Dean Cornwell: Difference between revisions
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==Background== |
==Background== |
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Cornwell was born in [[Louisville, Kentucky]]. His father, Charles L. Cornwell, was a civil engineer whose [[drawing]]s of industrial subjects fascinated Cornwell as a child. He began his professional career as a [[cartoonist]] for the ''[[Louisville Herald]]''. Soon thereafter he moved to [[Chicago]], where he studied at the [[Art Institute of Chicago|Art Institute]] and worked for the ''[[Chicago Tribune]]''. In 1915 he moved to [[New Rochelle, New York]] and studied in [[New York City]] under [[Harvey Dunn]] at the [[Art Students League of New York]]. Eventually he traveled to [[London]] to study mural painting as an apprentice to [[Frank Brangwyn]]. |
Cornwell was born in [[Louisville, Kentucky]]. His father, Charles L. Cornwell, was a civil engineer whose [[drawing]]s of industrial subjects fascinated Cornwell as a child. He began his professional career as a [[cartoonist]] for the ''[[Louisville Herald]]''. Soon thereafter he moved to [[Chicago]], where he studied at the [[Art Institute of Chicago|Art Institute]] and worked for the ''[[Chicago Tribune]]''. In 1915 he moved to [[New Rochelle, New York]], a well known [[New Rochelle Artist Colony|artist colony]]<ref>[http://www.newrochellearts.org/content.php?nID=2&cID=4 New Rochelle - Arts City]</ref>, and studied in [[New York City]] under [[Harvey Dunn]] at the [[Art Students League of New York]]. Eventually he traveled to [[London]] to study mural painting as an apprentice to [[Frank Brangwyn]]. |
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Cornwell's paintings graced the pages of ''[[Cosmopolitan (magazine)|Cosmopolitan]]'', ''[[Harper's Bazaar]]'', ''[[Redbook]]'', and ''[[Good Housekeeping]]'' magazines, illustrating the work of authors including [[Pearl S. Buck]], [[Lloyd Douglas]], [[Edna Ferber]], [[Ernest Hemingway]], [[W. Somerset Maugham]], and [[Owen Wister]]. He painted murals for the [[Los Angeles Public Library]], the Lincoln Memorial Shrine in [[Redlands, California]], the [[Eastern Airlines]] Building (now 10 [[Rockefeller Plaza]]), the [[United States Postal Service|U.S. Post Office]] in [[Chapel Hill, North Carolina]], the [[Warwick New York Hotel]] in New York City, the [[New England Telephone]] headquarters building in Boston, the [[Davidson County Courthouse (Tennessee)|Davidson County Courthouse]] and Sevier State Office Building in [[Tennessee]], and the [[Centre William Rappard]] in [[Geneva]], [[Switzerland]]. His ambitious mural for the Los Angeles Public Library was a rendering of the history of California. |
Cornwell's paintings graced the pages of ''[[Cosmopolitan (magazine)|Cosmopolitan]]'', ''[[Harper's Bazaar]]'', ''[[Redbook]]'', and ''[[Good Housekeeping]]'' magazines, illustrating the work of authors including [[Pearl S. Buck]], [[Lloyd Douglas]], [[Edna Ferber]], [[Ernest Hemingway]], [[W. Somerset Maugham]], and [[Owen Wister]]. He painted murals for the [[Los Angeles Public Library]], the Lincoln Memorial Shrine in [[Redlands, California]], the [[Eastern Airlines]] Building (now 10 [[Rockefeller Plaza]]), the [[United States Postal Service|U.S. Post Office]] in [[Chapel Hill, North Carolina]], the [[Warwick New York Hotel]] in New York City, the [[New England Telephone]] headquarters building in Boston, the [[Davidson County Courthouse (Tennessee)|Davidson County Courthouse]] and Sevier State Office Building in [[Tennessee]], and the [[Centre William Rappard]] in [[Geneva]], [[Switzerland]]. His ambitious mural for the Los Angeles Public Library was a rendering of the history of California. |
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Revision as of 07:52, 8 July 2012
Dean Cornwell | |
|---|---|
| Born | Dean Cornwell March 5, 1892 |
| Died | December 4, 1960 (aged 68) |
| Nationality | American |
| Known for | Illustration, painting |
Dean Cornwell (March 5, 1892 - December 4, 1960) was an American illustrator and muralist. His oil paintings were frequently featured in popular magazines and books as literary illustrations, advertisements, and posters promoting the war effort. Throughout the first half of the 20th century he was a dominant presence in American illustration.[1] At the peak of his popularity he was nicknamed the "Dean of Illustrators".
Background
Cornwell was born in Louisville, Kentucky. His father, Charles L. Cornwell, was a civil engineer whose drawings of industrial subjects fascinated Cornwell as a child. He began his professional career as a cartoonist for the Louisville Herald. Soon thereafter he moved to Chicago, where he studied at the Art Institute and worked for the Chicago Tribune. In 1915 he moved to New Rochelle, New York, a well known artist colony[2], and studied in New York City under Harvey Dunn at the Art Students League of New York. Eventually he traveled to London to study mural painting as an apprentice to Frank Brangwyn.
Cornwell's paintings graced the pages of Cosmopolitan, Harper's Bazaar, Redbook, and Good Housekeeping magazines, illustrating the work of authors including Pearl S. Buck, Lloyd Douglas, Edna Ferber, Ernest Hemingway, W. Somerset Maugham, and Owen Wister. He painted murals for the Los Angeles Public Library, the Lincoln Memorial Shrine in Redlands, California, the Eastern Airlines Building (now 10 Rockefeller Plaza), the U.S. Post Office in Chapel Hill, North Carolina, the Warwick New York Hotel in New York City, the New England Telephone headquarters building in Boston, the Davidson County Courthouse and Sevier State Office Building in Tennessee, and the Centre William Rappard in Geneva, Switzerland. His ambitious mural for the Los Angeles Public Library was a rendering of the history of California.
Cornwell taught and lectured at the Art Students League in New York. He served as president of the Society of Illustrators from 1922 to 1926, and was elected to its Hall of Fame in 1959.[3] He died in New York City.
Examples of Cornwell's Work
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Some Necktie Lady (1916) oil on canvas 14.5 inch. x 34 inch. -
The Red Shaw Hearst's International magazine illustration (1921) oil on canvas 34 inch. x 30 inch. -
Priest, Spanish City (1921) oil on canvas 30 inch. x 34 inch. -
The Bridge Harper's Bazaar illustration (1921) oil on canvas 34 inch. x 30 inch. -
Romantic Couple Seated by Piano Hearst's International magazine illustration,1922) oil on canvas 34 inch. x 36 inch.
Notes
- ^ Reed, Walt and Roger, The Illustrator in America 1880-1980, page 119. Madison Square Press Inc., 1984.
- ^ New Rochelle - Arts City
- ^ Reed, 1984, p. 119.