Venus in Furs

This article is about the book. For other uses of the name, see Venus in Furs (disambiguation).

Venus in Furs

Author	Leopold von Sacher-Masoch
Language	German
Genre	Romantic novel
Publication date	1870
Publication place	Austria
Media type	Print (Hardback & Paperback)

The Titian painting Venus with a Mirror, from which Severin gets the idea of Venus in furs.

Venus in Furs (German: Venus im Pelz) is a novella by Austrian author Leopold von Sacher-Masoch, the best known of his works. The novel was part of an epic series that Sacher-Masoch envisioned called Legacy of Cain. Venus in Furs was part of Love, the first volume of the series. It was published in 1870.

Novel

The novel draws themes and character inspiration heavily from Sacher-Masoch’s own life. Wanda von Dunajew (the novel's central female character) was modelled after Fanny Pistor, who was an emerging literary writer. The two met when Pistor contacted Sacher-Masoch, under the fictitious title of a noble Baroness Bogdanoff, for suggestions on improvement of her works, to make them suitable for publication.

Plot summary

The framing story concerns a man who dreams of speaking to Venus about love while she wears furs. The unnamed narrator tells his dreams to a friend, Severin, who tells him how to break him of his fascination with cruel women by reading a manuscript, Memoirs of a Suprasensual Man.

This manuscript tells of a man, Severin von Kusiemski, so infatuated with a woman, Wanda von Dunajew, that he requests to be treated as her slave, and encourages her to treat him in progressively more degrading ways. At first Wanda does not understand or relate to the request, but after humouring Severin a bit she finds the advantages of the method to be interesting and enthusiastically embraces the idea; though at the same time, she disdains Severin for allowing her to do so.

Severin describes his feelings during these experiences as suprasensuality. Severin and Wanda travel to Florence. Along the way, Severin takes the generic Russian servant's name of "Gregor" and the role of Wanda's servant. In Florence, Wanda treats him brutally as a servant, and recruits a trio of African women to dominate him.

The relationship arrives at a crisis point when Wanda herself meets a man to whom she would like to submit, a Byronic hero known as Alexis Papadopolis. At the end of the book, Severin, humiliated by Wanda's new lover, loses the desire to submit. He says of Wanda:

"That woman, as nature has created her, and man at present is educating her, is man's enemy. She can only be his slave or his despot, but never his companion. This she can become only when she has the same rights as he and is his equal in education and work."

In popular culture

• The novel has been adapted for film five times: in 1967, twice in 1969 ([1] and [2]), in 1985 (Verfuehrung: Die Grausame Frau, a lesbian-feminist interpretation directed by Monika Treut [3]), and in 1994. The 1994 film was directed by Maartje Seyferth and Victor E. Nieuwenhuijs ([4]), and received an award at the 1994 international film festival of Saint Petersburg, Russia.

• In 1967 The Velvet Underground's debut album included the song "Venus in Furs." It became one of the group's most famous recordings, and the many bands who have since used "venus in furs" as a name or lyrical allusion are more likely to have been influenced by the song than to have read the book.

• The book inspired Venus in Fur, a 2010 play set in the modern day by David Ives, which had its premier at the Classic Stage Company Off Broadway in New York City starring Nina Arianda and Wes Bentley. In February 2012, a new Broadway production of Venus in Fur is set to premier at the Lyceum Theater starring Nina Arianda and Hugh Dancy. ([5])

See also

• Dominatrix
• Femdom
• Sadomasochism
• Senso, an 1882 novella by Camillo Boito, which serves as a sort of the gender reversal on the same themes as Venus in Furs.
• Venus in Furs (1969 film)

External links

• The complete text of Venus in Furs from Project Gutenberg