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==Biography==
==Biography==


Soto was one of the leading figures of the influential “Volumen Uno”, an artistic movement that changed the course of Cuban Art in the decade of the 1980’s, in which he was the first artist in his generation to work with the Afro-Cuban heritage.<ref>https://en.wikipedia.org/wiki/Cuban_art#The_new_art</ref> He is also credited for being the first performance and installation artist in the island. <ref>Corpus Delecti: Performance Art of the Americas</ref>
Soto was one of the leading figures of the influential “Volumen Uno”, an artistic movement that changed the course of Cuban Art in the decade of the 1980’s, in which he was the first artist in his generation to work with the Afro-Cuban heritage. He is also credited for being the first performance and installation artist in the island. <ref>Corpus Delecti: Performance Art of the Americas</ref>


In his performances and the visual/installation art which emerge from his performances, Soto responds to the postmodern coordinates of implosion and satire, often subverting the inceptions of culturally accepted notions of high/kitsch, traditional/pop, global/local, and profane/sacred art forms. Throughout his artistic career, he has demonstrated an interest in religion, ritual, and the mythology of indigenous people. <ref>Blanc, Giulio, "Review on Leandro Soto", Miami: Art Nexus, October 1994, pp 108-9</ref>
In his performances and the visual/installation art which emerge from his performances, Soto responds to the postmodern coordinates of implosion and satire, often subverting the inceptions of culturally accepted notions of high/kitsch, traditional/pop, global/local, and profane/sacred art forms. Throughout his artistic career, he has demonstrated an interest in religion, ritual, and the mythology of indigenous people. <ref>Blanc, Giulio, "Review on Leandro Soto", Miami: Art Nexus, October 1994, pp 108-9</ref>

Revision as of 09:56, 23 April 2018

Leandro Soto Ortiz
Born (1956-03-13) March 13, 1956 (age 68)
NationalityCuban-American
Occupation(s)Visual artist, performance artist, set designer, costume designer

Leandro Soto Ortiz (born March 13, 1956) is a multidisciplinary visual/installation and performance artist. He is also a set and costume designer for theater and film.[1] Soto studied at Escuela Nacional de Arte National_Art_Schools_(Cuba) and Instituto Superior de Arte, University of Havana. As an educator he has taught and lectured at various Higher Education institutions in the U.S. and abroad. Soto also founded a creative workshop, El Tesoro de Tamulte, in Tabasco, Mexico, from which professional artists emerged). [2]

Biography

Soto was one of the leading figures of the influential “Volumen Uno”, an artistic movement that changed the course of Cuban Art in the decade of the 1980’s, in which he was the first artist in his generation to work with the Afro-Cuban heritage. He is also credited for being the first performance and installation artist in the island. [3]

In his performances and the visual/installation art which emerge from his performances, Soto responds to the postmodern coordinates of implosion and satire, often subverting the inceptions of culturally accepted notions of high/kitsch, traditional/pop, global/local, and profane/sacred art forms. Throughout his artistic career, he has demonstrated an interest in religion, ritual, and the mythology of indigenous people. [4]

Selected Solo Exhibitions

  • 2018 Crónicas visuales. Museo Nacional de Bellas Artes. Havana, Cuba.
  • 2003 Retrospective of a Contemporary Cuban Artist. Paulina Miller Art Gallery. Phoenix, Arizona.
  • 1997 A Glance over the Garden. Big Orbit Gallery. Buffalo, New York.
  • 1992 Resonancias de la selva. Galería Nina Menocal, México D.F.
  • 1984 Retablo familiar. Casa de la Cultura. Plaza Gallery and Art Center. Havana, Cuba.

Selected Group Exhibitions

  • 2017 Adiós Utopía: Art in Cuba Since 1950. The Museum of Fine Arts. Houston, Texas.
  • 2008 Cuba! Art and History from 1868 through Today. Musee des Beaux Arts de Montreal, Quebec.
  • 1997 Breaking Barriers. Museum of Fine Arts of Ft. Lauderdale. Ft Lauderdale, Fla
  • 1989 Kitsch. Third Havana Biennial. Galiano-Concordia Art Center. Havana, Cuba.
  • 1981 Volumen Uno. International Art Center. Havana, Cuba

Selected Awards

  • 1997 Stage Design Award. Seventh Annual Artie Awards. Buffalo, New York.
  • 1993 Award. Instituto Nacional Indigenista. State of Tabasco, Mexico.
  • 1987 Design Award. Prague Quadrennial of Stage Design. Prague, Czech Republic
  • 1983 Drawing Award. National Biennial of Artwork on Paper. Buenos Aires, Argentina.

Selected Permanent Collections

Selected Pubications

  • El tesoro de Tamulté : arte desde el trópico. Phoenix. Ariz.: Editorial Orbis Press. 2003. OCLC 58678600.
  • Fusco, Coco, ed. (1999). "Performance in Cuba in the 1980s". Corpus delecti : performance art of the Americas (1. ed. ed.). New York: Routledge. p. 266. ISBN 9780415194549. {{cite book}}: |access-date= requires |url= (help); |edition= has extra text (help)
  • O'Reilly-Herrera, Andrea, ed. (2001). "Testimony of an Artist". ReMembering Cuba : legacy of a diaspora (1st ed. ed.). Austin: University of Texas Press. p. 245. ISBN 0292731477. {{cite book}}: |edition= has extra text (help); |first1= has generic name (help)CS1 maint: multiple names: authors list (link)
  • Soto, Leandro (April 11, 2018). "Leandro Soto on World Cultures, Cubanidad, and His Show in Havana". Cuban Art News.

Notes and References

  1. ^ a b Finding aid author: Ximena Valdivia (2008). "Guide to the Leandro Soto papers". Prepared for the University of Miami Libraries, Coral Gables, FL. Retrieved March 31, 2014. This article incorporates text from this source, which has been released under a Creative Commons Attribution-ShareAlike 3.0 and GNU Free Documentation license.
  2. ^ https://www.worldcat.org/title/tesoro-de-tamulte-arte-desde-el-tropico/oclc/58678600
  3. ^ Corpus Delecti: Performance Art of the Americas
  4. ^ Blanc, Giulio, "Review on Leandro Soto", Miami: Art Nexus, October 1994, pp 108-9

Further reading

  • Silva, Ana, ed. (2017). : Art in Cuba Since 1950. Miami, Madrid: Cisneros Fontanals Foundation. ISBN 9780692820735.
  • Veigas, José ... ; et al. (2003). Memoria : artes visuales cubanas del siglo XX. Los Angeles, CA, USA: California/International Arts Foundation. ISBN 9780917571121. {{cite book}}: Explicit use of et al. in: |first1= (help)