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'''The Everly Brothers''' were American [[country music|country]]-influenced [[rock and roll]] singers, known for [[steel-string guitar]] playing and [[close harmony]] singing. The duo, consisting of Isaac Donald "Don" Everly (born February 1, 1937) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014), were elected to the [[Rock and Roll Hall of Fame]] in 1986 and the [[Country Music Hall of Fame and Museum|Country Music Hall of Fame]] in 2001.
'''The Everly Brothers''' were American [[country music|country]]-influenced [[rock and roll]] singers, known for [[steel-string guitar]] and [[close harmony]] singing. Isaac Donald "Don" Everly (born February 1, 1937) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014) were elected to the [[Rock and Roll Hall of Fame]] in 1986 and the [[Country Music Hall of Fame and Museum|Country Music Hall of Fame]] in 2001.


==History==
==History==


===Family and education===
===Family and education===
Don was born in [[Brownie, Muhlenberg County, Kentucky]], in 1937, and Phil two years later in [[Chicago]], [[Illinois]]. Their parents were Isaac Milford "Ike" Everly, Jr. (1908–1975), a guitar-player, and Margaret Embry Everly.<ref name="AMG">{{cite web | last = Unterberger | first = Richie | authorlink = | title = Biography of The Everly Brothers | publisher = AllMusic Guide | url ={{Allmusic|class=artist|id=p4208|pure_url=yes}} | format = | doi = | accessdate = September 20, 2009}}</ref><ref>{{cite web|url=http://www.wargs.com/other/everly.html |title=Ancestry of the Everly Brothers |publisher=Wargs.com |accessdate=2014-01-05}}</ref> Actor [[James Best]] (born Jules Guy), also from Muhlenberg County, was the son of Ike's sister. Margaret was only fifteen when she married Ike, who was twenty-six. Ike had worked in the coal mines from the age of fourteen, but his father hoped he would do something else with his life and encouraged him to pursue his love of music. Fortunately, that love was one Ike and his new bride Margaret shared, and they soon began singing together.<ref>Jerry Bledsoe. "Ike and Margaret Everly Don't Like Doing Nothing." Greensboro (NC) Daily News, November 29, 1971, p. B1.</ref> The Everly Brothers spent most of their childhood in [[Shenandoah, Iowa]].<ref name="Radioiowa">{{cite web|url=http://www.radioiowa.com/2014/01/05/shenandoahs-phil-everly-of-everly-brothers-fame-dead-at-74/|title=Shenandoah’s Phil Everly, of Everly Brothers fame, dead at 74|last=Henderson|first=O. Kay|date=January 5, 2014|publisher=Radio Iowa|accessdate=19 January 2014}}</ref> They attended the Longfellow Elementary School in Waterloo, Iowa for a year,<ref>"Everly Brothers Back Home Before 2,100." Waterloo (IA) Daily Courier, February 9, 1958, p. 14.</ref> but then relocated to Shenandoah in 1944, where they remained through early high school.
Don was born in [[Brownie, Muhlenberg County, Kentucky]], in 1937, and Phil two years later in [[Chicago]], [[Illinois]]. Their parents were Isaac Milford "Ike" Everly, Jr. (1908–1975), a guitar-player, and Margaret Embry Everly.<ref name="AMG">{{cite web | last = Unterberger | first = Richie | authorlink = | title = Biography of The Everly Brothers | publisher = AllMusic Guide | url ={{Allmusic|class=artist|id=p4208|pure_url=yes}} | format = | doi = | accessdate = September 20, 2009}}</ref><ref>{{cite web|url=http://www.wargs.com/other/everly.html |title=Ancestry of the Everly Brothers |publisher=Wargs.com |accessdate=2014-01-05}}</ref> Actor [[James Best]] (born Jules Guy), also from Muhlenberg County, was the son of Ike's sister. Margaret was 15 when she married Ike, who was 26. Ike worked in coal mines from 14 but his father encouraged him to pursue his love of music. Ike and Margaret began singing together.<ref>Jerry Bledsoe. "Ike and Margaret Everly Don't Like Doing Nothing." Greensboro (NC) Daily News, November 29, 1971, p. B1.</ref> The Everly brothers spent most of their childhood in [[Shenandoah, Iowa]].<ref name="Radioiowa">{{cite web|url=http://www.radioiowa.com/2014/01/05/shenandoahs-phil-everly-of-everly-brothers-fame-dead-at-74/|title=Shenandoah’s Phil Everly, of Everly Brothers fame, dead at 74|last=Henderson|first=O. Kay|date=January 5, 2014|publisher=Radio Iowa|accessdate=19 January 2014}}</ref> They attended Longfellow Elementary School in Waterloo, Iowa, for a year,<ref>"Everly Brothers Back Home Before 2,100." Waterloo (IA) Daily Courier, February 9, 1958, p. 14.</ref> but then moved to Shenandoah in 1944, where they remained through early high school.


Ike Everly had a show on radio station [[KMA (AM)|KMA]] and later KFNF in Shenandoah in the mid-1940s, first with his wife, and then with their two young sons. When the brothers were invited by their parents to sing on the radio, they were then known as "Little Donnie and Baby Boy Phil." <ref name=NYTPareles/> Singing on the show gave the brothers their first exposure to the music industry. The family sang together and lived and traveled in the area singing as the Everly Family.<ref>"Rock-a-Billy Everly Boys." Blytheville (AR) Courier-News, July 31, 1957, p. 8.</ref> Ike, with guitarists [[Merle Travis]], [[Mose Rager]], and [[Kennedy Jones (musician)|Kennedy Jones]], was honored in 1992 by the construction of the [[Drakesboro, Kentucky#Site of interest|Four Legends Fountain]] in [[Drakesboro, Kentucky]].
Ike Everly had a show on [[KMA (AM)|KMA]] and KFNF in Shenandoah in the mid-1940s, first with his wife, and then with their sons. The brothers sang on the radio as "Little Donnie and Baby Boy Phil." <ref name=NYTPareles/> The family sang as the Everly Family.<ref>"Rock-a-Billy Everly Boys." Blytheville (AR) Courier-News, July 31, 1957, p. 8.</ref> Ike, with guitarists [[Merle Travis]], [[Mose Rager]], and [[Kennedy Jones (musician)|Kennedy Jones]], was honored in 1992 by construction of the [[Drakesboro, Kentucky#Site of interest|Four Legends Fountain]] in [[Drakesboro, Kentucky]].


The family next moved to [[Knoxville, Tennessee]] in 1953, where the brothers attended West High School. In 1955, the family moved to [[Madison, Tennessee]], while the brothers moved to [[Nashville, Tennessee]]. Don had already graduated from high school in 1955, and Phil attended the [[University School of Nashville|Peabody Demonstration School]] in Nashville,<ref name="RSinterview"/> from which he graduated in 1957.<ref>John Larson, "The Everly Brothers Now Want to Act," Boston Globe, December 25, 1960, p. 14.</ref> Having both finished high school, they could now focus on their pursuit of a recording career.<ref>"Everly Brothers Surprised." Richmond (VA) Times-Dispatch, July 5, 1970, p. H8.</ref>
The family moved to [[Knoxville, Tennessee]] in 1953, where the brothers attended West High School. In 1955, the family moved to [[Madison, Tennessee]], while the brothers moved to [[Nashville, Tennessee]]. Don had graduated from high school in 1955, and Phil attended [[University School of Nashville|Peabody Demonstration School]] in Nashville,<ref name="RSinterview"/> from which he graduated in 1957.<ref>John Larson, "The Everly Brothers Now Want to Act," Boston Globe, December 25, 1960, p. 14.</ref> Both could now focus on recording.<ref>"Everly Brothers Surprised." Richmond (VA) Times-Dispatch, July 5, 1970, p. H8.</ref>


===1950s ===
===1950s ===
While living in Knoxville, the brothers continued their musical development and first caught the attention of family friend [[Chet Atkins]], who had recently been appointed manager of RCA Victor's recording studio in Nashville. As the brothers transitioned out of the family act and into a duo, they moved to Nashville and Atkins became an early champion of the Everly Brothers.<ref name="Lazell p. 171">Lazell, Barry ed., with Dafydd Rees and Luke Crampton, ‘’Rock Movers & Shakers,’’ Billboard Publications, New York, 1989 p. 171</ref> Despite his affiliation with RCA Records, it was Atkins who arranged a chance for the Everly Brothers to record for [[Columbia Records]] in early 1956. However, their first and only single for Columbia, "Keep A' Lovin' Me," which Don wrote, was a flop, and they were quickly dropped from the label.
While in Knoxville, the brothers caught the attention of family friend [[Chet Atkins]], manager of RCA Victor's studio in Nashville. The brothers became a duo and moved to Nashville.<ref name="Lazell p. 171">Lazell, Barry ed., with Dafydd Rees and Luke Crampton, ‘’Rock Movers & Shakers,’’ Billboard Publications, New York, 1989 p. 171</ref> Despite affiliation with RCA, Atkins who arranged for the Everly Brothers to record for [[Columbia Records]] in early 1956. Their "Keep A' Lovin' Me," which Don wrote, flopped and they were droppe .


