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At age 24, he was hired to illustrate a series of books for publisher Dodd-Mead, including [[Moby Dick]],<ref name="Moby Dick">{{cite news|url=http://query.nytimes.com/gst/abstract.html?res=9A0CE4DC153AEE32A25750C0A96F9C946395D6CF|title=Books and Authors|date=September 3, 1922|work=The New York Times|accessdate=2009-07-11}}</ref> [[Typee]], and [[Omoo]] by [[Herman Melville]], [[The Count of Monte Christo]], and [[Les Misérables]] by [[Victor Hugo]]. Schaeffer's career from 1922 and 1930 focused on these illustrations for classic novels.
At age 24, he was hired to illustrate a series of books for publisher Dodd-Mead, including [[Moby Dick]],<ref name="Moby Dick">{{cite news|url=http://query.nytimes.com/gst/abstract.html?res=9A0CE4DC153AEE32A25750C0A96F9C946395D6CF|title=Books and Authors|date=September 3, 1922|work=The New York Times|accessdate=2009-07-11}}</ref> [[Typee]], and [[Omoo]] by [[Herman Melville]], [[The Count of Monte Christo]], and [[Les Misérables]] by [[Victor Hugo]]. Schaeffer's career from 1922 and 1930 focused on these illustrations for classic novels.


For the next two decades, Schaeffer abandoned illustrating adventure novels in favors of focusing on real people in real settings. During this time period, Schaeffer received commissions from magazines: Good Housekeeping, McCall's, the Saturday Evening Post, The Ladies Home Journal, Country Gentleman, and Cosmopolitan. After this period focusing on realistic depictions of every-day American life, Schaeffer focused on depictions of American military personnel during World War II.
For the next two decades, Schaeffer abandoned illustrating adventure novels in favors of focusing on real people in real settings. During this time period, Schaeffer received commissions from magazines: [[Good Housekeeping]], [[McCall's]], [[Saturday Evening Post]], [[Ladies Home Journal]], [[Country Gentleman]], and [[Cosmopolitan]]. After this period focusing on realistic depictions of every-day American life, Schaeffer focused on depictions of American military personnel during World War II.


Schaeffer retired and lived the rest of his life in Vermont. He died in 1980.<ref name="NYT obituary">{{cite news|url=http://select.nytimes.com/mem/archive/pdf?res=F40A13F83C5512728DDDA90994D9415B8084F1D3|title=Obituary: Mead Schaeffer|date=November 10, 1980|work=The New York Times|quote="Mead Schaeffer, a book illustrator and painter of many covers for The Saturday Evening Post, died Thursday of a heart attack ..."| accessdate=2009-07-11}}</ref>
Schaeffer retired and lived the rest of his life in [[Vermont]]. He died in 1980.<ref name="NYT obituary">{{cite news|url=http://select.nytimes.com/mem/archive/pdf?res=F40A13F83C5512728DDDA90994D9415B8084F1D3|title=Obituary: Mead Schaeffer|date=November 10, 1980|work=The New York Times|quote="Mead Schaeffer, a book illustrator and painter of many covers for The Saturday Evening Post, died Thursday of a heart attack ..."| accessdate=2009-07-11}}</ref>


==References==
==References==

Revision as of 08:27, 8 July 2012

Mead Schaeffer (1898 – 1980) was an American illustrator from the early to mid-twentieth century. He lived in New Rochelle, New York, a community favored by artists, illustrators and writers from the period, where he was a neighbor and personal friend of Norman Rockwell.[1] Mead Schaeffer and his family often posed as models for many of Rockwell's Saturday Evening Post illustrations and paintings.

Schaeffer was born in Freedom Plains, New York, in 1898, and grew up in Springfield, Massachusetts. Schaeffer enrolled in the Pratt Institute in 1916, where he was influenced by Harvey Dunn, who also critiqued many of Schaeffer's projects. While a student at Pratt, Scaheffer illustrated the first of seven 'Golden Boy' books authored by L.P. Wyman.

At age 24, he was hired to illustrate a series of books for publisher Dodd-Mead, including Moby Dick,[2] Typee, and Omoo by Herman Melville, The Count of Monte Christo, and Les Misérables by Victor Hugo. Schaeffer's career from 1922 and 1930 focused on these illustrations for classic novels.

For the next two decades, Schaeffer abandoned illustrating adventure novels in favors of focusing on real people in real settings. During this time period, Schaeffer received commissions from magazines: Good Housekeeping, McCall's, Saturday Evening Post, Ladies Home Journal, Country Gentleman, and Cosmopolitan. After this period focusing on realistic depictions of every-day American life, Schaeffer focused on depictions of American military personnel during World War II.

Schaeffer retired and lived the rest of his life in Vermont. He died in 1980.[3]

References

  1. ^ Toast of the Town: Norman Rockwell and the Artists of New Rochelle
  2. ^ "Books and Authors". The New York Times. September 3, 1922. Retrieved 2009-07-11.
  3. ^ "Obituary: Mead Schaeffer". The New York Times. November 10, 1980. Retrieved 2009-07-11. Mead Schaeffer, a book illustrator and painter of many covers for The Saturday Evening Post, died Thursday of a heart attack ...

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