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==Influence==
==Influence==
By the time of Mitose's death, [[Kenpo]] had been widely spread throughout the [[United States]] and western world. Almost all Kempo schools outside of Japan trace their lineage to the teachings of James Mitose, via [[William Chow|William K.S. Chow]], [[Ed Parker]], [[Adriano Directo Emperado]], [[Simeone George Pesare]] and [[Tracy Kenpo]]and Bruce Juchnik.
By the time of Mitose's death, [[Kenpo]] had been widely spread throughout the [[United States]] and western world. Almost all Kempo schools outside of Japan trace their lineage to the teachings of James Mitose, via [[William Chow|William K.S. Chow]], [[Ed Parker]], [[Adriano Directo Emperado]], [[George Pesare]] and [[Tracy Kenpo]]and Bruce Juchnik.


Although he learned kenpo (Chinese Kenpo) in Hawaii and knew of Mitose, Ed Parker was never a direct student of James Mitose. In ''Infinite Insights into Kenpo Volume 1'', Parker stated: "Contrary to some of the claims that have been made in publications, I was never a student of James Mitose." Parker trained under Chow, and met Mitose when he moved to California. Parker did offer Mitose $1000 for a Masters Certificate, but it was never given. By that time, Parker was already moving away from the [[kenpo]] that [[William Chow]] had taught him. He did not consider Mitose's Kempo very effective due to his lack of under-standing of Mitose's art.
Although he learned kenpo (Chinese Kenpo) in Hawaii and knew of Mitose, Ed Parker was never a direct student of James Mitose. In ''Infinite Insights into Kenpo Volume 1'', Parker stated: "Contrary to some of the claims that have been made in publications, I was never a student of James Mitose." Parker trained under Chow, and met Mitose when he moved to California. Parker did offer Mitose $1000 for a Masters Certificate, but it was never given. By that time, Parker was already moving away from the [[kenpo]] that [[William Chow]] had taught him. He did not consider Mitose's Kempo very effective due to his lack of under-standing of Mitose's art.

Revision as of 19:54, 2 October 2012

James Mitose
James Mitose at age 58
BornMasayoshi Mitose
(1916-12-30)December 30, 1916
Kailua-Kona, North Kona District, Hawaii, USA United States
DiedMarch 26, 1981(1981-03-26) (aged 64)
San Quentin, California, USA
complications of diabetes
Other namesMasakichi, Kosho Kemposai
StyleKempo-Ju-Jitsu, Kosho-ryū Kempo, Kosho Shorei-ryū Kempo
Rank21st Great Grand Master of Kosho-ryū Kempo
Notable studentsWilliam Chow, Bruce Juchnik, Ray Arquilla, Arthur Keawe, Edward "Bobby" Lowe, Giro Nakamura, Grandmaster Fusae Oshita (sister), Paul Yamaguchi, Thomas S.H. Young, Ray Arquilla

James Masayoshi Mitose (born Masayoshi Mitose, (December 30, 1916 — March 26, 1981)[1] was a Japanese American martial artist who brought the art of Kempo to the United States starting in the early 1940s.

Many Kempo teachers trace their lineage to him.[2] Mitose was and remains a controversial figure in the history of Kempo in America. He was convicted of murder and extortion in 1974 and died in 1981 while serving his sentence in Folsom Prison due to complications from diabetes.

Martial arts training and lineage

James Masayoshi (Masakichi Kosho Kemposai) Mitose was born in Kailua-Kona, North Kona District, Hawaii on December 30, 1916. On October 22, 1920, at the age of four, he and his two sisters were taken by their father ][3] back to Japan to be given formal education and upbringing with family living there. While there, in addition to their schoolwork and university studies, they trained in the art of Kempo. James returned to the United States on February 25, 1937, arriving at Honolulu, Hawaii on the SS Tatsuta Maru at the age of 21.

His martial arts practices contained marked similarities to Okinawan karate and Japanese jujutsu. Mitose might have had access to training in such arts in both Hawaii and Japan. Mitose always claimed his art was Japanese rather than Okinawan.

Mitose began teaching Kempo in Hawaii in 1940, and in 1942, with the encouragement of O'Sensei Robert Trias, set up a martial arts school.[citation needed] He gave the style he taught a number of different names during his lifetime, including "Shorinji Kempo" and "Kempo Jujutsu," (both names of recognized Japanese martial arts), but over time, settled on the name Kosho Shōrei-ryū Kenpo. The word "Kenpo" (or "Kempo") is a Japanese form of "Ch'uan Fa."