Atkins still encouraged the Everly Brothers to continue, and introduced them to Wesley Rose of [[Acuff-Rose]] music publishers. Impressed with the duo's songwriting talents, Rose told them that if they signed to Acuff-Rose as songwriters, he would also get them a recording deal. The duo signed to Acuff-Rose in late 1956, and by early 1957, Rose had introduced them to [[Archie Bleyer]],<ref>Alan Frazer, "The Everly Saga, $$." Boston Sunday Advertiser, July 23, 1961, p. 22.</ref> who was looking for artists for his [[Cadence Records|Cadence label]]. The Everlys signed, and entered the recording studio for their first Cadence session in February 1957.<ref name="Lazell p. 171"/>
Atkins introduced them to Wesley Rose of [[Acuff-Rose]], music publishers. Rose told them he would get them a recording deal if they signed to Acuff-Rose as songwriters. They signed in late 1956, and in 1957, Rose introduced them to [[Archie Bleyer]],<ref>Alan Frazer, "The Everly Saga, $$." Boston Sunday Advertiser, July 23, 1961, p. 22.</ref> who was looking for artists for his [[Cadence Records|Cadence label]]. The Everlys signed and made recording in February 1957.<ref name="Lazell p. 171"/> Their single, "[[Bye Bye Love (The Everly Brothers song)|Bye Bye Love]]," had been rejected by 30 other acts<ref name="Lazell p. 171"/>. Their recording reached No.&nbsp;2 on the [[popular music|pop]] charts behind [[Elvis Presley]]'s "[[Teddy Bear (song)|(Let Me Be Your) Teddy Bear]]", and No.&nbsp;1 on the Country and No.&nbsp;5 on the [[R&B]] charts.<ref name="Lazell p. 171"/> The song, by [[Felice and Boudleaux Bryant]],<ref name=pc9>{{Gilliland |url=http://digital.library.unt.edu/ark:/67531/metadc19757/m1/ |title=Show 9 – Tennessee Firebird: American country music before and after Elvis. [Part 1] }}</ref> became the Everly Brothers' first million-seller.


Working with the Bryants, they had hits in the United States and the United Kingdom, the biggest "[[Wake Up Little Susie]]", "[[All I Have to Do Is Dream]]", "[[Bird Dog (song)|Bird Dog]]", and "Problems", . The Everlys also succeeded as songwriters, especially with Don's "[[(Till) I Kissed You]]", which hit No.&nbsp;4 on the United States pop charts.<ref>Whitburn, Joel, ''The Billboard Book of Top 40 Hits'', Billboard Books, NY 1992 p. 165.</ref>
Their first Cadence single, "[[Bye Bye Love (The Everly Brothers song)|Bye Bye Love]]," had been rejected by 30 other acts<ref name="Lazell p. 171"/> but the Everlys saw potential in the song. Their recording of "Bye Bye Love" reached No.&nbsp;2 on the [[popular music|pop]] charts behind [[Elvis Presley]]'s "[[Teddy Bear (song)|(Let Me Be Your) Teddy Bear]]", hitting No.&nbsp;1 on the Country and No.&nbsp;5 on the [[R&B]] charts.<ref name="Lazell p. 171"/> The song, written by the husband and wife team [[Felice and Boudleaux Bryant]],<ref name=pc9>{{Gilliland |url=http://digital.library.unt.edu/ark:/67531/metadc19757/m1/ |title=Show 9 – Tennessee Firebird: American country music before and after Elvis. [Part 1] }}</ref> became the Everly Brothers' first million-seller.


The brothers toured with [[Buddy Holly]] in 1957 and 1958. According to Holly biographer Philip Norman, they changeed Holly and [[the Crickets]] from [[Levi Strauss & Co.|Levi's]] and [[T-shirt]]s to the Everlys' [[Ivy League (clothes)|Ivy League]] suits. Don said Holly wrote "Wishing" for them. Phil said: "We were all from the South. We'd started in country music."<ref name="Philip Norman 1996">{{cite book |first=Philip |last=Norman |year=1996 |title=Buddy Holly: The Definitive Biography of Buddy Holly |publisher=Macmillan |location=London |isbn=0-306-80715-7 }}</ref> While some sources say Phil Everly was one of Holly's pallbearers in February 1959, Phil said in 1986 that he attended the funeral and sat with Holly's family but was not a pallbearer.<ref name="RSinterview">{{cite news|url=http://www.rollingstone.com/music/news/the-rolling-stone-interview-the-everly-brothers-19860508|title=The Rolling Stone Interview: The Everly Brothers|last=Loder|first=Kurt|date=May 8, 1986|work=[[Rolling Stone]]| accessdate=29 May 2014}}</ref> Don did not attend, saying "I couldn't go to the funeral. I couldn't go anywhere. I just took to my bed."<ref name="Philip Norman 1996"/>
They became stalwarts of the Cadence label. Working with the Bryants, the duo had hits in the United States and the United Kingdom, the biggest being "[[Wake Up Little Susie]]", "[[All I Have to Do Is Dream]]", "[[Bird Dog (song)|Bird Dog]]", and "Problems", all penned by the Bryants. The Everlys also found success as songwriters, especially with Don's "[[(Till) I Kissed You]]", which hit No.&nbsp;4 on the United States pop charts.<ref>Whitburn, Joel, ''The Billboard Book of Top 40 Hits'', Billboard Books, NY 1992 p. 165.</ref>

The brothers toured extensively with [[Buddy Holly]] during 1957 and 1958. According to Holly biographer Philip Norman, they were responsible for the change in style for Holly and [[the Crickets]] from [[Levi Strauss & Co.|Levi's]] and [[T-shirt]]s to the Everlys' sharp [[Ivy League (clothes)|Ivy League]] suits. Don claimed Holly to be a generous songwriter who wrote the song "Wishing" for them, while Phil later stated: "We were all from the South. We'd started in country music."<ref name="Philip Norman 1996">{{cite book |first=Philip |last=Norman |year=1996 |title=Buddy Holly: The Definitive Biography of Buddy Holly |publisher=Macmillan |location=London |isbn=0-306-80715-7 }}</ref> While some sources say that Phil Everly was one of Holly's pallbearers at his funeral in February 1959, Phil later said, in a 1986 interview, that while he attended the funeral and sat with Holly's family, he was not a pallbearer.<ref name="RSinterview">{{cite news|url=http://www.rollingstone.com/music/news/the-rolling-stone-interview-the-everly-brothers-19860508|title=The Rolling Stone Interview: The Everly Brothers|last=Loder|first=Kurt|date=May 8, 1986|work=[[Rolling Stone]]| accessdate=29 May 2014}}</ref> Don did not attend, later saying "I couldn't go to the funeral. I couldn't go anywhere. I just took to my bed."<ref name="Philip Norman 1996"/>


===1960s and 1970s===
===1960s and 1970s===
{{BLP sources section|date=July 2013}}
{{BLP sources section|date=July 2013}}
After three years on the Cadence label, the Everlys signed with [[Warner Bros. Records]] in 1960,<ref name="AMG"/> for a reported 10-year, multi-million-dollar deal. They continued to have hits and their first for Warner Brothers, 1960's "[[Cathy's Clown]]" (written by Don and Phil), sold eight million copies, making it the duo's biggest-selling record. "Cathy's Clown" was number WB1, the first release in the United Kingdom by Warner Bros. Records.
After three years on Cadence, the Everlys signed with [[Warner Bros. Records]] in 1960,<ref name="AMG"/> for 10 years. Theeir first hit for Warner Brothers, 1960's "[[Cathy's Clown]]" (written by Don and Phil), sold eight million, the duo's biggest-selling. "Cathy's Clown" was number WB1, the first in the United Kingdom by Warner Bros. Records.


