Jump to content

Robert Chuter

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 61.69.118.118 (talk) at 04:16, 25 March 2023 (→‎Awards & Nominations). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Robert Chuter is an Australian theatre and film director/producer,writer, and actor.

Early life

Robert John Chuter was born on 23 April 1964 in Carlton, Victoria, Australia, the only son of Rita Spalding and British emigrant Harry Chuter. He was educated at Williamstown Technical School and studied at RMIT, St. Martin's Theatre School, Melbourne Theatre Company Youth Theatre, Victorian College of the Arts - Drama School and graduated in 1983 from the prestigious Swinburne Film and Television School.

Career

In 1976, Chuter worked with the UK touring company led by Lindsay Kemp and cites the experience as one of his inspirations for becoming involved in theatre direction. His interest in film direction originated while he was working in a bookstore, when he was encouraged to create some Super 8 film by the veteran Australian stage and silent screen actress Agnes Dobson. He co-founded Performing Arts Projects (later to become Fly-On-The-Wall Theatre) in Melbourne with playwright Daniel Lillford in 1985.[1] Between 2005 and 2008, Chuter worked in London's West End directing three major stage productions. [2]

Stage actor

  • Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad (Monash University)
  • The Seagull (Guild Theatre, 1976)
  • The Polish Girl (Playbox Theatre, 1977)
  • Plague Island (La Mama Theatre, 1986)