When the attack on Pearl Harbor occurred, Mitose enlisted in the National Guard, but was honorably discharged after three weeks. He was later interred in a camp on the north side of Ohau island.Military record</ref> After his release in 1942,he spent most of the war teaching Kenpo in Hawaii to prepare American civilians against a possible Japanese invasion.

Tracy Kenpo claims martial lineage through Fusae Mitose to the Yoshida clan based on Mitose's claims that his family in Japan lived near a "Mt. Akenkai's Shaka-In temple." Tracy's believe that Mount Akenkai might be Mount Kinkai, near the town of Kinkai, Nagasaki on the island of Kyūshū. This may have been where the Kosho sect of the Yoshida (Urabe) clan taught.[4] Recent discoveries have shown that the Shaka-in Temple is actually located outside of Kummumoto, Japan, near the town of Misato, above the famous 3333 stairs. There are highway signs directing the public to the Shaka-in.

Michael Brown of Rhode Island Martial Arts possess documents showing three families of James Mitose.[5] The first family being from Mitose's father's side. This includes his father, Otokichi Mitose and Otokichi's parents, Kaheiji Mitose, and Kano Kawakami Mitose.[6] The second family, from Mitose's mother's side, includes his mother Kiyoka Yoshida Mitose and Kiyoka's biological father, Sakuhei Yoshida. Sakuhei Yoshida was married to a woman who was not Kiyoka's biological mother. Sakuhei Yoshida conceived Kiyoka Yoshida Mitose with a woman outside of his marriage named Toju Kosho. James Mitose would learn Kosho-ryū from the family of Toju Kosho. It is worthwhile to note that on Mitose's parents' record of marriage, Kiyoka Yoshida Mitose's mother is not named as Toju Kosho. Instead the name Toju Unknown occupies this position of the document.

To his students and in his book, What is True Self-Defense?, Mitose described his teachings as those of Japanese style. In the book, Mitose describes methods similar to yoga and the tai sabaki principles found in many Japanese arts. What Is Self Defense? and accounts and photos strongly suggest that, however he got it, Mitose had a background in an Okinawan style. Some modern proponents of Kosho Shōrei-ryū believe that he used an Okinawan art as a vehicle for his teaching of a native Japanese art.[citation needed]

The contents of What Is Self Defense? seem to echo those of an earlier book: Karate Kenpo by Mutsu Mizuho (1933). This includes the arrangement of diagrams and photographs; in one case, a photo (of Higaonna Kamesuke) is reproduced entirely. Mitose's book also includes a picture of Motobu Chōki, reproduced from Motobu's book, in a position that usually indicates a student acknowledging his teacher. It is from here that some assume that Mitose was acknowledging Motobu as his teacher. Mitose listed Motobu as a Kenpo master in his book.

Mitose is known to have taught only one Kata at his school: the Naihanchi Kata, which also was Motobu Chōki's primary form and the only one featured in Motubu's second book Okinawan Kenpo Kumite Hen. Mitose also taught the use of the Makiwara, a signature Okinawan training method. A thriving Okinawan community existed in Hawaii and Okinawan martial arts training was available there. Higaonna Kamesuke stayed in Hawaii after 1933 with Thomas Miyashiro, and taught classes in Kona. Higaonna had studied under Mutsu and Motobu, and taught Karate Kenpo in Mitose's home town of Kona just a few years before Mitose opened his school, although Mitose was still in Japan at the time.

Kosho Shorei-Ryū Kenpo

Mitose ultimately called his style Kosho Shorei-Ryū Kenpo, which can be translated as "Old Pine Tree School of Encouragement." Bushi Matsumura's style, which he taught to Ankō Itosu who taught it to Gichin Funakoshi and Motobu Chōki among others, was Okinawan "Shōrin-Ryū", which is often translated as "Little Pine Forest".[citation needed] In his early days in Hawaii, when Mitose started teaching after the bombing of Pearl Harbor, he called his art as simply Kenpo-Jiu-Jitsu (Nerve Strike method) and would refer to it as Shorinji Kempo or Go Shin Jitsu. The word "Shorin" is characteristic of styles from Okinawa, although Shorinji Kempo is a Japanese art founded by Doshin So.

Mitose claimed that he learned martial arts and religion in a Buddhist temple, but his descriptions of organization and practices of the temple do not match those practiced by mainstream Japanese Buddhism. It is possible that Mitose came from a heterodox background. Mitose often dressed as a Christian minister. In "What Is True Self Defense?" he stated that one should practice the dominant religion of whatever country one is in, including its application to martial arts and spiritual practices. This book (the original manuscript of his first book was completed and published while he was imprisoned and presumably Mitose was conscious that his writings and actions would influence his release conditions), discourages offensive martial arts techniques completely, presenting its contents as a form of yoga and escape. Mitose even writes that karate is "evil." The description or lineage Mitose gave for his style also emphasized its Chinese roots. As a Japanese-American emigrating to Hawaii in 1937, he might have prudently downplayed the Japanese side of his background.