{{quote|We're not Grand Ole Opry&nbsp;... we're obviously not Perry Como&nbsp;... we're just pop music. But, you could call us an American [[skiffle]] group!|''[[NME]]'' – November 1960<ref name="NME Rock 'N' Roll Years">{{cite book
{{quote|We're not Grand Ole Opry&nbsp;... we're obviously not Perry Como&nbsp;... we're just pop music. But, you could call us an American [[skiffle]] group!|''[[NME]]'' – November 1960<ref name="NME Rock 'N' Roll Years">{{cite book
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Other successful Warner Brothers singles followed in the United States, such as "So Sad (To Watch Good Love Go Bad)" (1960, Pop No.&nbsp;7), "Walk Right Back" (1961, Pop No.&nbsp;7), "Crying In The Rain" (1962, Pop No.&nbsp;6), and "That's Old Fashioned" (1962, Pop No.&nbsp;9, their last Top 10 hit). From 1960 to 1962, Cadence Records also continued to release Everly Brothers singles from the vaults: these included the Top Ten hit "[[When Will I Be Loved (song)|When Will I Be Loved]]" (written by Phil, Pop No.&nbsp;8) and the Top 40 hit "Like Strangers," as well as lower-charting singles.
Other successful Warner Brothers singles followed in the United States, such as "So Sad (To Watch Good Love Go Bad)" (1960, Pop No.&nbsp;7), "Walk Right Back" (1961, Pop No.&nbsp;7), "Crying In The Rain" (1962, Pop No.&nbsp;6), and "That's Old Fashioned" (1962, Pop No.&nbsp;9, their last Top 10 hit). From 1960 to 1962, Cadence Records released Everly Brothers singles from the vaults, including "[[When Will I Be Loved (song)|When Will I Be Loved]]" (written by Phil, Pop No.&nbsp;8) and "Like Strangers".

In the UK, they were arguably more successful with Top 10 hits until 1965, including "Lucille/So Sad" (1960, No.&nbsp;4), "Walk Right Back/Ebony Eyes (1961, No.&nbsp;1), "Temptation" (1961, No.&nbsp;1), "Cryin' In The Rain" (1962, No.&nbsp;6) and "The Price of Love" (1965, No.&nbsp;2). In total they placed 18 singles into the UK Top 40 with Warner Brothers in the 1960s.


In the UK, they had Top 10 hits until 1965, including "Lucille/So Sad" (1960, No.&nbsp;4), "Walk Right Back/Ebony Eyes (1961, No.&nbsp;1), "Temptation" (1961, No.&nbsp;1), "Cryin' In The Rain" (1962, No.&nbsp;6) and "The Price of Love" (1965, No.&nbsp;2). They had 18 singles into the UK Top 40 with Warner Brothers in the 1960s. By 1962, the brothers had earned $35 million from record sales.
By 1962, the Everly Brothers had earned $35 million from record sales.


However, shortly after signing with Warner Brothers, the Everlys fell out with their manager [[Wesley Rose]], who also administered the [[Acuff-Rose]] music publishing company. As a result, for a period in the early 1960s, the Everlys were shut off from Acuff-Rose songwriters. These included Felice and Boudleaux Bryant, who had written the majority of the Everlys' hits, as well as Don and Phil Everly themselves, who were still contracted to Acuff-Rose as songwriters and had written several of their own hits. With proven sources of hit material unavailable, from 1961 through early 1964, the Everlys recorded a mix of covers and songs by other writers in order to avoid paying royalties to Acuff-Rose. They also used the collective pseudonym "Jimmy Howard" as writer and/or arranger on two tracks, a move that was ultimately unsuccessful, as Acuff-Rose legally assumed the copyrights to these songs once the ruse was discovered.
The brothers fell out with Wesley Rose. As a result, in the early 1960s, the Everlys were shut off from Acuff-Rose songwriters. These included Felice and Boudleaux Bryant, who had written most of their hits, as well as Don and Phil Everly themselves, who were still contracted to Acuff-Rose as songwriters and had written several of their own hits. From 1961 through early 1964, the Everlys recorded songs by other writers to avoid paying royalties to Acuff-Rose. They used the pseudonym "Jimmy Howard" as writer and/or arranger on two tracks, unsuccessfully because Acuff-Rose assumed the copyrights once the ruse was discovered.


About this same time, they also set up their own record label, Calliope Records, to release independent solo projects. Using the pseudonym "Adrian Kimberly," Don recorded a big-band instrumental version of "[[Pomp and Circumstance]]" that was arranged by [[Neal Hefti]], and charted in the United States top 40 in mid-1961. Further instrumental single releases credited to Kimberly followed over the next year, but none of these follow-ups charted. Phil, meanwhile, formed a group called the Keestone Family Singers which also featured [[Glen Campbell]] and [[Carole King]]. Their lone single, "Melodrama," failed to chart, and by the end of 1962, Calliope Records was no more.
At this time, they set up their own record label, Calliope Records, for solo projects. Using the pseudonym "Adrian Kimberly," Don recorded a big-band instrumental version of "[[Pomp and Circumstance]]" arranged by [[Neal Hefti]], and charted in the United States top 40 in mid-1961. Further instrumental singles credited to Kimberly followed but none charted. Phil formed the Keestone Family Singers, which featured [[Glen Campbell]] and [[Carole King]]. Their lone single, "Melodrama," failed to chart, and by the end of 1962, Calliope Records was no more.


They never stopped working as a duo during this time, but their last United States Top Ten hit was 1962's "That's Old Fashioned", a song previously recorded (but unreleased) by the Chordettes, and given to the Brothers by their old mentor, Archie Bleyer. Succeeding years saw the Everly Brothers selling many fewer records in the United States. Their enlistment in the [[United States Marine Corps Reserve]] in October 1961 (rather than being drafted into the Army for two years of active service) also took them out of the spotlight while they completed basic training and fulfilled their obligation to the Marines.<ref>Natalie Best. "Rock 'n' Roll Marine Weds With Brother As Best Man." San Diego Union, February 14, 1962, p. B1.</ref> One of their few performances during their Marine Corps service was an on-leave appearance on ''[[The Ed Sullivan Show]],'' in mid-February 1962, performing "Jezebel" and "Crying In The Rain" in their Marine Corps Dress Blue uniforms.<ref>George Varga. Everly Brothers Served at Camp Pendleton." San Diego Union-Tribune, January 6, 2014. [http://www.utsandiego.com/news/2014/Jan/06/everly-brothers-served-at-camp-pendleton/]</ref><ref>http://www.youtube.com/watch?v=TdaX7LG67to</ref>
They never stopped working as a duo but their last United States Top Ten hit was 1962's "That's Old Fashioned", a song recorded but unreleased by the Chordettes and given to the brothers by their old mentor, Archie Bleyer. Succeeding years saw the Everly Brothers sell fewer records in the United States. Their enlistment in the [[United States Marine Corps Reserve]] in October 1961 (rather than being drafted into the Army for two years of active service) took them out of the spotlight.<ref>Natalie Best. "Rock 'n' Roll Marine Weds With Brother As Best Man." San Diego Union, February 14, 1962, p. B1.</ref> One of their few performances during Marine service was on ''[[The Ed Sullivan Show]],'' in mid-February 1962, performing "Jezebel" and "Crying In The Rain" in their uniforms.<ref>George Varga. Everly Brothers Served at Camp Pendleton." San Diego Union-Tribune, January 6, 2014. [http://www.utsandiego.com/news/2014/Jan/06/everly-brothers-served-at-camp-pendleton/]</ref><ref>http://www.youtube.com/watch?v=TdaX7LG67to</ref>


Following their release from active duty, they resumed their career, but United States chart success was limited. Of the 27 singles the Everly Brothers released on Warner Brothers from 1963 through 1970, only three made the Hot 100, and none peaked higher than No.&nbsp;31. Album sales were also down. The Everlys' first two albums for Warner (in 1960 and 1961) both peaked at No.&nbsp;9 U.S., but after that, though they went on to release a dozen more LPs for Warner Brothers, only one made the top 200 (1965's ''Beat & Soul'', which topped out at No.&nbsp;141). Their dispute with Acuff-Rose lasted until 1964, whereupon the brothers once again began writing some of their own material, as well as working with the Bryants again.
Following active duty, they resumed their career but United States success was limited. Of 27 singles on Warner Brothers from 1963 through 1970, three made the Hot 100 and none peaked higher than No.&nbsp;31. Album sales were also down. The Everlys' first two albums for Warner (in 1960 and 1961) peaked at No.&nbsp;9 U.S., but after that, of a dozen more LPs for Warner Brothers, only one made the top 200 (1965's ''Beat & Soul'', which No.&nbsp;141). Their dispute with Acuff-Rose lasted until 1964, whereupon the brothers again began writing as well as working with the Bryants again.


