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- The Opera Quarterly is a peer-reviewed academic journal of opera, founded in 1983. It is published by Oxford University Press. The executive editor is...2 KB (49 words) - 23:53, 29 April 2023
- 155, Cremona, 1872." ITEA Journal, 1996, 42-49. Albright, William. "La Gioconda. Amilcare Ponchielli." The Opera Quarterly 7, no. 4 (1990): 167-72. Angeloni...22 KB (2,525 words) - 11:23, 10 November 2024
- and the Grove Dictionary of Music and Musicians. He was editor of Opera Quarterly from 1993 to 1997. Donizetti, London: Cassell (1965). ISBN 978-8870630411...4 KB (445 words) - 23:32, 11 March 2024
- Cambridge Opera Journal, Vol. 17, No. 3 (Nov. 2005), pp. 303–308 Reviews in the Opera Quarterly: 1)The Stuttgart Ring, 1999–2000.Opera Quarterly; Spring/Summer2007...17 KB (1,891 words) - 12:36, 5 September 2024
- " in The Opera Quarterly 25 (2009) "Monumental Musicology," review essay of Richard Taruskin, The Oxford History of Western Music, in Journal of the Royal...6 KB (698 words) - 15:53, 5 May 2024
- She has contributed articles to numerous music journals, including Nuova Rivista Musicale, Opera Quarterly, Studi Musicali, and Theoria. Burton earned a...6 KB (556 words) - 01:47, 15 March 2023
- Classics OC 921 Graeme, Roland (2001). "Lear. Aribert Reimann". The Opera Quarterly. 17 (1): 158–161. doi:10.1093/oq/17.1.158. Marker, Frederick J., "Theatre...8 KB (596 words) - 19:37, 17 February 2024
- A Journal of Critical Philosophy (38): 1–20. Deleuze, Gilles (2005). "Pericles and Verdi: The Philosophy of Francois Chatelet". The Opera Quarterly. 21...15 KB (1,470 words) - 16:17, 9 July 2024
- (Spring 2002). "National opera in Croatia and Finland, 1846–1899". Opera Quarterly. 18 (2): 183–200. doi:10.1093/oq/18.2.183. Huttunen, Matti (2004),...15 KB (1,528 words) - 23:47, 26 August 2024
- Galvany". The Opera Quarterly. 20 (3): 505-512 (quoting The Record Collector). Nicholas E. Limansky. Oxford's Opera Quarterly Journal. #20: 505-512....8 KB (982 words) - 21:02, 28 September 2024
- Paris, 1953. Fregosi, William (2001). "Macbeth. Ernest Bloch". The Opera Quarterly. 17 (2): 340–342. doi:10.1093/oq/17.2.340. World Cat : Macbeth scenes...8 KB (731 words) - 17:52, 1 September 2024
- (a.k.a. Harrison James Wignall) have appeared in the journals Mozart-Jahrbuch, Opera Quarterly and Mozart Studien, among others. Some of his recent discoveries...11 KB (1,356 words) - 20:17, 24 September 2024
- ” Journal of Music Theory 49/1 (2005): 141-180. “On the Record,” Cambridge Opera Journal 18/1 (2006): 59-82. “Moses’s Beginning,” Opera Quarterly Special...26 KB (2,915 words) - 02:50, 1 December 2023
- Oxford University Press, 2014, pp. 395–418. “Denaturing the Castrato,” Opera Quarterly 24/3-4 (fall 2008): 178-199. “The Courtesan’s Voice: Petrarchan Lovers...17 KB (1,731 words) - 05:32, 3 August 2024
- ISBN 978-0-306-80223-2. (bio on back cover) Cole (2003, 436) The Opera Quarterly Cole (2003, 436); website of Arnold Schoenberg Center Wiener Stadt-...10 KB (1,270 words) - 01:53, 19 October 2024
- 2011.35.2.115. "Opera and Obsolescence in the Russian Culture Wars". Opera Quarterly. 2010. doi:10.1525/ncm.2011.35.2.115. "Against Germanic Reasoning:...14 KB (1,295 words) - 17:58, 31 October 2024
- a television broadcast from May 1960 of a recital in Hamburg, The Opera Quarterly noted, "[W]e [can] watch ... the constantly sinking, depressed chest...151 KB (18,801 words) - 08:19, 17 November 2024
- (1999). "Marcella Sembrich and Three Great Events at the Metropolitan". Opera Quarterly. 15 (1): 49–71. doi:10.1093/oq/15.1.49. (subscription required) Christiansen...7 KB (593 words) - 08:22, 23 September 2024
- ISBN 3-487-10196-3. Axel Klein: "Stage-Irish, or The National in Irish Opera", in: Opera Quarterly 21 (Winter 2005), p. 27–67. Axel Klein: "Palmer, Geoffrey Molyneux"...12 KB (1,244 words) - 17:05, 5 November 2024
- 19-34. "“An All-Too-Secret Wagner”: Ernst Bloch the Wagnerian." The Opera Quarterly 30, no. 2-3 (2014): 188-204. "HERMANN NITSCH–AUSTRIA IN THE AGE OF...6 KB (587 words) - 07:51, 25 August 2024
- cause goes for me or against me, you must pay me the reward. 1986, The Opera Quarterly, volume 4, numbers 3-4, page 24: I certainly won't mention it to Ben