Gondal for themselves. "The Gondal Chronicles," which would have given us the full story of Gondal, has unfortunately been lost, but the poems and the diary entries they wrote to each other provide something of an outline.[5] The earliest documented reference to Gondal is one of Emily's diary entries in 1834, 9 years after the Glasstown Confederacy, when the two younger sisters were aged 16 and 14 respectively; it read: "The Gondals are discovering the interior of Gaaldine."[4][5]
All of the prose chronicles are now lost. The only surviving remnants of the Gondal works are made up of poems, diary entries and some occasional memory aids such as lists of names and characteristics.[6]
World and Characters
The Gondal saga is set on two islands in the South Pacific. The northern island, Gondal, is a realm of moorlands and snow (based on Yorkshire). The southern island, Gaaldine, features a more tropical climate. Gaaldine is subject to Gondal, which may be related to the time period of the early nineteenth-century in which Britain was expanding its Empire.[6]
The character stories created by the Bronte children are filled with melodrama and intrigue. The early part of Gondal's history follows the life of the warlike Julius Brenzaida, a figure reminiscent of the Duke of Zamorna from the siblings' earlier Tales of Angria and Prince of Gondal's primary kingdom of Angora. The two loves of his life are Rosina, who becomes his wife and queen, and Geraldine Sidonia, who gives birth to his daughter, Augusta Geraldin Almeda (A.G.A). Julius is evidently a two-faced king. After sharing a coronation with Gerald, King of Exina, he imprisons and executes him. Julius is eventually assassinated during a civil war and his succeeded by his daughter, A.G.A., who is similar to her father in temperament. She has several lovers, including Alexander of Elbë, Fernando De Samara, and Alfred Sidonia of Aspin Castle, all of whom die. She also is eventually murdered during a civil war.[6]
Anne Brontë used characters that her sister Emily did not. However, these are all lost now and are unlikely to be recovered.[6]
Interpretation
Several of Emily's poems that had been assumed in early scholarship to be allegories for personal experiences were eventually revealed to be episodes in the Gondal saga.[5][7]
The poems were very personal to Emily; when Charlotte once discovered them by mistake she was furious. [4][8] Like Byron, she saw poetry as more of a process than a product.[9]
Emily most of the time destroyed her notes after transcribing the poems into fair-copy manuscript, and where draft versions survive they only have minor differences. The only draft with major differences that survives is from the Gondal poems: "Why ask to know the date—the clime".[9]
The first to attempt to reconstruct the Gondal material was Fanny Ratchford in 1945. She is accused of confusing the issue by assuming that three characters were intended to be the same individual: Rosina, A.G.A. and Geraldine Sidonia.[6] William Doremus Paden, in An Investigation of Gondal (1958), created a detailed chronology of Gondal.[6] The most convincing description of the setting is believed to be The Brontës (1945) by Laura Hinkley; this is used in the introduction of The Complete Poems (1951) by Philip Henderson, a Folio Society publication of Emily Brontë's poetry.[6]
The Angria and Gondal works can be seen as early forms of both science fiction and fan fiction. Andy Sawyer, Director of Science Fiction Studies MA at the University of Liverpool: "The Brontës are well known authors with no apparent association with science fiction but their tiny manuscript books, held at the British Library, are one of the first examples of fan fiction, using favourite characters and settings in the same way as science fiction and fantasy fans now play in the detailed imaginary ‘universes’ of Star Trek or Harry Potter. While the sense of fantasy is strong, there are teasing examples of what might be called the beginnings of science fiction."[7][10]
Poems
In February of 1844, Emily Brontë copied her poems into two notebooks, one containing Gondal poetry and one containing non-Gondal poetry. The non-Gondal notebook was discovered in 1926 by Mr. Davidson Cook and reproduced in the Shakespeare Head edition of Emily's poems. The notebook of Gondal poems was presented to the British Museum in 1933 by the descendants of Mr. George Smith, of Smith, Elder & Co., Charlotte Brontë's publisher. It was published in full in 1938.[5]
| Number | Fictional correspondant(s) | Title | First line | Date | Notes |
|---|---|---|---|---|---|
| 1 | A.G.A. | "There shines the moon, at noon of night" | March 6, 1837 | ||
| 2 | A.G.A. to A.E. | "Lord of Elbë, on Elbë Hill" | August 19, 1837 | ||
| 3 | A.G.A. to A.S. | "At such a time, in such a spot" | May 6, 1840 (alt. July 28, 1843) | ||
| 4 | To A.G.A. | "'Thou standest in the green-wood now'" | |||
| 5 | A.G.A. to A.S. | "This summer wind, with thee and me" | March 2, 1844 | ||
| 6 | A.G.A. to A.S. | "O wander not so far away!" | May 20, 1838 | ||
| 7 | A.G.A. | "To the bluebell" | May 9, 1839 | ||