By then the brothers' personal lives had gone through serious upheavals. Both were addicted to [[Amphetamine|speed]]. Don's condition was worse, since he was taking the then unregulated drug [[Methylphenidate|Ritalin]] which led to deeper trouble. Don's addiction lasted three years until he was finally hospitalized for a nervous breakdown and to cure his addiction to Ritalin.<ref name="RSEncyc">''The Rolling Stone Encyclopedia of Rock & Roll'' (Simon & Schuster, 2001)</ref> (It should be noted that the mainstream media of that time did not report that either brother was addicted. For example, when Don collapsed in England in mid-October 1962, reporters were told he had a case of food poisoning;<ref>"Don Everly Ill, Taken to Hospital," San Diego Union, October 15, 1962, p. 8.</ref> when the tabloids suggested he had taken an overdose of pills, his wife and brother insisted he was simply suffering from "physical and nervous exhaustion" from overwork.<ref>"Singer Don Everly Flies to N.Y. Hospital." Boston Traveler, October 16, 1962, p. 54.</ref> It would not be till years later that the entire story came out.) As a result of Don's then-mysterious health problems, he was unable to complete their British tour; he returned to the United States, leaving Phil to carry on with Joey Page, their bass player, taking his place. [[File:Everly Brothers 1970.JPG|thumb|180px|Performing on the 1970 Johnny Cash summer replacement show]]
By then the brothers were addicted to [[Amphetamine|speed]]. Don's condition was worse, taking [[Methylphenidate|Ritalin]] which led to deeper trouble. Don's addiction lasted three years until he was hospitalized for a nervous breakdown and to cure his addiction.<ref name="RSEncyc">''The Rolling Stone Encyclopedia of Rock & Roll'' (Simon & Schuster, 2001)</ref> (It should be noted that the mainstream media of that time did not report that either brother was addicted. When Don collapsed in England in mid-October 1962, reporters were told he had food poisoning;<ref>"Don Everly Ill, Taken to Hospital," San Diego Union, October 15, 1962, p. 8.</ref> when the tabloids suggested he had taken an overdose of pills, his wife and brother insisted he had suffering "physical and nervous exhaustion".<ref>"Singer Don Everly Flies to N.Y. Hospital." Boston Traveler, October 16, 1962, p. 54.</ref> It was years later that the story came out.) Don's health ended their British tour; he returned to the United States, leaving Phil to carry on with Joey Page, their bass player, taking his place. [[File:Everly Brothers 1970.JPG|thumb|180px|Performing on the 1970 Johnny Cash summer replacement show]]


Their stardom began to wane two years before the [[British Invasion]] in 1964, though their appeal remained strong in Canada, the United Kingdom, Australia and elsewhere. By 1965, they took a back seat to the new sound of the beat boom, including bands like [[the Beatles]], whom the Everlys had greatly influenced. Their fortunes in the States were fading, but the Everlys remained successful in the UK and Canada throughout most of the 1960s, reaching the top 40 in the United Kingdom with singles through 1968, and the top 10 in Canada as late as 1967. The 1966 album ''[[Two Yanks in England]]'' was a reflection of the Everlys' popularity in the U.K. It was recorded in England with [[the Hollies]], who also wrote many of the album's songs. 1967 saw the Everlys' final Top 40 hit in the charts ("Bowling Green").
Their stardom began to wane two years before the [[British Invasion]] in 1964, though their appeal remained in Canada, the United Kingdom and Australia. By 1965, they took a back seat to bands like [[the Beatles]], whom the Everlys had influenced. Their fortunes in the States were fading, but the Everlys remained successful in the UK and Canada throughout most of the 1960s, reaching the top 40 in the United Kingdom through 1968, and the top 10 in Canada as late as 1967. The 1966 album ''[[Two Yanks in England]]'' was recorded in England with [[the Hollies]], who also wrote many of the album's songs. 1967 brought the Everlys' final Top 40 hit, ("Bowling Green").


By the end of the 1960s, the Everly Brothers returned to an emphasis on their country-rock roots, and their 1968 album ''[[Roots (The Everly Brothers album)|Roots]]'' is touted by some critics as "one of the finest early country-rock albums."<ref>{{cite web|url={{Allmusic|class=album|id=r6937|pure_url=yes}}|title=Roots The Everly Brothers|publisher=Allmusic.com}}</ref> However, by the end of the 1960s, the Everly Brothers were no longer hitmakers in either North America or the United Kingdom, and in 1970, following an unsuccessful live album (''The Everly Brothers Show''), their contract with Warner Brothers lapsed after ten years. In 1970, they were the summer replacement hosts for [[Johnny Cash]]'s television show: their variety program, "Johnny Cash Presents the Everly Brothers," was broadcast on ABC-TV, and featured such guest performers as [[Linda Ronstadt]] and Stevie Wonder.<ref>"Everly Brothers Return." Cleveland Plain Dealer, July 5, 1970, p. 29E.</ref>
By the end of the 1960s, the bothers returned to country-rock and their 1968 album ''[[Roots (The Everly Brothers album)|Roots]]'' is touted by some critics as "one of the finest early country-rock albums."<ref>{{cite web|url={{Allmusic|class=album|id=r6937|pure_url=yes}}|title=Roots The Everly Brothers|publisher=Allmusic.com}}</ref> However, by the end of the 1960s, the Everly Brothers were no longer hitmakers in either North America or the United Kingdom, and in 1970, following an unsuccessful live album (''The Everly Brothers Show''), their contract with Warner Brothers lapsed after ten years. In 1970, they were the summer replacement hosts for [[Johnny Cash]]'s television show: their variety program, "Johnny Cash Presents the Everly Brothers," was on ABC-TV and featured [[Linda Ronstadt]] and Stevie Wonder.<ref>"Everly Brothers Return." Cleveland Plain Dealer, July 5, 1970, p. 29E.</ref>


In 1970, Don Everly released his first solo album, but it was not a success. The Everly Brothers resumed performing in 1971, and signed a contract with [[RCA Victor Records]], for whom they issued two albums in 1972 and 1973. They then decided to take time off from performing, announcing their final performance together would be on July 14, 1973, at Knott's Berry Farm in California. Unfortunately, high tensions between the two began to surface in the weeks leading up to the show; in fact, Don told a reporter he was tired of being an Everly Brother.<ref>Marilyn and Hy Gardner, "Everly Brothers Too Close for Too Long." Springfield (MA) Union, August 24, 1973, p. 27.</ref> During the show, Don was reportedly drunk and unable to play well,<ref name="RSinterview" /> causing Phil to smash his guitar and storm off the stage, while Don finished the show, ending their collaboration.<ref name="RSbio">{{cite web| url=http://www.rollingstone.com/music/artists/the-everly-brothers/biography| title=The Everly Brothers Biography|year=2001|work=[[Rolling Stone]]|accessdate=18 January 2014}}</ref> Reportedly, they did not speak to each other for almost a decade, except at their father's funeral in 1975.<ref name="RSbreakups">{{cite web| url=http://www.rollingstone.com/music/lists/valentines-day-special-the-10-messiest-band-breakups-20130214/the-everly-brothers-19691231|title=The 10 Messiest Band Breakups: The Everly Brothers|date=February 14, 2013|work=[[Rolling Stone]]| accessdate=18 January 2014}}</ref>
In 1970, Don's first solo album, was not a success. The bothers resumed performing in 1971, and with [[RCA Victor Records]] they issued two albums in 1972 and 1973. They said their final performance would be on July 14, 1973, at Knott's Berry Farm in California. Tensions between the two surfaced and Don told a reporter he was tired of being an Everly Brother.<ref>Marilyn and Hy Gardner, "Everly Brothers Too Close for Too Long." Springfield (MA) Union, August 24, 1973, p. 27.</ref> During the show, Don was drunk and unable to play well,<ref name="RSinterview" /> leading Phil to smash his guitar and walk off while Don finished the show, ending their collaboration.<ref name="RSbio">{{cite web| url=http://www.rollingstone.com/music/artists/the-everly-brothers/biography| title=The Everly Brothers Biography|year=2001|work=[[Rolling Stone]]|accessdate=18 January 2014}}</ref> Reportedly, they did not speak to each other for almost a decade, except at their father's funeral in 1975.<ref name="RSbreakups">{{cite web| url=http://www.rollingstone.com/music/lists/valentines-day-special-the-10-messiest-band-breakups-20130214/the-everly-brothers-19691231|title=The 10 Messiest Band Breakups: The Everly Brothers|date=February 14, 2013|work=[[Rolling Stone]]| accessdate=18 January 2014}}</ref>


===Solo years: 1973–1983===
===Solo years: 1973–1983===
After the split, Phil and Don Everly pursued solo careers during a decade apart. Don found some success on the U.S. country charts in the mid to late 1970s, in Nashville with his band Dead Cowboys, and playing with [[Albert Lee]]. Don also performed as a solo artist in London in mid-1976 at an annual country music festival. His appearance was well-received and he was given "thunderous applause," even though critics noted that his performance was uneven.<ref>Ed Blanche, "Everly Laid Back." Springfield (MA) Union, June 21, 1977, p. 26.</ref>
Phil and Don pursued solo careers during a decade. Don found some success on the US. country charts in the mid to late 1970s, in Nashville with his band Dead Cowboys, and playing with [[Albert Lee]]. Don also performed solo in London in mid-1976 at an annual country music festival. His appearance was well-received and he was given "thunderous applause," even though critics noted that performance was uneven.<ref>Ed Blanche, "Everly Laid Back." Springfield (MA) Union, June 21, 1977, p. 26.</ref>


