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{{BLP sources|date=December 2012}}
{{BLP sources|date=December 2012}}
[[Image:Transmediale-2010-Ryoji Ikeda-Data-Tron-1.jpg|thumb|300px|Data.Tron [8K enhanced version] by Ryoji Ikeda on show in [[transmediale]] 10]]
[[Image:Transmediale-2010-Ryoji Ikeda-Data-Tron-1.jpg|thumb|300px|Data.Tron [8K enhanced version] by Ryoji Ikeda on show in [[transmediale]] 10]]
'''Ryoji Ikeda''' (born 1966)<ref name=Ikeda>{{cite web|title=Ryoji Ikeda|url=http://www.ryojiikeda.com/biography/|website=ryojiikeda.com|accessdate=13 August 2014}}</ref> is a Japanese [[sound art]]ist who lives and works in [[Paris]]. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. The conclusion of his album ''+/-'' features just such a tone; of it, Ikeda says "a high frequency sound is used that the listener becomes aware of only upon its disappearance" (from the CD booklet). Rhythmically, Ikeda's music is highly imaginative, exploiting [[Beat (acoustics)|beat patterns]] and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.
'''Ryoji Ikeda''' (born 13 December 1966)<ref name=Ikeda>{{cite web|title=Ryoji Ikeda|url=http://www.ryojiikeda.com/biography/|website=ryojiikeda.com|accessdate=13 August 2014}}</ref> is a Japanese [[sound art]]ist who lives and works in [[Paris]]. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. The conclusion of his album ''+/-'' features just such a tone; of it, Ikeda says "a high frequency sound is used that the listener becomes aware of only upon its disappearance" (from the CD booklet). Rhythmically, Ikeda's music is highly imaginative, exploiting [[Beat (acoustics)|beat patterns]] and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.


Ryoji Ikeda was born in [[Gifu Prefecture|Gifu]], Japan in 1966.<ref name=Ikeda/>
Ryoji Ikeda was born in [[Gifu Prefecture|Gifu]], Japan in 1966.<ref name=Ikeda/>

Revision as of 17:26, 18 March 2017

Data.Tron [8K enhanced version] by Ryoji Ikeda on show in transmediale 10

Ryoji Ikeda (born 13 December 1966)[1] is a Japanese sound artist who lives and works in Paris. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. The conclusion of his album +/- features just such a tone; of it, Ikeda says "a high frequency sound is used that the listener becomes aware of only upon its disappearance" (from the CD booklet). Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.

Ryoji Ikeda was born in Gifu, Japan in 1966.[1]

In addition to working as a solo artist, he has also collaborated with, among others, Carsten Nicolai (under the name "Cyclo.") and the art collective Dumb Type. His work matrix won the Golden Nica Award in 2001.[2]

In 2004, the dormant Saarinen-designed TWA Flight Center (now Jetblue Terminal 5) at JFK Airport briefly hosted an art exhibition called Terminal 5[3] curated by Rachel K. Ward[4] and featuring the work of 18 artists[5] including Ikeda. The show featured work, lectures and temporary installations drawing inspiration from the idea of travel — and the terminal's architecture.[5] The show was to run from October 1, 2004 to January 31, 2005[5] — though it closed abruptly after the building itself was vandalized during the opening party.[4][6]

In May – June 2011 a presentation of three of the artist's immersive audio/visual projects, The Transfinite, was exhibited at the Park Avenue Armory.[7]

Discography

Albums
  • 1000 Fragments (Cci recordings, 1995)
  • +/- (Touch, 1996)
  • Time and Space (Staalplaat, 1998)
  • 0°C (Touch, 1998)
  • Mort Aux Vaches (live recording at VPRO Radio; Staalplaat, 1999)
  • 99: Variations For Modulated 440Hz Sinewaves (for '20 to 2000) (Raster-Noton, 1999)
  • Matrix (Touch, 2000)[8]
  • . (with Carsten Nicolai as Cyclo.; Raster-Noton, 2001)
  • op. (Touch, 2002)
  • dataplex (Raster-Noton, 2005)
  • Test Pattern (Raster-Noton, 2008)
  • Dataphonics (Dis Voir, 2010)
  • id (with Carsten Nicolai as Cyclo.; Raster-Noton, 2011)
  • Supercodex (Raster-Noton, 2013)
  • Live at White Cube (with Christian Marclay; White Cube, 2015)
  • The Solar System (The Vinyl Factory, 2015)
as Producer
Compilations
  • Silence CD (Spiral, 1993)
  • Document 02 - Sine (Dorobo, 1995)
  • Statics (Cci recordings, 1995)
  • Mesmervariations (Ash International, 1995)
  • A Fault in the Nothing (Ash International, 1996)
  • Night Passage: demixed (Dorobo, 1996)
  • Atomic Weight (Iridium, 1996)
  • Touch Sampler 2 (Touch, 1996)
  • Tulpas (Selektion, 1997)
  • Chill Out (Sabotage, 1998)
  • Meme (meme, 1998)
  • Modulations (Caipirinha, 1998)
  • Stilluppsteypa Remix (Fire Inc., 1998)
  • END ID (Digital Narcis, 1999)
  • Modulation & Transformation 4 (Mille Plateaux, 1999)
  • Microscopic (Caipirinha, 1999)
  • Touch Sampler 0 (Touch, 2000)
  • Memorandum (Dumb Type; Cci recordings, 2000)
  • Clicks & Cuts 2 (Mille Plateaux, 2001)
  • An Anthology of Noise & Electronic Music, Vol.1 (Sub Rosa, 2002)
  • Touch 25 (Touch, 2007)
DVDs/books
  • Formula book/DVD (Forma, 2005)
  • id (with Carsten Nicolai as Cyclo.; Raster-Noton, 2011)

References

  1. ^ a b "Ryoji Ikeda". ryojiikeda.com. Retrieved 13 August 2014.
  2. ^ [1] Archived December 9, 2006, at the Wayback Machine
  3. ^ "TWA Terminal Named as One of the Nation's Most Endangered Places". Municipal Art Society New York, February 9th, 2004.
  4. ^ a b "A Review of a Show You Cannot See". Designobserver.com, Tom Vanderbilt, January 14, 2005. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  5. ^ a b c "Now Boarding: Destination, JFK". The Architects Newspaper, September 21, 2004. Archived from the original on 2016-03-05. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  6. ^ "Art Exhibition at JFK Airport's TWA Terminal Abruptly Shut Down". Architectural Record, John E. Czarnecki,, October 11, 2004.
  7. ^ Lindholm, Eric (June 2011). "Ryoji Ikeda Goes Big, Really Big". The Brooklyn Rail.
  8. ^ http://www.ryojiikeda.com/project/matrix/
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