Stage director

  • Johnny So Long (Arena Theatre, 1976)
  • Curtains (Grant Street Theatre, 1977)
  • Esther (Guild Theatre, 1978)
  • The Spalding Family Album (La Mama Theatre, 1978 - Season 1)
  • The Spalding Family Album (La Mama Theatre, 1978 - Season 2)
  • Two Tigers (La Mama Theatre, 1979)
  • The Spalding Family Album (Playbox Theatre, 1979 - Season 3)
  • The Spalding Family Album (Universal Theatre I, 1980 - Season 4)
  • Upside Down at the Bottom of the World (Queensland Theatre Company, 1981)
  • The Murderer's Song (La Mama Theatre, 1981)
  • Nijinsky (Universal Theatre I, 1982)
  • They Shoot Horses, Don't They? (Grant Street Theatre, 1983)
  • Isadora (Universal Theatre, 1984)
  • The Seagull (New Theatre, 1985)
  • Rebel Without A Cause (Union Theatre, Melbourne University, 1985)
  • Quintessence (La Mama Theatre, 1987)
  • Sal (La Mama Theatre, 1987)
  • Music of Orpheus and Other Short Pieces (La Mama Theatre, 1987)
  • Restoring the Picture of Dorian Gray (La Mama Theatre, 1988)
  • Shipwreck! (La Mama Theatre, 1988)
  • The Hive (La Mama Theatre, 1989)
  • The Death of Peter Pan (La Mama Theatre, 1989 - Season 1)
  • The Death of Peter Pan (Universal Theatre II, 1989 - Season 2)
  • Kisses for Vera (La Mama Theatre, 1989)
  • In Angel Gear (Irene Mitchell Studio, St. Martin's Theatre, 1990)
  • Figures in Glass (Irene Mitchell Studio, St. Martin's Theatre, 1990)
  • Loving Friends (Rippon Lea, 1991 - Season 1)
  • I've Danced With A Girl Who Danced With the Prince of Wales (Rippon Lea Ballroom, 1991)
  • Loving Friends (Rippon Lea, 1992 - Season 2)
  • La Miracle de la Rose (Old Melbourne Gaol, 1992 - Season 1)
  • Heights (La Mama Theatre, 1992)
  • Good Morning, Midnight! (La Mama Theatre, 1993)
  • Storm Is Her Name... (Mietta's, 19983)
  • La Miracle de la Rose (Belvoir Street Theatre Upstairs, 1993 - Season 2)
  • An Indian Summmer (Rippon Lea, 1994)
  • Little Lord Fauntleroy (Rippon Lea, 1994)
  • Sunset Children (La Mama Theatre, 1994)
  • Lady Chatterley's Lover (Rippon Lea, 1995 - Season 1)
  • The Yellow Book (Mietta's, 1995)
  • Perks (Mietta's, 1995)
  • Lady Chatterley's Lover (Rippon Lea/Botanic Gardens, 1996 - Season 2)
  • Lady Chatterley's Lover (Vaucluse House, Sydney, 1996 - Season 3)
  • A Singular Man (Old Treasury Building, 1996)
  • Anne of Green Gables (Rippon Lea, 1996 - Season 1)
  • The White Rose and the Blue (Council Chambers, Melbourne Town Hall, 1997)
  • The Great Gatsby (Rippon Lea, 1997)
  • Seven Little Australians (Rippon Lea, 1997)
  • The Turn of the Screw (Rippon Lea, 1999)
  • Anne of Green Gables (Tranby House, Perth, 1999 - Season 2)
  • Miles Franklin and the Rainbow's End (Theatreworks, 2000 - Season 1)
  • Miles Franklin and the Rainbow's End (The Blue Room, Perth, 2000 - Season 2)
  • Homme Fatale (Theatreworks, 2000 - Season 1)
  • Homme Fatale (The Blue Room, Perth, 2000 - Season 2)
  • The Singing Forest (Theatreworks, 2001)
  • Women in Love (Rippon Lea, 2002)
  • The Murderer's Barbeque (La Mama Theatre on location in Elwood, 2003)
  • A Thousand and One Night Stands (Theatreworks, 2004)
  • Homme Fatale (Theatreworks, 2004 - Season 3)
  • Moments in Time - The Colonial (Dantes, 2004)
  • The Lost (Chapel Off Chapel, 2004)
  • Five Minute (The Butterfly Club, 2004)
  • Fresh Pleasures (Pleasance Theatre, London, 2005)
  • Homme Fatale (Pleasance Theatre, London, 2005 - Season 4)
  • Shakin' The Blues Away (The Butterfly Club, 2005 - Season 1)
  • Shakin' The Blues Away (The Statement Lounge, Sydney, 2005 - Season 2)
  • Falling So Slowly... (Irene Mitchell Studio, St. Martin's, 2005)
  • Life As A Springer Show (Fairfax Studio, Arts Centre, 2006)
  • Do You Know The Way to Ballarat? (The Butterfly Club, 2006)
  • Half A Person: My Life As Told By The Smiths (Fowler's Live, Adelaide, 2006 - Season 1)
  • Oblomov's Dream (Jermyn Street Theatre, London, 2006)
  • The Object of Desire (La Mama Theatre, 2007)
  • Half A Person: My Life As Told By The Smiths (Newtown Theatre, Sydney, 2007 - Season 2)
  • Almost (Fairfax Studio, Arts Centre, 2007)
  • Exploration (PlaySix, 2008)
  • Dimboola (La Mama Theatre, 2008)
  • The Needle and the Damage Done (La Mama Courthouse, 2008)
  • Thieving Boy/Like Stars in My Hands (La Mama Courthouse, 2008)
  • Tipping Point (Fairfax Studio, Arts Centre, 2008)
  • The Dream Children (La Mama Courthouse, 2009)
  • Defaced: The Exhibition (Guildford Lane Gallery, 2010)
  • Half A Person: My Life As Told By The Smiths (Chapel Off Chapel, 2010 - Season 3)
  • Half A Person: My Life As Told By The Smiths (Chapel Off Chapel, 2010 - Season 4)
  • The Choir (Brightspace Gallery, 2010)
  • All I Will Ever Be (Chapel Off Chapel, 2012 - Season 1)
  • All I Will Ever Be (Chapel Off Chapel, 2012 - Season 2)
  • The Death of Peter Pan (Chapel Off Chapel, 2013 - Season 3)
  • November Spawned A Monster (Old Fitzroy Theatre, Sydney, 2014)
  • Teleny(Chapel Off Chapel, 2014)
  • The Fastest Clock in the Universe (Chapel Off Chapel, 2015)

Stage producer

Heeding advice given to him by the British film director Ken Russell, whom he met during his work directing the opera Madam Butterfly in Melbourne, Chuter has been diverse in his stage productions:

I direct family shows, like the sell-out seasons of Anne of Green Gables and the children’s classic: Seven Little Australians, to plays about gay porn icons, drug culture, the Bloomsbury group, the Brontes, IVF, flamboyant artists, feminist writers and serial killers. Diversity is the name of the game and I love work which is challenging to the imagination. Can you imagine directing an opera when you don’t speak French and can’t remember music? Yep, I’ve done it - not sure if I was successful or not.[2]

Among the productions as producer have been:

