The Daddy of Rock 'n' Roll: Difference between revisions
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'''''Wesley Willis: The Daddy of Rock 'n' Roll''''' is a 2003 [[documentary film]] directed by Daniel Bitton about [[rock music|rock]] musician and artist [[Wesley Willis]], who died in 2003 at age 40. Willis, challenged by a weight disorder as well as [[paranoid schizophrenia]], is followed in his daily tasks, trials and tribulations in autumn 2000, showing him writing his unique yet virtually identical songs, playing a show, |
'''''Wesley Willis: The Daddy of Rock 'n' Roll''''' is a 2003 [[documentary film]] directed by Daniel Bitton about [[rock music|rock]] musician and artist [[Wesley Willis]], who died in 2003 at age 40. Willis, challenged by a weight disorder as well as [[paranoid schizophrenia]], is followed in his daily tasks, trials and tribulations in autumn 2000, showing him writing his unique yet virtually identical songs, playing a show, attending to daily chores, and working on his ink paintings at Genesis. |
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== Plot == |
== Plot == |
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Shot in and around Willis' native [[Chicago]] area, the documentary simply shows footage of Willis' daily life with his songs serving as the soundtrack. Willis appears unkempt, |
Shot in and around Willis' native [[Chicago]] area, the documentary simply shows footage of Willis' daily life with his songs serving as the soundtrack. Willis appears unkempt, obese and mentally unstable. |
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His songwriting technique is shown as he visits a local [[FedEx Kinko's|Kinko's]] dressed sloppily and barefoot, and types expletives and repetitive [[bestiality]] references on a computer as [[lyrics]] and prints the document. His songs deal with subjects such as praise for celebrities that he had met or admired, reports on bands that he had seen, stories about violent confrontations with [[superhero]]es, and expletive-packed rants at his mental "demons". Willis says music helps him silence the discouraging mental voices, but his fan following comes from people who find his songs humorous. Many of his compositions are very similar, a fact that is highlighted by scenes of him recording songs such as "I Whipped [[Superman]]'s Ass", "I Whipped [[Spider-Man]]'s Ass" and "I Whupped [[Batman]]'s Ass", which are overlaid to highlight their similarities. |
His songwriting technique is shown as he visits a local [[FedEx Kinko's|Kinko's]] dressed sloppily and barefoot, and types expletives and repetitive [[bestiality]] references on a computer as [[lyrics]] and prints the document. His songs deal with subjects such as praise for celebrities that he had met or admired, reports on bands that he had seen, stories about violent confrontations with [[superhero]]es, and expletive-packed rants at his mental "demons". Willis says music helps him silence the discouraging mental voices, but his fan following comes from people who find his songs humorous. Many of his compositions are very similar, a fact that is highlighted by scenes of him recording songs such as "I Whipped [[Superman]]'s Ass", "I Whipped [[Spider-Man]]'s Ass" and "I Whupped [[Batman]]'s Ass", which are overlaid to highlight their similarities. |
Revision as of 15:42, 23 July 2015
![]() | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (September 2011) |
Wesley Willis: The Daddy of Rock 'n' Roll | |
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![]() The DVD cover. | |
Directed by | Daniel Bitton |
Produced by | Daniel Bitton |
Starring | Wesley Willis |
Music by | Wesley Willis |
Distributed by | Music Video Distributors |
Release date |
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Running time | 58 minutes |
Country | United States |
Language | English |
Wesley Willis: The Daddy of Rock 'n' Roll is a 2003 documentary film directed by Daniel Bitton about rock musician and artist Wesley Willis, who died in 2003 at age 40. Willis, challenged by a weight disorder as well as paranoid schizophrenia, is followed in his daily tasks, trials and tribulations in autumn 2000, showing him writing his unique yet virtually identical songs, playing a show, attending to daily chores, and working on his ink paintings at Genesis.
Plot
Shot in and around Willis' native Chicago area, the documentary simply shows footage of Willis' daily life with his songs serving as the soundtrack. Willis appears unkempt, obese and mentally unstable.
His songwriting technique is shown as he visits a local Kinko's dressed sloppily and barefoot, and types expletives and repetitive bestiality references on a computer as lyrics and prints the document. His songs deal with subjects such as praise for celebrities that he had met or admired, reports on bands that he had seen, stories about violent confrontations with superheroes, and expletive-packed rants at his mental "demons". Willis says music helps him silence the discouraging mental voices, but his fan following comes from people who find his songs humorous. Many of his compositions are very similar, a fact that is highlighted by scenes of him recording songs such as "I Whipped Superman's Ass", "I Whipped Spider-Man's Ass" and "I Whupped Batman's Ass", which are overlaid to highlight their similarities.
Willis also visits a zoo, overdubbed with one of his many songs about bestiality.
Towards the end Willis is shown playing with his band, the Wesley Willis Fiasco.
Several of Willis' friends are interviewed, among them recording engineer Steve Albini. They reminisce over how they met Willis and how they feel about him. Generally they are all sympathetic about his plight and it is stated he would likely be dead if he had not cultivated such a network.
One friend describes Willis' poor upbringing (involving forced viewing of his mother having sex in exchange for drugs), and touchingly, Willis' own despair at his condition:
"I'm already doomed. I can't find a girlfriend, I can't do a goddamned thing."
External links
- Wesley Willis: The Daddy of Rock 'n' Roll at IMDb
- Wesley Willis: The Daddy of Rock 'n' Roll at AllMovie
- Review of Wesley Willis - The Daddy of Rock 'n' Roll - Documentary