Taylor Carman: Difference between revisions
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'''Taylor Carman''' is an American [[Philosophy|philosopher]]. He is |
'''Taylor Carman''' is an American [[Philosophy|philosopher]]. He is Professor of philosophy at [[Barnard College]]. |
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Carman's main areas of interest are in the philosophy of [[Martin Heidegger]] and in [[Phenomenology (philosophy)|phenomenology]]. He is the author of ''Heidegger’s Analytic: Interpretation, Discourse, and Authenticity in Heidegger's'' Being and Time (2003) and ''Merleau-Ponty'' (2008), and the editor of ''The Cambridge Companion to Merleau-Ponty'' (2005). He is also co-editor of a philosophy series with Ashgate Publishing called "Intersection: Continental and Analytic Philosophy". |
Carman's main areas of interest are in the philosophy of [[Martin Heidegger]] and in [[Phenomenology (philosophy)|phenomenology]]. He is the author of ''Heidegger’s Analytic: Interpretation, Discourse, and Authenticity in Heidegger's'' Being and Time (2003) and ''Merleau-Ponty'' (2008), and the editor of ''The Cambridge Companion to Merleau-Ponty'' (2005). He is also co-editor of a philosophy series with Ashgate Publishing called "Intersection: Continental and Analytic Philosophy". |
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Revision as of 17:52, 1 September 2011
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Taylor Carman is an American philosopher. He is Professor of philosophy at Barnard College.
Carman's main areas of interest are in the philosophy of Martin Heidegger and in phenomenology. He is the author of Heidegger’s Analytic: Interpretation, Discourse, and Authenticity in Heidegger's Being and Time (2003) and Merleau-Ponty (2008), and the editor of The Cambridge Companion to Merleau-Ponty (2005). He is also co-editor of a philosophy series with Ashgate Publishing called "Intersection: Continental and Analytic Philosophy".
Hubert Dreyfus considers Carman to be one of the leading contemporary authorities on Heidegger and on Heidegger's concept of death in particular.[1] Carman was featured, along with Hubert Dreyfus, Charles Taylor, Albert Borgmann, and Sean Kelly, in the documentary Being in the World (2010), which explores the phenomenology of everyday life.[2]