Jump to content

Swadesh Deepak: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
No edit summary
Line 62: Line 62:




[[User:59.144.168.116|59.144.168.116]] 05:03, 11 September 2006 (UTC)
[[User:Samarthavashishtha|Samarthavashishtha]] 05:04, 11 September 2006 (UTC)

Revision as of 05:04, 11 September 2006

Swadesh Deepak (1942- ) is a popular Indian playwright, novelist and short-story writer. Deepak has been active on the Hindi literary scene since the early 1970s and is best known for Court Martial, a pathbreaking play that he wrote in 1990. Deepak's most recent book is Maine Mandu Nahin Dekha, a volume of memoirs. Deepak's work has appeared in all major literary periodicals of India, and he has more than 15 published titles to his credit.

Deepak holds masters degrees in both Hindi and English. For twenty-six years, he taught English literature at Ambala's Gandhi Memorial College.

Writings

Swadesh Deepak found his literary expression first as a short story writer and then as a playwright. He has experimented with many forms of prose, and is well-known for his unique, unmistakable voice.

Short Stories

The first collection of stories that Deepak published in the 1970s was Ashwarohi (The Rider), which marks the birth of his grim, dark storytelling style on the literary scene. Over the next few years, Deepak wrote some of his most popular stories--Kisi Ek Ped Ka Naam Lo, Kyunki Hawa Padhna Nahin Jaanti, Tamaasha and Paapi Pet, to name a few. Deepak also published two novels in Hindi, Squadron Number 57 and Mayapot (The Phantom Ship). The latter evoked mixed response from readers with many regarding it as decades ahead of its time. A collection of the finest stories of Swadesh Deepak, titled Meri Priya Kahaniyan (My Favourite Stories) was published in the mid 1980s.

Plays

Swadesh Deepak was widely recognized as one of the finest playwrights in the country after the publication of Court Martial. The play hits hard the roots of casteism in the Indian Army. Court Martial has been staged close to 2000 times in India by well-known directors. It has been translated into many Indian and Foreign languages and has won Deepak many an award. Deepak regards Court Martial as his best-known work, but not the best. His other prominent plays include Sabse Udaas Kavita (The Saddest Poem) and Jalta Hua Rath (The Burning Chariot).

Memoirs

In the early 1990s, Deepak showed severe symptoms of Bipolar Disorder, a condition that was diagnosed only a couple of suicide attempts and many frightful months later. He was under medication for a long time, and took many years to recover. Around 2001, he began documenting these fateful years spent in the darkroom of his mind. These memoirs were first serialized in Kathadesh, a leading Hindi monthly, and later published as a book, Maine Mandu Nahin Dekha (Rajkamal Prakashan). Deepak's memoirs triggered widespread debate--both for their innovative form, and their depiction of the way in which mental illness is perceived in India. The book won Deepak as many admirers as foes, with many putting even the suffering behind the book under scanner.

Despite the volley of sharp-edged comments that it ensued, Maine Maandu Nahin Dekha is a work unlike any other published in recent times. It is special because it is a grotesque first-hand account of how this disorder destroys logic in a systematic fashion. And it is Deepak's precise, bare-bone language--almost poetic in certain portions--that lends authenticity to the text. Maine Mandu Nahin Dekha was edited by Soumitra Mohan, a prominent Hindi poet.

The Loaded Gun

Deepak's works are characterized by their tragic, dark endings. His characters find death as constant companion, and often succumb to it. Often, critics have suggested that Deepak walks alongside his characters with a loaded gun--recoiled and ready to fire. Maybe, one can trace the beginnings of Deepak's present mental ordeal to the dark stories that he was writing even in the early 1970s. Perhaps, it is no coincidence that Deepak's favourite authors are Sylvia Plath and Virginia Woolf, who succumbed to mental agony themselves.

The Return of the Storyteller

After a self proclaimed abstinence from writing short stories lasting many years, Deepak returned to the form in the ealy 2000s. Some of his stories written during the period carry the echo of Maine Mandu Nahin Dekha. Bagugoshe was a fine story that he published a few years back.


Awards and Honours

Swadesh Deepak has won many awards for his powerful writings. Recently, he won the Sur Puraskar, the highest literary award conferred by the Government of Haryana, the state of his residence. He was one of the attendees at the World Hindi Conferences organized in Suriname and The Netherlands.

Deepak is also a receipient of the Sangeet Natak Akademi Award, the most prestigious award conferred to a playwright in India. He is, undoubtedly, the best-known writer that Haryana has produced, and one of finest in his generation.

Tragic Developments

In early 2006, Deepak showed symptoms of acute depression related to Bipolar Disorder. He had suffered a cardiac attack in 2004, but had shown considerable improvement eversince. On June 2 2006, Deepak left for his routine morning walk, and went missing. All attempts to trace him have shown little results.

Some Books by Swadesh Deepak

The following titles are not arranged in chronological order.

  • Ashwarohi
  • Maskhare Kabhi Nahin Rote
  • Squadron Number 57
  • Mayapot
  • Court Martial
  • Jalta Hua Rath
  • Sabse Udaas Kavita
  • Natak Bal Bhagwan
  • Maine Mandu Nahin Dekha
  • Meri Priya Kahaniyan
  • Nirvachit Kahaniyan

Web Links Related to Swadesh Deepak


Samarthavashishtha 05:04, 11 September 2006 (UTC)