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{{Use mdy dates|date=November 2011}}
{{Use mdy dates|date=November 2011}}
'''Robert Tregenza''' (born November 14, 1950) is a North American [[cinematographer]], [[film director]], and [[producer]]. Besides shooting his own projects, [[Tregenza]] has also worked as a director of photography with other directors, including Béla Tarr (''[[Werckmeister Harmonies]]'', Claude Miller (''[[Marching Band]]''), Pierre William Glenn (''[[The Sad and Lonely Death of Edgar Allen Poe]]''), and [[Alex Cox]] (''[[Three Businessmen]]'').
'''Rob Tregenza''' (born November 14, 1950) is a North American [[cinematographer]], [[film director]], and [[producer]]. Besides shooting his own projects, [[Tregenza]] has also worked as a director of photography with other directors, including Béla Tarr (''[[Werckmeister Harmonies]]'', Claude Miller (''[[Marching Band]]''), Pierre William Glenn (''[[The Sad and Lonely Death of Edgar Allen Poe]]''), and [[Alex Cox]] (''[[Three Businessmen]]'').


== Early Work ==
== Early Work ==

Revision as of 19:36, 11 February 2014

Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza has also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies, Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allen Poe), and Alex Cox (Three Businessmen).

Early Work

Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed three feature films: "Talking to Strangers" (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; "The Arc" (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; and "Inside/Out" (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance.

Tregenza's first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Tregenza's third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section.[1]

Cinematic Technique

Tregenza's work often employs the use of long takes to create mise en scene. His cinematic inspirations include the works of Michelangelo Antonioni, Kenji Mizoguchi, & Jean-Luc Godard.

VCUarts Cinema

Tregenza is currently the Director of the Cinema Program at the Virginia Commonwealth University School of the Arts in Richmond, Virginia. In its 7th year, the VCU Cinema Program is a 3 year program that dually emphasizes theory and production in the fall and spring semesters and shoots 4-8 shorts each summer (ranging from 20-40 minutes) generally on 35 MM film with Arriflex film cameras. His lectures range from Mise-En Scene theory to the work of Giles Deleuze and "the fold." More information can be found here - http://arts.vcu.edu/cinema/ [2]


References

  1. ^ "Festival de Cannes: Inside/Out". festival-cannes.com. Retrieved September 26, 2009.
  2. ^ VCUarts Biography

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