Phil sang backup vocals on one song for [[Roy Wood]]'s 1975 album ''Mustard'' and two songs for [[Warren Zevon]]'s 1976 album ''[[Warren Zevon (album)|Warren Zevon]]''.<ref>album liner notes</ref>
Phil sang backup for [[Roy Wood]]'s 1975 album ''Mustard'' and two songs for [[Warren Zevon]]'s 1976 album ''[[Warren Zevon (album)|Warren Zevon]]''.<ref>album liner notes</ref>


In 1979, Don Everly recorded a duet with [[Emmylou Harris]], "Everytime You Leave," on her album ''[[Blue Kentucky Girl (Emmylou Harris album)|Blue Kentucky Girl]]''.<ref>{{cite web|url=http://www.artandculture.com/users/1120-everly-brothers |title=Everly Brothers @ Art + Culture |publisher=Artandculture.com |accessdate=2013-12-03}}</ref>
In 1979, Don recorded [[Emmylou Harris]], "Everytime You Leave," on her album ''[[Blue Kentucky Girl (Emmylou Harris album)|Blue Kentucky Girl]]''.<ref>{{cite web|url=http://www.artandculture.com/users/1120-everly-brothers |title=Everly Brothers @ Art + Culture |publisher=Artandculture.com |accessdate=2013-12-03}}</ref>


Phil, meanwhile, recorded more frequently than Don, but with no real chart success until the 1980s. However, Phil did write "Don't Say You Don't Love Me No More" for the hit [[Clint Eastwood]] comedy film, ''[[Every Which Way but Loose (film)|Every Which Way But Loose]]'' (1978) in which he performed it as a duet with co-star [[Sondra Locke]]. He also wrote "One Too Many Women In Your Life" for the sequel, ''[[Any Which Way You Can]]'' (1980) where he could be seen playing in the band behind Sondra's performance.
Phil recorded more frequently but with no chart success until the 1980s. Phil wrote "Don't Say You Don't Love Me No More" for the [[Clint Eastwood]] comedy film, ''[[Every Which Way but Loose (film)|Every Which Way But Loose]]'' (1978) in which he performed it as a duet with co-star [[Sondra Locke]]. He also wrote "One Too Many Women In Your Life" for the sequel, ''[[Any Which Way You Can]]'' (1980) playing in the band behind Sondra's.


Then, in 1983, Phil enjoyed significant UK success as a soloist with the album ''Phil Everly,'' recorded mainly in London. Session musicians on the LP included [[Dire Straits]] guitarist [[Mark Knopfler]], [[Rockpile]] drummer [[Terry Williams (drummer)|Terry Williams]], and keyboard player [[Pete Wingfield]]. The track "She Means Nothing To Me," written by [[John David Williams]] and featuring [[Cliff Richard]] as co-lead vocalist, was a UK Top 10 hit, and "Louise", written by [[Ian Gomm]], reached the Top 50 in 1983.
Then, in 1983, Phil had UK success as a soloist with the album ''Phil Everly,'' recorded mainly in London. Musicians on the LP included [[Dire Straits]] guitarist [[Mark Knopfler]], [[Rockpile]] drummer [[Terry Williams (drummer)|Terry Williams]] and keyboard player [[Pete Wingfield]]. The track "She Means Nothing To Me," written by [[John David Williams]] and featuring [[Cliff Richard]] as co-lead vocalist, was a UK Top 10 hit, and "Louise", written by [[Ian Gomm]], reached the Top 50 in 1983.


===Reunion and subsequent activities: 1983–2006===
===Reunion and subsequent activities: 1983–2006===
The brothers got back together in 1983. Their reunion concert at the [[Royal Albert Hall]] in [[London]] on September 23, 1983, was initiated by Phil and Don alongside Terry Slater. English pianist Pete Wingfield was the concert's musical director. This concert spawned a well-received live LP and video; it was also broadcast on cable television in mid-January 1984.<ref>"Cable Concert Appearance Reunites the Everly Brothers." Newark (NJ) Star-Ledger, January 6, 1984, p. 38.</ref> The brothers then returned to the studio as a duo for the first time in over a decade, resulting in the album ''EB '84,'' produced by [[Dave Edmunds]]. Lead single "On the Wings of a Nightingale," written by [[Paul McCartney]], was a qualified success (Top 10 adult contemporary)<ref>{{cite web|url=http://www.allmusic.com/album/eb-84-mw0000189823/awards |title=EB 84 - The Everly Brothers &#124; Awards |publisher=AllMusic |accessdate=2014-01-05}}</ref> and returned them to the United States Hot 100 (for their last appearance) and UK chart.
The brothers' reunion concert at the [[Royal Albert Hall]] in [[London]] on September 23, 1983, was initiated by Phil and Don alongside Terry Slater. English pianist Pete Wingfield was musical director. This concert spawned a live LP and video broadcast on cable television in mid-January 1984.<ref>"Cable Concert Appearance Reunites the Everly Brothers." Newark (NJ) Star-Ledger, January 6, 1984, p. 38.</ref> The brothers returned to the studio as a duo for the first time in over a decade, resulting in the album ''EB '84,'' produced by [[Dave Edmunds]]. Lead single "On the Wings of a Nightingale," written by [[Paul McCartney]], was a qualified success (Top 10 adult contemporary)<ref>{{cite web|url=http://www.allmusic.com/album/eb-84-mw0000189823/awards |title=EB 84 - The Everly Brothers &#124; Awards |publisher=AllMusic |accessdate=2014-01-05}}</ref> and returned them to the United States Hot 100 (for their last appearance) and UK chart.
[[File:Everlys 3.jpg|thumb|The Everly Brothers performing live in New York]]
[[File:Everlys 3.jpg|thumb|The Everly Brothers performing live in New York]]


They then earned a final charting country-music hit with "Born Yesterday" in 1986 from the album of the same name. During this time, Don's son, [[Edan Everly]], would often join the Everly brothers on stage to sing and play guitar.
They then earned a final charting country-music hit with "Born Yesterday" in 1986 from the album of the same name. During this time, Don's son, [[Edan Everly]], joined the brothers on stage to sing and play guitar.


Even though the brothers had not produced studio albums since 1989's ''Some Hearts,'' they toured and performed. They collaborated with other performers, usually singing either backup vocals or duets. Phil was especially active in this regard. In 1990, he recorded a vocal duet with Dutch singer [[:nl: Rene Shuman|René Shuman]]. "On Top of the World" was written by Phil and appeared in the music video they recorded in Los Angeles. The track appeared on Shuman's album ''Set the Clock on Rock.'' In 1994, a 1981 live [[BBC]] recording of "[[All I Have to Do Is Dream]]," featuring Cliff Richard and Phil sharing vocals, was a UK Top-20 hit.<ref name="Sleeve notes from 'All I Have to Do Is Dream' single">{{cite AV media notes | title="All I Have to Do Is Dream (single)"| others=Cliff Richard with Phil Everly|date=1994| publisher=EMI| location=United Kingdom}}</ref>
They collaborated with other performers, usually singing either backup vocals or duets. Phil was especially active. In 1990, he recorded a duet with Dutch singer [[:nl: Rene Shuman|René Shuman]]. "On Top of the World" was written by Phil and appeared in the music video they recorded in Los Angeles. The track appeared on Shuman's album ''Set the Clock on Rock.'' In 1994, a 1981 live [[BBC]] recording of "[[All I Have to Do Is Dream]]," featuring Cliff Richard and Phil sharing vocals, was a UK Top-20 hit.<ref name="Sleeve notes from 'All I Have to Do Is Dream' single">{{cite AV media notes | title="All I Have to Do Is Dream (single)"| others=Cliff Richard with Phil Everly|date=1994| publisher=EMI| location=United Kingdom}}</ref>


Phil provided backing vocals on the song "You Got Gold" from John Prine's 1991 album ''The Missing Years''. Both the Everlys and Prine had family connections to Muhlenberg County, Kentucky, and Prine was a frequent performer at "The Everly Brother's Homecoming" concerts in Central City, Kentucky, over the years.
Phil provided backing vocals on "You Got Gold" from John Prine's 1991 album ''The Missing Years''. Both the Everlys and Prine had family connections to Muhlenberg County, Kentucky, and Prine was a frequent performer at "The Everly Brother's Homecoming" concerts in Central City, Kentucky, over the years.


