David Van Kriedt

David van Kriedt (born June 19, 1922, in Berkeley, California, USA, died September 29, 1994, Newcastle, New South Wales, Australia) was a composer, saxophonist and music teacher.

Whilst Dave Brubeck (born 1920) and Paul Desmond (born 1924, died 1977), became world Jazz celebrities, the musician responsible for establishing their partnership was American tenor saxophonist, composer and arranger David van Kriedt.

Dave spent three years at Mills College in San Francisco studying composition with Darius Milhaud 1892 to 1974, and formed with fellow students “The Jazz Workshop Ensemble”. Later they became known as The Eight and subsequently the Dave Brubeck Octet. Mills College in 1946 was where eight young music students recorded Dave Brubeck's Curtain Music, the personnel for the Octet was, Brubeck – Piano; Paul Desmond - Alto Saxophone; Dave Van Kriedt - Tenor Saxophone; Bill Smith - Clarinet; Dick Collins - Trumpet; Bob Collins - Trombone; Jack Weeks - Bass; Cal Tjader - Drums.
The Octet played only a few concerts in three years as club owners were scared by the advanced non-commercial music. In three years at both San Francisco State and Mills College, Dave became proficient in voice and practically every instrument. In 1950 with the same personnel, The Octet recorded an album that today is as fresh and exciting to hear as it was then. Van Kriedt was the most influential contributor to The Octet, both composing the majority of originals and arranging the standards for it. In fact in 1951 when Russian Composer Igor Stravinsky was lecturing at U.C.L.A., he used Dave’s composition ‘Fugue on Bop Themes’ to demonstrate to students the true art of counterpoint. In 1950 Van Kriedt, Brubeck and wife Iola and their sons Cal Tjader; Jack Weeks (bassist), all relocated to Honolulu for sometime before going their own separate once again.

In 1948 while still a Mills College student, Dave ventured to France where he recorded with Kenny Clarke’s Be Bop Minstrels. The music on this recording was listed under best album of the year. Dave fitted in very well with the exciting Paris Jazz scene, and had the opportunity to jam with Guitarist Django Reinhardt. Whilst in Europe, Dave traveled to Norway to meet some family members and learnt that his maternal Grandfather, Ollie Clausen, an Organist had given music lessons to none other than Edvard Grieg (1843 –1907). Returning to Mills College in 1952 as an outstanding academic, Dave won first prize in Graduate Composition.

STAN KENTON BAND

In 1955 Dave joined The Stan Kenton band on Tenor Saxophone and during his nine months with the band recorded one of Kenton’s most definitive albums “Contemporary Concerts”, featuring arrangements by Bill Holman and one by Gerry Mulligan. In this band Van Kriedt was fortunate to play with renowned musicians as Bill Perkins – Tenor; Lennie Niehaus and Charlie Mariano - both Alto; Don Davidson – Baritone; Carl Fontana - Bob Fitzpatrick – Kent Larson - Gus Chappell – Don Kelly -Trombones; Ed Leddy - Bobby Clark - Al Porcino – Sam Noto – Stu Williamson –Trumpets; Ralph Blaze-Guitar; Max Bennett – Bass and Mel Lewis – Drums. The album was recorded at Universal Studios in Chicago on July 22 1955. Dave toured throughout the United States and Canada and was the featured Arranger with the Band, appearing at such great jazz clubs as the Blue Note in Chicago and Birdland in New York City.

DAVE BRUBECK REUNION

The 1957 Dave Brubeck’s album REUNION was a Quintet session featuring eight Van Kriedt compositions. Strolling, Shouts, Prelude, Divertimento, Chorale, Leo’s Place, Darien Mode and Pieta. Reunion features a full–voiced Van Kriedt on Tenor (with hand towel in sax bell, to mute his huge sound). Paul Desmond – Alto; Brubeck – Piano; Norman Bates - Bass and Joe Morello - Drums. Reunion displays Van Kriedt’s great skills both as soloist and composer.

Sources

"Dave Brubeck Remembers Paul Desmond" - The following is taken from a film interview recorded at the Montreal Jazz Festival, June 28, 1991. Producer/Interviewer: Paul Caulfield for Mirus Communications Inc. [1]

Article published by Phil Wright (Jazz Journalist, Historian) [2]