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Charles Decroix

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Charles Decroix (* 19th century; † 20th century) was a French director, film producer and screenwriter whose career reached a peak in Germany in the period before World War I, one of the forgotten pioneers from the early days of European cinema.

Biography

Charles Decroix (right) during a break in filming (1908)
Charles Decroix (right) during a break in filming (1908)

Early successes

The son of an Alsatian shoemaker, he joined cinematography in 1899, a field that had barely developed until then. Subsequently, Decroix initially wrote scripts for various companies.

In 1907, Decroix was hired by Pathé, for whom he directed, among other films, Children's Reformatory, a Balzac adaptation of Les paysans and a short film grotesque with Max Linder, Une conquête.

In the spring of 1910, he came to Berlin and spent the next four years shooting for German production companies. Until the outbreak of World War I, Decroix was one of the leading filmmakers in the early days of German cinematography, providing German cinema with its first artistic inspirations and technical know-how. Both his dramas and a series of comedies met with critical acclaim.[1] In 1913, he founded his own production company, Films Charles Decroix. Decroix was the discoverer of subsequently celebrated silent film stars such as Bernd Aldor and Fern Andra. He was also a mentor to film director Carl Wilhelm.

Internment in Switzerland

A French citizen, Decroix fled Berlin in August 1914 at the outbreak of World War II and the resulting declaration of war by the German Empire on France. At the time, he was in the midst of filming the Andra melodrama Moon Fisherman, which remained unfinished. He set out for Switzerland, where he was interned in the village of Frutigen until the end of the war in 1918. Only in the period between the beginning of the year and the summer of 1917 did he manage to obtain directing assignments for several films in and around Zurich.

Postwar activities

After the end of the war, Charles Decroix returned to France. In Alsace he tried to continue his film career in 1919, but his stay in Germany before the war brought him fierce hostility and thwarted the realization of planned projects. Charles Decroix then returned to Berlin for two film projects, which he realized with Heinrich Bolten-Baeckers. After these two comedy films starring Leo Peukert and Sabine Impekoven, Decroix disappeared from public life.

Selected filmography as Director

1907-1910 in France, 1910-1914 and 1921-1922 in Germany, 1917 in Switzerland:

  • 1907: Children's Reformatory
  • 1908: Pédicure d’amour
  • 1909: La victime
  • 1909: Dans l’Hellade
  • 1909: Les paysans
  • 1909: Une conquête [fr]
  • 1910: Aimez-vous les uns les autres [fr]
  • 1910: Haine implacable
  • 1910: Affaire d’honneur
  • 1910: Die Vernunft des Herzens [de]
  • 1910: Der Hühneraugenoperateur
  • 1910: Der Leuchtturmwächter
  • 1910: Graf Gallas
  • 1910: Das vierte Gebot
  • 1910: Die Spinne
  • 1910: Weihnachtstränen
  • 1910: Pro Patria
  • 1911: Das Herz einer Gattin
  • 1911: Die neue Gouvernante
  • 1911: Die guten Hosen
  • 1912: Mona Lisa
  • 1913: Freunde
  • 1913: Der Fleck
  • 1913: Die Czernowska [de]
  • 1913: Le Nouveau Sous-préfet [fr]
  • 1913: Ave Maria
  • 1913: Die Affaire Dumaine
  • 1913: Die Freuden der Reserveübung
  • 1913: Brutal
  • 1913: Gütertrennung?
  • 1913: Vae Victis!
  • 1914: Die kleine Heiratsvermittlerin
  • 1914: Schwitzbad G.m.b.H.
  • 1914: Die Unschuld vom Lande
  • 1914: Zimmer No. 22
  • 1914: Ein Frauenherz
  • 1914: Der Stern [de]
  • 1914: Im Liebestaumel
  • 1917: Ein Ausflug der französischen Internierten von Interlaken nach der Schynigen Platte (Short documentary)
  • 1917: Seeregatta auf dem Zürichsee (Short documentary)
  • 1917: Die sieben Todsünden: Der Zorn
  • 1917: Endlich allein
  • 1917: Grenze besetzt!
  • 1917: Frühlingsmanöver
  • 1921: Der Herr Papa (Co-Director)
  • 1922: Der Herr Landrat (Co-Director)

References

  1. ^ Ein neues Decroix-Genre, advertisement by Monopolfilm-Vertriebs-Ges. mbH, In: Lichtbild-Bühne, No. 21, May 24, 1913; reprint in: Hans-Michael Bock: Der komische Kintopp, Frühe deutsche Komödien, FilmMaterialien 10, CineGraph and Stiftung Deutsche Kinemathek, Hamburg, Berlin 1997.