Jasia Reichardt: Difference between revisions
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*{{cite journal |
*{{cite journal|first=Maria |last=Fernandex |title=Detached from history: Jasia Reichardt and Cybernetic Serendipity |date=Fall 2008 |journal=Art Journal |url=http://www.collegeart.org/artjournal/past.html |format=PDF |deadurl=yes |archiveurl=https://web.archive.org/web/20090204173418/http://www.collegeart.org/artjournal/past.html |archivedate= 4 February 2009 |df= }} (requires membership) |
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*{{cite journal | first=Rainer |last=Usselmann|title=The Dilemma of Media Art: Cybernetic Serendipity at the ICA London|date=October 2003 |journal=Leonardo | volume = 36 |issue = 5|pages= 389–396|url=http://muse.jhu.edu/login?uri=/journals/leonardo/v036/36.5usselmann.pdf |format=PDF |doi=10.1162/002409403771048191}} (requires membership) |
*{{cite journal | first=Rainer |last=Usselmann|title=The Dilemma of Media Art: Cybernetic Serendipity at the ICA London|date=October 2003 |journal=Leonardo | volume = 36 |issue = 5|pages= 389–396|url=http://muse.jhu.edu/login?uri=/journals/leonardo/v036/36.5usselmann.pdf |format=PDF |doi=10.1162/002409403771048191}} (requires membership) |
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*{{cite journal | first=Brent |last=MacGregor|title=Cybernetic Serendipity Revisited|date=October 2002 |journal=Proceedings of the 4th conference on Creativity & cognition |url=http://doi.acm.org/10.1145/581710.581713 |format=PDF | doi=10.1145/581710.581713 | pages=11}} (requires membership) |
*{{cite journal | first=Brent |last=MacGregor|title=Cybernetic Serendipity Revisited|date=October 2002 |journal=Proceedings of the 4th conference on Creativity & cognition |url=http://doi.acm.org/10.1145/581710.581713 |format=PDF | doi=10.1145/581710.581713 | pages=11}} (requires membership) |
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Revision as of 16:40, 19 April 2017
Jasia Reichardt | |
|---|---|
| Born | 1933 Warsaw, Poland |
| Occupation | art critic, curator, writer |
| Nationality | British |
| Notable works | Cybernetic serendipity: the computer and the arts |
Jasia Reichardt (born 1933) is a British art critic, curator, and writer.
Career
Jasia Reichardt was born in Warsaw, Poland, in 1933. In the 1950s she was editor of Art News and Review, a weekly arts magazine.[citation needed] From 1963 to 1971 she was assistant director of the Institute of Contemporary Arts in London.[1] In 1968 she curated the Cybernetic Serendipity exhibition at the ICA,[2] and was editor of Cybernetic serendipity: the computer and the arts, a special edition of Studio International magazine, which was published at the same time.[3] From 1974 to 1976 Reichardt was a director of the Whitechapel Art Gallery.[1]
See also
- Algorithmic art
- Computer art
- Electronic Art
- Generative art
- New Media Art
- Virtual art
- Post-conceptual
References
- ^ a b Jasia Reichardt archive of concrete and sound poetry, 1959-1977. Getty Research Institute. Accessed January 2014.
- ^ Charlie Gere, ‘Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980’ in Hannah Higgins, & Douglas Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press (2012), p. 119
- ^ Jasia Reichardt (ed) (November 1968). Cybernetic Serendipity, the computer and the arts. Studio International Special Issue 905.
- Fernandex, Maria (Fall 2008). "Detached from history: Jasia Reichardt and Cybernetic Serendipity". Art Journal. Archived from the original (PDF) on 4 February 2009.
{{cite journal}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) (requires membership) - Usselmann, Rainer (October 2003). "The Dilemma of Media Art: Cybernetic Serendipity at the ICA London" (PDF). Leonardo. 36 (5): 389–396. doi:10.1162/002409403771048191. (requires membership)
- MacGregor, Brent (October 2002). "Cybernetic Serendipity Revisited" (PDF). Proceedings of the 4th conference on Creativity & cognition: 11. doi:10.1145/581710.581713. (requires membership)
- "Cybernetic Serendipity". Retrieved 8 October 2008.
- Jasia Reichardt archive of concrete and sound poetry, 1958-1975 at the Getty Research Institute
- Jasia Reichardt correspondence, 1956-1987 at the Getty Research Institute