| 8 | Written in Aspin Castle | "How do I love on summer nights" | August 20, 1842 (alt. February 6, 1843) | ||
| 9 | Douglas's Ride | "Well, narrower draw the circle round" | July 11, 1838 | ||
| 10 | By R. Gleneden | "From our evening fireside now" | April 17, 1839 | ||
| 11 | Gleneden's Dream | "Tell me, watcher, is it winter?" | May 21, 1838 | ||
| 12 | Rosina | "Weeks of wildest delirium past" | September 1, 1841 | ||
| 13 | Songs by Julius Brenzaida to G.S. | "Geraldine, the moon is shining" | October 17, 1838 | ||
| 14 | Songs by J. Brenzaida to G.S. | "I knew not twas so dire a crime" | October 17, 1838 | Prior to the discover of the manuscript with the complete set of poems, this was considered to be a personal love poem.[5] | |
| 15 | Geraldine | "'Twas night, her comrades gathered all" | August 17, 1841 | ||
| 16 | A.G.A. | "For him who struck thy foreign string" | August 30, 1838 | ||
| 17 | F. De Samara, Written in the Gaaldine prison caves to A.G.A. | "Thy sun is near meridian height" | January 6, 1840 | ||
| 18 | F. De Samara to A.G.A. | "Light up thy halls! 'tis closing day" | November 1, 1838 | This poem was also once considered personal.[5] | |
| 19 | Written in returning to the P. of I. on the 10th of January 1827 | "The busy day has hurried by" | June 14, 1839 | ||
| 20 | On the fall of Zalona | "All blue and bright, in glorious light" | February 24, 1843 | ||
| 21 | A.G.A. | The Death of | "Were they shepherds, who sat all day" | January 1841 (alt. May 1844) | |
| 22 | A Farewell to Alexandria | "I've seen this dell in July's shine" | July 12, 1839 | ||
| 23 | E.W. to A.G.A. | "How few, of all the hearts that loved" | March 11, 1844 | ||
| 24 | "Come, walk with me" | ||||
| 25 | Date 18, E.G. to M.R. | "thy Guardians are asleep" | May 4, 1843 | ||
| 26 | To A.S. 1830 | "Where beams the sun the brightest" | May 1, 1843 | ||
| 27 | "In the earth, the earth though shalt be laid" | September 6, 1843 | |||
| 28 | A.S. to G.S. | "I do not weep, I would not weep" | December 19, 1841 | ||
| 29 | M.G. For the U.S. | "'Twas yesterday at early dawn" | December 19, 1843 | ||
| 30 | "'The linnet in the rocky dells'" [signed E.W.] | May 1, 1844 | |||
| 31 | J.B., Nov. 11th 1844 | From the Dungeon Wall in the Southern College - J.B. Sept, 1825 | "'Listen! when your hair like mine'" | ||
| 32 | Dec., 2nd, 1844. From a D.W. in the N.C. A.G.A. Sept, 1826 | "'Oh Day, He cannot die'" | |||
| 33 | D.G.C. to J.A. | "Come, the wind may never again" | October 2, 1844 | ||
| 34 | I.M. to I.G. | "'The winter wind is loud and wild" | November 6, 1844 | ||
| 35 | M. Douglas to E.R. Gleneden | "The moon is full this winter night" | November 21, 1844 | ||
| 36 | R. Alcona to J. Brenzaida | "Cold in the earth and the deep snow piled above thee!" | March 3, 1845 | ||
| 37 | H.A. and A.S. | "In the same place, when Nature wore" | May 17, 1842 | ||
| 38 | Rodric Lesley. 1830. | "Lie down and rest - the fight is done" | December 18, 1843 | ||
| 39 | "A thousand sounds of happiness" | April 22, 1845 | |||
| 40 | A.E. and R.C. | "Heavy hangs the raindrop" | May 28, 1845 | ||
| 41 | M.A. written on the Dungeon Wall - N.C. | "I know that tonight, the wind is sighing" [signed M.A.] | August 1845 | ||
| 42 | Julian M. and A.G. Rochelle | "Silent is the House - all are laid to sleep" | October 9, 1845 | ||
| 43 | "Why ask to know the date - the clime?" | September 14, 1846 | This poem (and the alternative version poem 44) were written after Wuthering Heights and are the only surviving writings from the last 2½ years of Emily's life.[5] | ||
| 44 | "Why ask to know what date, what clime?" | May 13, 1847 [or 1848?] | A different version of poem 43 | ||
| Source: Brown, Helen; Mott, Joan, eds. (1938). "Contents of Manuscript". Gondal Poems by Emily Jane Bronte. Oxford: The Shakespeare Head Press. pp. 35–47. | |||||
References
- ^ a b Smith Kenyon, Karen (2002). The Bronte Family. Twenty-First Century Books. ISBN 9780822500711.
- ^ Glen, Heather (2004). "The Mighty Phantasm". Charlotte Brontë. Oxford University Press. p. 5. ISBN 9780199272556.
- ^ Gaskell, Elizabeth Cleghorn (1857). The Life of Charlotte Bronte. Oxford University. p. 90.
- ^ a b c Harrison, David W. (2003). The Brontes of Haworth. Trafford Publishing. ISBN 9781553698098.
- ^ a b c d e f g Helen Brown and Joan Mott, ed. (1938). Gondal Poems by Emily Jane Bronte. Oxford: The Shakespeare Head Press. pp. 5–8.
- ^ a b c d e f g Bernard, Robert; Bernard, Louise, eds. (2007). A Brontë Encyclopedia. Oxford: Blackwell. pp. 126–127.
- ^ a b The Brontës’ secret science fiction stories, British Library, 11 May 2011
- ^ Gezari, Janet (2007). "Fragments". Last Things. Oxford University Press. p. 80. ISBN 9780199298181.
- ^ a b Lamonica, Drew (2003). "Writing as Sibling Relationship". We Are Three Sisters. University of Missouri Press. p. 42. ISBN 9780826214362.
- ^ Ferrier, Morwenna (24 May 2011). "The Brontës' 'secret' science fiction stories". The Telegraph.
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| Juvenilia | ||
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| Cultural legacy | ||