Later years and conviction

In 1953, James Mitose ceased teaching Kempo regularly and dropped out of sight. He left Hawaii and moved to Southern California. He privately taught a few students in that time, including Nimr Hassan (formerly Terry Lee). However, in 1974 Mitose was arrested in Los Angeles and convicted on murder and extortion charges stemming from a conflict from repayment over a loan and the murder committed by Hassan. During the trial there was conflicting testimony and the court acknowledged that Japanese testimony had not been accurately translated.

According to trial transcripts, James Mitose denied inciting Hassan to commit murder but took responsibility as his martial arts instructor. Hassan claimed Mitose had suggested on numerous occasions that Hassan commit murder. Hassan also testified that Mitose and his wife Dorothy, had given Hassan a rope, a knife, a screwdriver and an air pistol in order to carry out his actions. Mr. Namimatsu was killed by Hassan on March 20, 1974. The official cause of death was strangulation by rope. Namimatsu also suffered a completely collapsed eye, had been stabbed multiple times with a screwdriver and had a shoe imprint on his chest matching the shoes Hassan was wearing. After the assault, Hassan testified he had left Namimatsu breathing.[7]

As a result of Hassan's testimony, Mitose was sentenced to life in prison and died in Folsom State Prison of complications of diabetes on March 26, 1981. While in prison, on a few occasions he attempted to instruct his son Thomas Barro Mitose, who refused to accept his fathers teachings. He also taught Bruce Juchnik, Rick Alemany, Ray Arquilla, Eugene Sedeno and Arnold Golub. In "What is True Self Defense?", he acknowledges Arnold Golub as "Honorable Headmaster" an administrative title, and the other four men as "Honorable Masters 1-4." To Bruce Juchnik, he gave the title of "Menyko Kaiden/ Inka Shomei." To do whatever he saw was good and right for the "True and Pure Art of Kosho Kempo Karate". This made him the inheritor of all Kosho Temples and Great- Grandmaster. Bruce recognized Thomas Barrow as blood heir and "Grandmaster." Thomas disputes Bruce's claim despite his father's wishes. He claims himself as Great-Grandmaster of Kosho and teaches his version of Kosho which is a mixture of some Kosho principles and a lot of Kajukempbo (his main art).

He maintained his innocence to his death and many schools that follow in his training lineage still maintain that he was wrongfully convicted. Bruce Juchnik was the driving force to get Mitose paroled and to get his conviction overturned prior to his death. The details of the crime and Mitose's role remain controversial still in the martial arts community today.[8]

Influence

By the time of Mitose's death, Kenpo had been widely spread throughout the United States and western world. Almost all Kempo schools outside of Japan trace their lineage to the teachings of James Mitose, via William K.S. Chow, Ed Parker, Adriano Directo Emperado, George Pesare and Tracy Kenpoand Bruce Juchnik.

Although he learned kenpo (Chinese Kenpo) in Hawaii and knew of Mitose, Ed Parker was never a direct student of James Mitose. In Infinite Insights into Kenpo Volume 1, Parker stated: "Contrary to some of the claims that have been made in publications, I was never a student of James Mitose." Parker trained under Chow, and met Mitose when he moved to California. Parker did offer Mitose $1000 for a Masters Certificate, but it was never given. By that time, Parker was already moving away from the kenpo that William Chow had taught him. He did not consider Mitose's Kempo very effective due to his lack of under-standing of Mitose's art.

Nimr Hassan (Terry Lee) is a free man today and runs the Koga Ha Kosho Shorei Ryu Kempo Association of Philadelphia. Martial arts author William Durbin claims Mitose was familiar with Koga-ryū ninjutsu and that Mitose's student Hassan is "probably the only master of the system to know those skills. Although Mr. Durbin has not sought out other master practioners of the Temple Form.[9] These statements have never been proven and are doubted by many.Hassan's claims of having documentation making him a master of Mitose's Family Art( after only 1 year of training) have in some circles come under suspicion of being manufactured and forged. As yet no one has insisted his documents be submitted for examination of authinticy.

Bruce Juchnik and Ray Arquilla base much of their teaching on what they learned from Mitose, and both use the name "Kosho Shorei" in the name of the arts that they teach.

References

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