In 1998, the brothers recorded the song "Cold" for the concept album of [[Andrew Lloyd Webber]] and [[Jim Steinman]]'s ''[[Whistle Down the Wind (musical)|Whistle Down the Wind]],'' and the recording was later used in stage versions as a "song on the radio."
In 1998, the brothers recorded "Cold" for the [[Andrew Lloyd Webber]] and [[Jim Steinman]]'s ''[[Whistle Down the Wind (musical)|Whistle Down the Wind]],'' and the recording was used in stage versions as a "song on the radio."


In 1999, Don Everly and his son Edan performed a benefit show billed as "The Everly Brothers for Kentucky Flood Relief".
In 1999, Don Everly and Edan performed a show billed as "The Everly Brothers for Kentucky Flood Relief".


The brothers joined [[Simon & Garfunkel]] as the featured act in Simon & Garfunkel's "Old Friends" reunion tour of 2003 and 2004. As a tribute to the Everly Brothers, Simon & Garfunkel opened their own show and had the Everlys come out in the middle. The live album of the tour, ''[[Old Friends: Live on Stage]]'', contains Simon & Garfunkel discussing the Everlys' influence on their career and features all four performers joining in on "Bye Bye Love" (the subsequent DVD features two extra solo performances by the Everlys). For Paul Simon, it was not the first time he had performed with his heroes, as in 1986, the Everlys sang background vocals on the title track of Simon's album ''Graceland''.
The brothers joined [[Simon & Garfunkel]] in their "Old Friends" reunion tour of 2003 and 2004. As a tribute to the Everly Brothers, Simon & Garfunkel opened their own show and had the Everlys come out in the middle. The live album, ''[[Old Friends: Live on Stage]]'', contains Simon & Garfunkel discussing the Everlys' influence on their career and features all four in on "Bye Bye Love" (the subsequent DVD features two extra solo performances by the Everlys). For Paul Simon, it was not the first time he had performed with his heroes, as in 1986, the Everlys sang background vocals on the title track of Simon's album ''Graceland''.


In 2004, a compilation titled ''Country Classics'' was released, consisting of tracks recorded in 1972 and 1985.
In 2004, a compilation titled ''Country Classics'' was released, consisting of tracks recorded in 1972 and 1985.


In 2006, Phil Everly sang a duet, "Sweet Little Corrina," with country singer [[Vince Gill]] on his album ''[[These Days (Vince Gill album)|These Days]].''<ref>{{cite web|author=Review by Thom Jurek |url=http://www.allmusic.com/album/these-days-mw0000402550 |title=These Days - Vince Gill &#124; Songs, Reviews, Credits, Awards |publisher=AllMusic |date=2006-10-17 |accessdate=2013-12-03}}</ref> He previously supplied harmony vocals on [[J. D. Souther]]'s "White Rhythm and Blues" on his 1979 album ''[[You're Only Lonely]].''
In 2006, Phil Everly sang "Sweet Little Corrina" with country singer [[Vince Gill]] on his album ''[[These Days (Vince Gill album)|These Days]].''<ref>{{cite web|author=Review by Thom Jurek |url=http://www.allmusic.com/album/these-days-mw0000402550 |title=These Days - Vince Gill &#124; Songs, Reviews, Credits, Awards |publisher=AllMusic |date=2006-10-17 |accessdate=2013-12-03}}</ref> He previously supplied harmony vocals on [[J. D. Souther]]'s "White Rhythm and Blues" on his 1979 album ''[[You're Only Lonely]].''


===Phil Everly's death===
===Phil Everly's death===

Revision as of 07:34, 19 December 2014

The Everly Brothers
Phil (left) and Don (right) Everly in 1958 promotional photo
Phil (left) and Don (right) Everly in 1958 promotional photo
Background information
GenresCountry, rockabilly, rock and roll
Years active1957–1973, 1983–2005
LabelsCadence, London (UK), Warner Bros., RCA Victor, Razor & Tie, Mercury
Past membersDon Everly
Phil Everly

The Everly Brothers were American country-influenced rock and roll singers, known for steel-string guitar and close harmony singing. Isaac Donald "Don" Everly (born February 1, 1937) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014) were elected to the Rock and Roll Hall of Fame in 1986 and the Country Music Hall of Fame in 2001.

History

Family and education

Don was born in Brownie, Muhlenberg County, Kentucky, in 1937, and Phil two years later in Chicago, Illinois. Their parents were Isaac Milford "Ike" Everly, Jr. (1908–1975), a guitar-player, and Margaret Embry Everly.[1][2] Actor James Best (born Jules Guy), also from Muhlenberg County, was the son of Ike's sister. Margaret was 15 when she married Ike, who was 26. Ike worked in coal mines from 14 but his father encouraged him to pursue his love of music. Ike and Margaret began singing together.[3] The Everly brothers spent most of their childhood in Shenandoah, Iowa.[4] They attended Longfellow Elementary School in Waterloo, Iowa, for a year,[5] but then moved to Shenandoah in 1944, where they remained through early high school.

Ike Everly had a show on KMA and KFNF in Shenandoah in the mid-1940s, first with his wife, and then with their sons. The brothers sang on the radio as "Little Donnie and Baby Boy Phil." [6] The family sang as the Everly Family.[7] Ike, with guitarists Merle Travis, Mose Rager, and Kennedy Jones, was honored in 1992 by construction of the Four Legends Fountain in Drakesboro, Kentucky.

The family moved to Knoxville, Tennessee in 1953, where the brothers attended West High School. In 1955, the family moved to Madison, Tennessee, while the brothers moved to Nashville, Tennessee. Don had graduated from high school in 1955, and Phil attended Peabody Demonstration School in Nashville,[8] from which he graduated in 1957.[9] Both could now focus on recording.[10]

1950s

While in Knoxville, the brothers caught the attention of family friend Chet Atkins, manager of RCA Victor's studio in Nashville. The brothers became a duo and moved to Nashville.[11] Despite affiliation with RCA, Atkins who arranged for the Everly Brothers to record for Columbia Records in early 1956. Their "Keep A' Lovin' Me," which Don wrote, flopped and they were droppe .

Atkins introduced them to Wesley Rose of Acuff-Rose, music publishers. Rose told them he would get them a recording deal if they signed to Acuff-Rose as songwriters. They signed in late 1956, and in 1957, Rose introduced them to Archie Bleyer,[12] who was looking for artists for his Cadence label. The Everlys signed and made recording in February 1957.[11] Their single, "Bye Bye Love," had been rejected by 30 other acts[11]. Their recording reached No. 2 on the pop charts behind Elvis Presley's "(Let Me Be Your) Teddy Bear", and No. 1 on the Country and No. 5 on the R&B charts.[11] The song, by Felice and Boudleaux Bryant,[13] became the Everly Brothers' first million-seller.

Working with the Bryants, they had hits in the United States and the United Kingdom, the biggest "Wake Up Little Susie", "All I Have to Do Is Dream", "Bird Dog", and "Problems", . The Everlys also succeeded as songwriters, especially with Don's "(Till) I Kissed You", which hit No. 4 on the United States pop charts.[14]

The brothers toured with Buddy Holly in 1957 and 1958. According to Holly biographer Philip Norman, they changeed Holly and the Crickets from Levi's and T-shirts to the Everlys' Ivy League suits. Don said Holly wrote "Wishing" for them. Phil said: "We were all from the South. We'd started in country music."[15] While some sources say Phil Everly was one of Holly's pallbearers in February 1959, Phil said in 1986 that he attended the funeral and sat with Holly's family but was not a pallbearer.[8] Don did not attend, saying "I couldn't go to the funeral. I couldn't go anywhere. I just took to my bed."[15]

1960s and 1970s

After three years on Cadence, the Everlys signed with Warner Bros. Records in 1960,[1] for 10 years. Theeir first hit for Warner Brothers, 1960's "Cathy's Clown" (written by Don and Phil), sold eight million, the duo's biggest-selling. "Cathy's Clown" was number WB1, the first in the United Kingdom by Warner Bros. Records.

We're not Grand Ole Opry ... we're obviously not Perry Como ... we're just pop music. But, you could call us an American skiffle group!

— NME – November 1960[16]

Other successful Warner Brothers singles followed in the United States, such as "So Sad (To Watch Good Love Go Bad)" (1960, Pop No. 7), "Walk Right Back" (1961, Pop No. 7), "Crying In The Rain" (1962, Pop No. 6), and "That's Old Fashioned" (1962, Pop No. 9, their last Top 10 hit). From 1960 to 1962, Cadence Records released Everly Brothers singles from the vaults, including "When Will I Be Loved" (written by Phil, Pop No. 8) and "Like Strangers".

