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As distinguished from episteme, the Greek word technê (literally: craftsmanship) is often translated as craft or art. It is the rational method involved in producing an object or accomplishing a goal or objective. The means of this method is through art. Techne resembles episteme in the implication of knowledge of principles, although techne differs in that its intent is making or doing, not simply "disinteresting understanding."

In Ion, Socrates believed that techne -- in the sense that is was art -- represented a threat to peace, order and good government for which Reason and Law “by common consent have ever been deemed best.” Aristotle saw it as representative of the imperfection of human imitation of nature. For the ancient Greeks, it signified all the Mechanical Arts including medicine and music. The English aphorism, ‘gentlemen don’t work with their hands,’ is said to have originated in ancient Greece in relation to their cynical view on the arts. Due to this view, it was only fitted for the lower class while the upper class practiced the Liberal Arts of ‘free’ men (Dorter 1973).

Socrates also compliments techne only when it was used in the context of episteme. Episteme sometimes means knowing how to do something in a craft-like way. The craft-like knowledge is called a ‘technê.' It is most useful when the knowledge is used practically, not theoretically. For the ancient Greeks, when techne is used as art, it is most often viewed negatively, contrastingly when it is used as a craft, it is viewed positively because a craft is the practical use of an art. In The Republic, written by Plato, the knowledge of forms "is the indispensable basis for the philosophers' craft of ruling in the city" (Stanford 2003).

Techne is oftened used in philosophical discourse as distinguished from art (or poiesis). This use of the word also occurs in The Digital Humanities to differentiate between linear narrative presentation of knowledge and dynamic presentation of knowledge, wherein techne represents the former and poiesis represents the latter.

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-As distinguished from [[episteme]], the [[Greek language|Greek]] word '''''technê''''' (literally: craftsmanship) is often translated as ''craft'' or ''art''. It is the rational method involved in producing an object or accomplishing a goal or objective. The means of this method is through art. Techne resembles episteme in the implication of knowledge of principles, although Techne differs in that its intent is making or doing, not simply "disinteresting understanding."
+As distinguished from [[episteme]], the [[Greek language|Greek]] word '''''technê''''' (literally: craftsmanship) is often translated as ''craft'' or ''art''. It is the rational method involved in producing an object or accomplishing a goal or objective. The means of this method is through art. Techne resembles episteme in the implication of knowledge of principles, although techne differs in that its intent is making or doing, not simply "disinteresting understanding."
 In ''[[Ion (dialogue)|Ion]]'', [[Socrates]] believed that techne -- in the sense that is was art -- represented a threat to peace, order and good government for which Reason and Law “by common consent have ever been deemed best.” [[Aristotle]] saw it as representative of the imperfection of human imitation of nature. For the [[ancient Greeks]], it signified all the [[Mechanic arts|Mechanical Arts]] including medicine and music. The English [[aphorism]], ‘gentlemen don’t work with their hands,’ is said to have originated in ancient Greece in relation to their [[cynical]] view on the arts. Due to this view, it was only fitted for the lower class while the upper class practiced the [[Liberal Arts]] of ‘free’ men (Dorter 1973).
-Socrates also compliments techne only when it was used in the context of episteme. Episteme sometimes means knowing how to do something in a craft-like way. The craft-like knowledge is called a ‘technê.' It is most useful when the knowledge is used practically, not theoretically. For the ancient Greeks, when techne is used as art, it is most often viewed negatively, contrastingly when it is used as a [[craft]], it is viewed positively because a craft is the practical use of an art. In ''[[The Republic]]'', the knowledge of forms "is the indispensable basis for the philosophers' craft of ruling in the city" (Stanford 2003).
+Socrates also compliments techne only when it was used in the context of episteme. Episteme sometimes means knowing how to do something in a craft-like way. The craft-like knowledge is called a ‘technê.' It is most useful when the knowledge is used practically, not theoretically. For the ancient Greeks, when techne is used as art, it is most often viewed negatively, contrastingly when it is used as a [[craft]], it is viewed positively because a craft is the practical use of an art. In ''[[The Republic]]'', written by [[Plato]], the knowledge of forms "is the indispensable basis for the philosophers' craft of ruling in the city" (Stanford 2003).
 Techne is oftened used in philosophical discourse as distinguished from art (or [[poiesis]]). This use of the word also occurs in [[The Digital Humanities]] to differentiate between linear narrative presentation of knowledge and dynamic presentation of knowledge, wherein techne represents the former and poiesis represents the latter.