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|filename=To Her Door.ogg
|filename=To Her Door.ogg
|description=Paul Kelly & the Coloured Girls' highest charting single, "To Her Door", released in September 1987. Ahead of their December album, ''[[Under the Sun (Paul Kelly album)|Under the Sun]]''.}}
|description=Paul Kelly & the Coloured Girls' highest charting single, "To Her Door", released in September 1987. Ahead of their December album, ''[[Under the Sun (Paul Kelly album)|Under the Sun]]''.}}
The song is a ballad, with country-rock underpinnings, in which Kelly tells the story of a young couple who "married early". The man is identified as "Jack" in the unedited album version, but not in the edited single mix; the woman is never named. Due to Jack's drinking, the couple's marriage "hit(s) the skids" and they end up separating. After a year, Jack writes a letter to his ex-wife, and she decides to send him the fare so he can visit both her and their two children. In the final verse, Jack is on his way to meet them, and the song ends as he arrives in town on a Sunday, wondering "Could he make a picture and get them all to fit?"<ref name="Talking"/> The actual reunion between Jack and his family -- if it even takes place -- is never described.
The song is a ballad about young love, the couple's marriage "hit the skids" and Kelly using a third-person narrator provides a fragment of this couple's struggle to survive. It has been described as a brutal and beautiful attempt at reconciliation.<ref name="Talking">{{cite news|url=http://education.theage.com.au/cmspage.php?intid=136&intversion=125|title=Don't start me talking - lyrics|publisher=[[The Age]]|last=Ford|first=Karen|date=6 February 2006|accessdate=15 March 2010}}</ref> In the final verse, Kelly chooses to eschew a happy ending and reflect life's uncertainty: "Could he make a picture and get them all to fit?"<ref name="Talking"/> The song contains references to 'The Buttery', a drug and rehabilitation clinic on the north coast of [[New South Wales]],<ref>{{cite news|url=http://www.theaustralian.com.au/news/health-science/buttery-rehab-puts-its-ambitions-into-music/story-e6frg8y6-1111114834114|title=Buttery rehab puts its ambitions into music |publisher=[[The Australian]]|date=10 November 2007|last=Writer|first=Larry|accessdate=15 March 2010}}</ref> 'Silver Top', a [[taxicab|taxi]] company and 'Olympic', which is a local bus company.

It has been described as a brutal and beautiful attempt at reconciliation.<ref name="Talking">{{cite news|url=http://education.theage.com.au/cmspage.php?intid=136&intversion=125|title=Don't start me talking - lyrics|publisher=[[The Age]]|last=Ford|first=Karen|date=6 February 2006|accessdate=15 March 2010}}</ref> The song contains references to 'The Buttery', a drug and rehabilitation clinic on the north coast of [[New South Wales]],<ref>{{cite news|url=http://www.theaustralian.com.au/news/health-science/buttery-rehab-puts-its-ambitions-into-music/story-e6frg8y6-1111114834114|title=Buttery rehab puts its ambitions into music |publisher=[[The Australian]]|date=10 November 2007|last=Writer|first=Larry|accessdate=15 March 2010}}</ref> 'Silver Top', a [[taxicab|taxi]] company and 'Olympic', which is a local bus company.


In an interview with [[Debbie Kruger]], Kelly indicated that the song took seven years to write.<ref name="DK">{{cite web|url=http://www.debbiekruger.com/writer/aprap/kelly.html|title=Paul Kelly words are never enough|publisher=APRAP|last=Kruger|first=Debbie|date=December 2002|accessdate=15 March 2010}}</ref>{{Quote|I sing little melodies into a tape recorder and every now and then I go through the tapes and have a listen. And I heard that and I thought it would be good to put words to that, it’s a good tune.<ref name="DK"/>}}
In an interview with [[Debbie Kruger]], Kelly indicated that the song took seven years to write.<ref name="DK">{{cite web|url=http://www.debbiekruger.com/writer/aprap/kelly.html|title=Paul Kelly words are never enough|publisher=APRAP|last=Kruger|first=Debbie|date=December 2002|accessdate=15 March 2010}}</ref>{{Quote|I sing little melodies into a tape recorder and every now and then I go through the tapes and have a listen. And I heard that and I thought it would be good to put words to that, it’s a good tune.<ref name="DK"/>}}