In the UK, they had Top 10 hits until 1965, including "Lucille/So Sad" (1960, No. 4), "Walk Right Back/Ebony Eyes (1961, No. 1), "Temptation" (1961, No. 1), "Cryin' In The Rain" (1962, No. 6) and "The Price of Love" (1965, No. 2). They had 18 singles into the UK Top 40 with Warner Brothers in the 1960s. By 1962, the brothers had earned $35 million from record sales.

The brothers fell out with Wesley Rose. As a result, in the early 1960s, the Everlys were shut off from Acuff-Rose songwriters. These included Felice and Boudleaux Bryant, who had written most of their hits, as well as Don and Phil Everly themselves, who were still contracted to Acuff-Rose as songwriters and had written several of their own hits. From 1961 through early 1964, the Everlys recorded songs by other writers to avoid paying royalties to Acuff-Rose. They used the pseudonym "Jimmy Howard" as writer and/or arranger on two tracks, unsuccessfully because Acuff-Rose assumed the copyrights once the ruse was discovered.

At this time, they set up their own record label, Calliope Records, for solo projects. Using the pseudonym "Adrian Kimberly," Don recorded a big-band instrumental version of "Pomp and Circumstance" arranged by Neal Hefti, and charted in the United States top 40 in mid-1961. Further instrumental singles credited to Kimberly followed but none charted. Phil formed the Keestone Family Singers, which featured Glen Campbell and Carole King. Their lone single, "Melodrama," failed to chart, and by the end of 1962, Calliope Records was no more.

They never stopped working as a duo but their last United States Top Ten hit was 1962's "That's Old Fashioned", a song recorded but unreleased by the Chordettes and given to the brothers by their old mentor, Archie Bleyer. Succeeding years saw the Everly Brothers sell fewer records in the United States. Their enlistment in the United States Marine Corps Reserve in October 1961 (rather than being drafted into the Army for two years of active service) took them out of the spotlight.[17] One of their few performances during Marine service was on The Ed Sullivan Show, in mid-February 1962, performing "Jezebel" and "Crying In The Rain" in their uniforms.[18][19]

Following active duty, they resumed their career but United States success was limited. Of 27 singles on Warner Brothers from 1963 through 1970, three made the Hot 100 and none peaked higher than No. 31. Album sales were also down. The Everlys' first two albums for Warner (in 1960 and 1961) peaked at No. 9 U.S., but after that, of a dozen more LPs for Warner Brothers, only one made the top 200 (1965's Beat & Soul, which No. 141). Their dispute with Acuff-Rose lasted until 1964, whereupon the brothers again began writing as well as working with the Bryants again.

By then the brothers were addicted to speed. Don's condition was worse, taking Ritalin which led to deeper trouble. Don's addiction lasted three years until he was hospitalized for a nervous breakdown and to cure his addiction.[20] (It should be noted that the mainstream media of that time did not report that either brother was addicted. When Don collapsed in England in mid-October 1962, reporters were told he had food poisoning;[21] when the tabloids suggested he had taken an overdose of pills, his wife and brother insisted he had suffering "physical and nervous exhaustion".[22] It was years later that the story came out.) Don's health ended their British tour; he returned to the United States, leaving Phil to carry on with Joey Page, their bass player, taking his place.

Performing on the 1970 Johnny Cash summer replacement show

Their stardom began to wane two years before the British Invasion in 1964, though their appeal remained in Canada, the United Kingdom and Australia. By 1965, they took a back seat to bands like the Beatles, whom the Everlys had influenced. Their fortunes in the States were fading, but the Everlys remained successful in the UK and Canada throughout most of the 1960s, reaching the top 40 in the United Kingdom through 1968, and the top 10 in Canada as late as 1967. The 1966 album Two Yanks in England was recorded in England with the Hollies, who also wrote many of the album's songs. 1967 brought the Everlys' final Top 40 hit, ("Bowling Green").

By the end of the 1960s, the bothers returned to country-rock and their 1968 album Roots is touted by some critics as "one of the finest early country-rock albums."[23] However, by the end of the 1960s, the Everly Brothers were no longer hitmakers in either North America or the United Kingdom, and in 1970, following an unsuccessful live album (The Everly Brothers Show), their contract with Warner Brothers lapsed after ten years. In 1970, they were the summer replacement hosts for Johnny Cash's television show: their variety program, "Johnny Cash Presents the Everly Brothers," was on ABC-TV and featured Linda Ronstadt and Stevie Wonder.[24]

In 1970, Don's first solo album, was not a success. The bothers resumed performing in 1971, and with RCA Victor Records they issued two albums in 1972 and 1973. They said their final performance would be on July 14, 1973, at Knott's Berry Farm in California. Tensions between the two surfaced and Don told a reporter he was tired of being an Everly Brother.[25] During the show, Don was drunk and unable to play well,[8] leading Phil to smash his guitar and walk off while Don finished the show, ending their collaboration.[26] Reportedly, they did not speak to each other for almost a decade, except at their father's funeral in 1975.[27]

Solo years: 1973–1983

Phil and Don pursued solo careers during a decade. Don found some success on the US. country charts in the mid to late 1970s, in Nashville with his band Dead Cowboys, and playing with Albert Lee. Don also performed solo in London in mid-1976 at an annual country music festival. His appearance was well-received and he was given "thunderous applause," even though critics noted that performance was uneven.[28]

Phil sang backup for Roy Wood's 1975 album Mustard and two songs for Warren Zevon's 1976 album Warren Zevon.[29]

In 1979, Don recorded Emmylou Harris, "Everytime You Leave," on her album Blue Kentucky Girl.[30]

Phil recorded more frequently but with no chart success until the 1980s. Phil wrote "Don't Say You Don't Love Me No More" for the Clint Eastwood comedy film, Every Which Way But Loose (1978) in which he performed it as a duet with co-star Sondra Locke. He also wrote "One Too Many Women In Your Life" for the sequel, Any Which Way You Can (1980) playing in the band behind Sondra's.

Then, in 1983, Phil had UK success as a soloist with the album Phil Everly, recorded mainly in London. Musicians on the LP included Dire Straits guitarist Mark Knopfler, Rockpile drummer Terry Williams and keyboard player Pete Wingfield. The track "She Means Nothing To Me," written by John David Williams and featuring Cliff Richard as co-lead vocalist, was a UK Top 10 hit, and "Louise", written by Ian Gomm, reached the Top 50 in 1983.

Reunion and subsequent activities: 1983–2006

The brothers' reunion concert at the Royal Albert Hall in London on September 23, 1983, was initiated by Phil and Don alongside Terry Slater. English pianist Pete Wingfield was musical director. This concert spawned a live LP and video broadcast on cable television in mid-January 1984.[31] The brothers returned to the studio as a duo for the first time in over a decade, resulting in the album EB '84, produced by Dave Edmunds. Lead single "On the Wings of a Nightingale," written by Paul McCartney, was a qualified success (Top 10 adult contemporary)[32] and returned them to the United States Hot 100 (for their last appearance) and UK chart.

The Everly Brothers performing live in New York

They then earned a final charting country-music hit with "Born Yesterday" in 1986 from the album of the same name. During this time, Don's son, Edan Everly, joined the brothers on stage to sing and play guitar.

They collaborated with other performers, usually singing either backup vocals or duets. Phil was especially active. In 1990, he recorded a duet with Dutch singer René Shuman. "On Top of the World" was written by Phil and appeared in the music video they recorded in Los Angeles. The track appeared on Shuman's album Set the Clock on Rock. In 1994, a 1981 live BBC recording of "All I Have to Do Is Dream," featuring Cliff Richard and Phil sharing vocals, was a UK Top-20 hit.[33]

Phil provided backing vocals on "You Got Gold" from John Prine's 1991 album The Missing Years. Both the Everlys and Prine had family connections to Muhlenberg County, Kentucky, and Prine was a frequent performer at "The Everly Brother's Homecoming" concerts in Central City, Kentucky, over the years.

In 1998, the brothers recorded "Cold" for the Andrew Lloyd Webber and Jim Steinman's Whistle Down the Wind, and the recording was used in stage versions as a "song on the radio."

In 1999, Don Everly and Edan performed a show billed as "The Everly Brothers for Kentucky Flood Relief".

The brothers joined Simon & Garfunkel in their "Old Friends" reunion tour of 2003 and 2004. As a tribute to the Everly Brothers, Simon & Garfunkel opened their own show and had the Everlys come out in the middle. The live album, Old Friends: Live on Stage, contains Simon & Garfunkel discussing the Everlys' influence on their career and features all four in on "Bye Bye Love" (the subsequent DVD features two extra solo performances by the Everlys). For Paul Simon, it was not the first time he had performed with his heroes, as in 1986, the Everlys sang background vocals on the title track of Simon's album Graceland.

In 2004, a compilation titled Country Classics was released, consisting of tracks recorded in 1972 and 1985.

