User:Byrneed/sandbox: Difference between revisions
mNo edit summary |
mNo edit summary |
||
| Line 1: | Line 1: | ||
http://artdaily.com/news/111626/Last-stop-on-national-tour--Nina-Chanel-Abney--Royal-Flush-opens-at-the-Neuberger-Museum-of-Art#.XLUYR5NKgdU |
|||
https://news.artnet.com/exhibitions/nina-chanel-abneys-dizzying-tableaux-are-taking-over-chelsea-see-them-here-1178714 |
https://news.artnet.com/exhibitions/nina-chanel-abneys-dizzying-tableaux-are-taking-over-chelsea-see-them-here-1178714 |
||
| Line 7: | Line 9: | ||
https://nasher.duke.edu/exhibitions/nina-chanel-abney-royal-flush-2/ |
https://nasher.duke.edu/exhibitions/nina-chanel-abney-royal-flush-2/ |
||
https://hypebeast.com/2018/9/nina-chanel-abney-punch-group-exhibition-jeffrey-deitch |
|||
Emphasis on exhibitions. Include images and detail about each exhibition. Examine one piece of work from each. Go into depth about "the Power of Black Joy"{{dashboard.wikiedu.org sandbox}} |
|||
Abney curated "Punch" at Jeffery Deitch |
|||
"But the title also suggests that the artist holds a valuable hand. When Abney ‘lays her cards on the table,’ she presents paintings that are rich in critical commentary and meaningful metaphor." Marshall N. Price |
|||
"The artist’s iconography is a marriage of colorful geometric abstract elements; her figures include mask-like faces with exaggerated or missing features, and a blending or reversal of genders and ethnicities." |
|||
"In portraits, I mix gender and race so one can’t attach one specific meaning to a painting or figure" Abney |
|||
{{dashboard.wikiedu.org sandbox}} |
|||
Latest revision as of 23:57, 15 April 2019
https://www.theguardian.com/artanddesign/2018/oct/05/nina-chanel-abney-royal-flush-exhibition
https://hyperallergic.com/465609/nina-chanel-abney-royal-flush-ica-la-caam/
https://nasher.duke.edu/exhibitions/nina-chanel-abney-royal-flush-2/
https://hypebeast.com/2018/9/nina-chanel-abney-punch-group-exhibition-jeffrey-deitch
Abney curated "Punch" at Jeffery Deitch
"But the title also suggests that the artist holds a valuable hand. When Abney ‘lays her cards on the table,’ she presents paintings that are rich in critical commentary and meaningful metaphor." Marshall N. Price
"The artist’s iconography is a marriage of colorful geometric abstract elements; her figures include mask-like faces with exaggerated or missing features, and a blending or reversal of genders and ethnicities."
"In portraits, I mix gender and race so one can’t attach one specific meaning to a painting or figure" Abney
 | This is a user sandbox of Byrneed. You can use it for testing or practicing edits. This is not the sandbox where you should draft your assigned article for a dashboard.wikiedu.org course. To find the right sandbox for your assignment, visit your Dashboard course page and follow the Sandbox Draft link for your assigned article in the My Articles section. |