Kelly uses the same protagonist in "Love Never Runs on Time" from 1994's ''[[Wanted Man (Paul Kelly album)|Wanted Man]]'' and then in 1996's "How to Make Gravy" from the extended play ''[[How to Make Gravy]]''.<ref name="DK"/> All three tracks appear on Kelly's live 8×CD [[boxed set]], ''[[The A – Z Recordings]]'' (2010).<ref name="iTunes">{{cite web | url = http://itunes.apple.com/au/album/the-a-to-z-recordings/id394139682 | title = ''The A – Z Recordings'' | publisher = [[iTunes]]. [[Apple Inc.]] | date = 24 September 2010 | accessdate = 19 May 2012 }}</ref>
Kelly uses the same protagonist in "Love Never Runs on Time" from 1994's ''[[Wanted Man (Paul Kelly album)|Wanted Man]]'' and then in 1996's "How to Make Gravy" from the extended play ''[[How to Make Gravy]]''.<ref name="DK"/> All three tracks appear (in live versions) on Kelly's live 8×CD [[boxed set]], ''[[The A – Z Recordings]]'' (2010).<ref name="iTunes">{{cite web | url = http://itunes.apple.com/au/album/the-a-to-z-recordings/id394139682 | title = ''The A – Z Recordings'' | publisher = [[iTunes]]. [[Apple Inc.]] | date = 24 September 2010 | accessdate = 19 May 2012 }}</ref>


The B-side, "Bicentennial", is about the plight of [[Indigenous Australians|Australian Aborigines]] in the past and the present, highlighting [[aboriginal deaths in custody]].<ref>{{cite news|url=http://news.google.com/newspapers?nid=1300&dat=19871126&id=gmYRAAAAIBAJ&sjid=7ZYDAAAAIBAJ&pg=2554,4736880|title=Paul Kelly goes for the jugular|publisher=[[The Age]]|date=26 November 1987|last=Speelman|first=Paul|accessdate=15 March 2010}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> In 1988, Australia celebrated its [[Australian Bicentenary|bicentenary]], in the song Kelly writes from the point of view of those unimpressed with 200 years of white settlement.<ref name="Talking"/>
The B-side, "Bicentennial", is about the plight of [[Indigenous Australians|Australian Aborigines]] in the past and the present, highlighting [[aboriginal deaths in custody]].<ref>{{cite news|url=http://news.google.com/newspapers?nid=1300&dat=19871126&id=gmYRAAAAIBAJ&sjid=7ZYDAAAAIBAJ&pg=2554,4736880|title=Paul Kelly goes for the jugular|publisher=[[The Age]]|date=26 November 1987|last=Speelman|first=Paul|accessdate=15 March 2010}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> In 1988, Australia celebrated its [[Australian Bicentenary|bicentenary]], in the song Kelly writes from the point of view of those unimpressed with 200 years of white settlement.<ref name="Talking"/>
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* Peter Bull – [[keyboard instrument|keyboards]]
* Peter Bull – [[keyboard instrument|keyboards]]
* Steve Connolly – guitar ([[electric guitar|electric]]), backing vocals
* Steve Connolly – guitar ([[electric guitar|electric]]), backing vocals
* Chris Coyne – [[saxophone]] ([[tenor saxophone|tenor]])
* John Schofield – [[bass guitar]]
* John Schofield – [[bass guitar]]

With:
* Chris Coyne – [[saxophone]] ([[tenor saxophone|tenor]])
* Chris Wilson – [[harmonica]], vocals, saxophone ([[baritone saxophone|baritone]])
* Chris Wilson – [[harmonica]], vocals, saxophone ([[baritone saxophone|baritone]])



Revision as of 20:12, 29 March 2016

"To Her Door"
Song
A-side"To Her Door"
B-side"Bicentennial"