In 2006, Phil Everly sang "Sweet Little Corrina" with country singer Vince Gill on his album These Days.[34] He previously supplied harmony vocals on J. D. Souther's "White Rhythm and Blues" on his 1979 album You're Only Lonely.

Phil Everly's death

On January 3, 2014, Phil Everly died at Providence Saint Joseph Medical Center in Burbank, California,[35] just sixteen days prior to his 75th birthday. The cause of death was attributed to complications from chronic lung disease, brought on by a lifetime of smoking.[36][37][38]

Style and influences

Don and Phil Everly, both guitarists, used vocal harmony mostly based on diatonic thirds. With this, each line can often stand on its own as a melody line.[citation needed] This is in contrast to classic harmony lines which, while working well alongside the melody, are not as melodic by themselves.

On most of their recordings, Don sings the baritone part and Phil the tenor part.[39][40] One exception is on "Devoted to You". Although Don is still low and Phil high, they switch lead and harmony back and forth. Don typically sings any lines that are sung solo (for example, the verses of "Bye Bye Love"); among the very few exceptions to this rule is the 1965 single "It's All Over", where Phil sings the song's solo lines.

In the late 1950s, the Everly Brothers were the rock 'n' roll youth movement's addition to close harmony vocal groups of which many were family bands. The duo's harmony singing had a strong influence on rock groups of the 1960s. The Beatles,[41] the Beach Boys[42] and Simon & Garfunkel[43] developed their early singing styles by performing Everly covers. The Bee Gees, the Hollies and other rock'n'roll groups that feature harmony singing were also influenced by the Everlys.

Legacy

The music of the Everly Brothers is acknowledged to have influenced many successful musicians, including the Beatles, who famously once referred to themselves as "the English Everly Brothers"[37] (when Paul and John went hitch-hiking down south to win a talent competition) [44] and based the vocal arrangement of "Please Please Me" upon "Cathy's Clown".[45] Keith Richards called Don Everly "one of the finest rhythm players".[46] Singer-songwriter Paul Simon, who worked with the pair on his hit "Graceland", said in an email the day after Phil's death: "Phil and Don were the most beautiful sounding duo I ever heard. Both voices pristine and soulful. The Everlys were there at the crossroads of country and R&B. They witnessed and were part of the birth of rock and roll."[6]

The Everly Brothers had 35 Billboard Top-100 singles, 26 in the top 40. They hold the record for the most Top-100 singles by any duo, and trail only Hall & Oates for the most Top-40 singles by a duo.[citation needed] In the UK, they had 30 chart singles, 29 in the top 40, 13 top 10 and 4 at No. 1 between 1957 and 1984. They had 12 top-40 albums between 1960 and 2009.[citation needed]

In 1986, the Everly Brothers were among the first 10 artists inducted into the Rock and Roll Hall of Fame. During the ceremony, they were introduced by Neil Young, who observed that every musical group he belonged to had tried and failed to copy the Everly Brothers' harmonies. That year on July 5, the Everlys returned to their boyhood home of Shenandoah to a crowd of 8,500 for a concert, parade, street dedication, class reunion and other activities. Concert fees were donated to the Everly Family Scholarship Fund which gives scholarships to middle and high school students in Shenandoah every year.

In 1997 the brothers were awarded the Grammy Lifetime Achievement Award. In addition, they were inducted into the Country Music Hall of Fame in 2001 and the Vocal Group Hall of Fame in 2004.[47] Their pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame. The Everly Brothers have a star on the Hollywood Walk of Fame at 7000 Hollywood Blvd. In 2004, Rolling Stone Magazine ranked the Everly Brothers No. 33 on their list of the 100 Greatest Artists of All Times.[48] They are also No. 43 on the list of UK Best selling singles artists of all time.[49]

They were also songwriters, penning "Till I Kissed You" (Don), "Cathy's Clown" (Don and Phil), and "When Will I Be Loved" (Phil). "Cathy's Clown" and "When Will I Be Loved" later became hits for Reba McEntire and Linda Ronstadt, respectively; (for the latter, the Everly Brothers sang the chorus).[citation needed] Also, the Norwegian band a-ha covered "Crying In The Rain" in 1990 for its fourth album, East of The Sun, West of The Moon.

On Labor Day Weekend 1988, Central City Kentucky began the Everly Brothers Homecoming event to raise money for a scholarship fund for Muhlenberg County students. The homecoming became a popular annual event for fourteen years, ending in 2002. Don and Phil toured the United Kingdom in 2005 and Phil appeared in 2007 on recordings with Vince Gill and Bill Medley. Also in 2007, country singer Alison Krauss and former Led Zeppelin frontman Robert Plant released Raising Sand which included a cover of the 1964 hit single, "Gone, Gone, Gone" produced by T-Bone Burnett.

Three Everly Brothers tribute records were released in 2013: Billie Joe Armstrong and Norah Jones' Foreverly,[50] the Chapin Sisters' A Date with the Everly Brothers[51] and Bonnie Prince Billy and Dawn McCarthy's What the Brothers Sang.[52]

Discography

See also

Template:Wikipedia books

References

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  2. ^ "Ancestry of the Everly Brothers". Wargs.com. Retrieved 2014-01-05.
  3. ^ Jerry Bledsoe. "Ike and Margaret Everly Don't Like Doing Nothing." Greensboro (NC) Daily News, November 29, 1971, p. B1.
  4. ^ Henderson, O. Kay (January 5, 2014). "Shenandoah's Phil Everly, of Everly Brothers fame, dead at 74". Radio Iowa. Retrieved 19 January 2014.
  5. ^ "Everly Brothers Back Home Before 2,100." Waterloo (IA) Daily Courier, February 9, 1958, p. 14.
  6. ^ a b Pareles, Jon (4 January 2014). "Phil Everly, Half of a Pioneer Rock Duo That Inspired Generations, Dies at 74". The New York Times. Retrieved 4 January 2014.
  7. ^ "Rock-a-Billy Everly Boys." Blytheville (AR) Courier-News, July 31, 1957, p. 8.
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  10. ^ "Everly Brothers Surprised." Richmond (VA) Times-Dispatch, July 5, 1970, p. H8.
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  12. ^ Alan Frazer, "The Everly Saga, $$." Boston Sunday Advertiser, July 23, 1961, p. 22.
  13. ^ Gilliland, John (1969). "Show 9 – Tennessee Firebird: American country music before and after Elvis. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries.
  14. ^ Whitburn, Joel, The Billboard Book of Top 40 Hits, Billboard Books, NY 1992 p. 165.
  15. ^ a b Norman, Philip (1996). Buddy Holly: The Definitive Biography of Buddy Holly. London: Macmillan. ISBN 0-306-80715-7.
  16. ^ Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 88. CN 5585.
  17. ^ Natalie Best. "Rock 'n' Roll Marine Weds With Brother As Best Man." San Diego Union, February 14, 1962, p. B1.
  18. ^ George Varga. Everly Brothers Served at Camp Pendleton." San Diego Union-Tribune, January 6, 2014. [1]
  19. ^ http://www.youtube.com/watch?v=TdaX7LG67to
  20. ^ The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)
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  28. ^ Ed Blanche, "Everly Laid Back." Springfield (MA) Union, June 21, 1977, p. 26.
  29. ^ album liner notes
  30. ^ "Everly Brothers @ Art + Culture". Artandculture.com. Retrieved 2013-12-03.
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  32. ^ "EB 84 - The Everly Brothers | Awards". AllMusic. Retrieved 2014-01-05.
  33. ^ "All I Have to Do Is Dream (single)" (Media notes). Cliff Richard with Phil Everly. United Kingdom: EMI. 1994.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  34. ^ Review by Thom Jurek (2006-10-17). "These Days - Vince Gill | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 2013-12-03.
  35. ^ Botelho, Greg; Todd Leopold (January 4, 2014). "Singer Phil Everly -- half of legendary Everly Brothers -- dies". CNN. Retrieved 28 May 2014.
  36. ^ BBC (2014-01-04). "US Musician Phil Everly dies aged 74". BBC. Retrieved 2014-01-04.
  37. ^ a b Saul, Heather (4 January 2014). "Phil Everly dead: World mourns younger of US rock and roll duo The Everly Brothers". The Independent. Retrieved 4 January 2014.
  38. ^ Lewis, Randy (January 4, 2014). "Half of rock vocal duo the Everly Brothers". Los Angeles Times. Retrieved 28 May 2014.
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  48. ^ "The Immortals: The First Fifty". Rolling Stone. Retrieved 2013-12-03.
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  51. ^ "Singing Sisters Reconsider the Everly Brothers". NPR. Retrieved 2014-01-04.
  52. ^ Reed, James (January 11, 2014). "The music of the Everly Brothers endures and thrives". The Boston Globe. Retrieved 2 June 2014.

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