"To Her Door" was the first single released by Paul Kelly and the Coloured Girls ahead of their second album, Under the Sun (released in North America and Europe as by Paul Kelly and the Messengers). The single was released in September 1987 and reached No. 14 on the Australian singles charts.[1][2]

"To Her Door" won an ARIA Music Award in 1988 for "Best Video", for its music video directed by Claudia Castle.[3][4] In 2001, the Australasian Performing Right Association (APRA) listed "To Her Door" as one the Top 30 Australian songs of all time,[5] as one of two songs written by Kelly (alongside "Treaty").[6]

Music and lyrics

The song is a ballad, with country-rock underpinnings, in which Kelly tells the story of a young couple who "married early". The man is identified as "Jack" in the unedited album version, but not in the edited single mix; the woman is never named. Due to Jack's drinking, the couple's marriage "hit(s) the skids" and they end up separating. After a year, Jack writes a letter to his ex-wife, and she decides to send him the fare so he can visit both her and their two children. In the final verse, Jack is on his way to meet them, and the song ends as he arrives in town on a Sunday, wondering "Could he make a picture and get them all to fit?"[7] The actual reunion between Jack and his family -- if it even takes place -- is never described.

It has been described as a brutal and beautiful attempt at reconciliation.[7] The song contains references to 'The Buttery', a drug and rehabilitation clinic on the north coast of New South Wales,[8] 'Silver Top', a taxi company and 'Olympic', which is a local bus company.

In an interview with Debbie Kruger, Kelly indicated that the song took seven years to write.[9]

I sing little melodies into a tape recorder and every now and then I go through the tapes and have a listen. And I heard that and I thought it would be good to put words to that, it’s a good tune.[9]

Kelly uses the same protagonist in "Love Never Runs on Time" from 1994's Wanted Man and then in 1996's "How to Make Gravy" from the extended play How to Make Gravy.[9] All three tracks appear (in live versions) on Kelly's live 8×CD boxed set, The A – Z Recordings (2010).[10]

The B-side, "Bicentennial", is about the plight of Australian Aborigines in the past and the present, highlighting aboriginal deaths in custody.[11] In 1988, Australia celebrated its bicentenary, in the song Kelly writes from the point of view of those unimpressed with 200 years of white settlement.[7]

Track listing

  1. "To Her Door" – 3:19
  2. "Bicentennial" – 3:03

Personnel

Credits:[12]

Paul Kelly and the Coloured Girls

With:

Recording details
  • Producer – Alan Thorne, Paul Kelly

Releases

Format Country Label Catalogue No. Year
7" single AUS Mushroom White K412 1987

References

  1. ^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.
  2. ^ "Discography Paul Kelly". Australian Charts Portal. Retrieved 2008-08-15.
  3. ^ "ARIA Awards 2008: History: Winners by Artist search result". Australian Recording Industry Association (ARIA). Retrieved 2008-08-19.
  4. ^ Garcia, Alex S. (2008). "Paul Kelly - artist videography". mvdbase.com. Retrieved 2008-08-19.
  5. ^ Kruger, Debbie (2001-05-02). "The songs that resonate through the years" (PDF). Australasian Performing Right Association (APRA). Retrieved 2008-08-25.
  6. ^ "Australasian Performing Right Association (APRA) search engine". APRA. Retrieved 2008-10-12. Note: requires user to input song title e.g. TO HER DOOR
  7. ^ a b c Ford, Karen (6 February 2006). "Don't start me talking - lyrics". The Age. Retrieved 15 March 2010.
  8. ^ Writer, Larry (10 November 2007). "Buttery rehab puts its ambitions into music". The Australian. Retrieved 15 March 2010.
  9. ^ a b c Kruger, Debbie (December 2002). "Paul Kelly words are never enough". APRAP. Retrieved 15 March 2010.
  10. ^ "The A – Z Recordings". iTunes. Apple Inc. 24 September 2010. Retrieved 19 May 2012.
  11. ^ Speelman, Paul (26 November 1987). "Paul Kelly goes for the jugular". The Age. Retrieved 15 March 2010. [dead link]
  12. ^ Holmgren, Magnus. "Paul Kelly". Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from the original on 22 October 2013. Retrieved 21 March 2014.