  • The Polish Girl (Playbox Theatre, 1977)
  • Stravanganaza (Napier Street Theatre, 1992)
  • No Room for Dreamers (La Mama Theatre/Spoleto Fringe Festival, 1986)
  • Life (Randall Theatre, St. Martins Theatre, 1991)
  • The Secret Garden (Rippon Lea, 1994)
  • Anne of Green Gables (Rippon Lea, 1996)
  • Fresh Pleasures (Pleasance Theatre, London, 2005)
  • Homme Fatale (Pleasance Theatre, London, 2005)[3]
  • Anthony Breslin's Trybe: An Opera in Paint (Chapel Off Chapel, 2013)

Film

The 2015 film release of The Dream Children was directed and co-produced by Chuter and Christopher Pender.[4] He had previously directed a stage version, written by Julia Britton, for Fly-On-The-Wall Theatre in 2009.[5] In 2017, Chuter commenced filming his second feature film A Beautiful Request, based on the stage plays by his old friend and colleague Dubai-based playwright Alex Broun.[citation needed]

Exhibitions

Chuter produced, hosted, directed and curated a number of events with artists such as Kent Morris on The Double Infant and The Kitchen Child, Josie Wadelton on Defaced: The Exhibition in 2010 and with Anthony Breslin and other artists on In Good Company in 2023.

Awards & Nominations

  • AAV Australia Award Winner - Best Short Film Production for The Mortal Coil
  • Victorian Premiere's Literary Award Winner - Louis Esson Prize for Drama for "The Hive" (Sam Sejavaka)
  • Green Room Awards 1991 - Best Production Award for In Angel Gear
  • Green Room Awards 1991 - Best New Play Nomination for In Angel Gear
  • Green Room Awards - Best Production Nomination for Heights
  • Green Room Awards - Best Design Nomination for Heights (Christian Wagstaff)
  • Green Room Awards - Best Director Nomination for Heights
  • Sydney Mardi Gras 1992 - Outstanding Performing Arts Event Nomination for "La Miracle de la Rose"
  • Green Room Awards 1988 - Best Production Nomination for The Hive
  • Green Room Awards 1988 - Best Director Nomination for The Hive
  • Green Room Awards 1988 - Best Supporting Actress Nomination for The Hive (Louise Fox)
  • Green Room Awards 1991 - Best Supporting Actress Nomination for "Figures in Glass" (Louise Kan)
  • Green Room Awards 1989 - Best Supporting Actor Nomination for The Death of Peter Pan (John Paisley)
  • Green Room Awards 2003 - Best Actor in Independent Theatre Nomination for The Murderer's Barbeque (Michael O'Malley)
  • Short and Sweet Melbourne 2007 - Best Female Actor Award for Almost (Nicola Wright)
  • Short and Sweet Melbourne 2007 - Best Independent Theatre Company Nomination for Almost
  • Short and Sweet Melbourne 2007 - Best Production Judges' Choice Nomination for Almost
  • Short and Sweet Melbourne 2007 - Best Drama Writing Award for Almost (Krista Dalby)
  • Short and Sweet Melbourne 2007 - Best Director Nomination for Almost
  • Melbourne Writers' Theatre/Melborn08 - People's Choice Award for The Needle and the Damage Done
  • Barcelona International Film Festival - Diversity Award for The Dream Children
  • Taffy Davis Memorial Award 2015 - Most Outstanding Independent Production Nomination - November Spawned A Monster

References

  1. ^ Milne, Geoffrey (2004). Theatre Australian (un)listed: Australian Theatre Since the 1950s. Rotopi. p. 304. ISBN 9042009306.
  2. ^ a b Piening, Simon (23 March 2008). "Robert Chuter". Australian Stage. Retrieved 9 November 2014.
  3. ^ Cook, Mark (23 June 2005). "Humour Triumphs over the Unkindest Cut of All". The Evening Standard. Archived from the original on 9 November 2014.
  4. ^ "The Production Book 14" (PDF). The Production Book. p. 12. Retrieved 9 November 2014.
  5. ^ Michelle-Wellis, Simonne (20 January 2009). "The Dream Children - Fly-On-The-Wall Theatre". Australian Stage. Retrieved 9 November 2014.

Sources

  • Jones, Liz with Burstall, Betty & Garner, Helen – La Mama: The Story of a Theatre, McPhee Gribble/Penguin Books, 1988 p. 11, 78, 79, 80, 87, 100, 104, 107, 108
  • Steel, Brett (editor) – Melborn08’s Playspotting, Melbourne Writers Theatre/Ligare, 2008 p. 4, 5, 9, 14, 59
  • Breslin, Anthony – "Frantic Bloom", Melbourne Books, 2010 p. 5, 227
  • Martinetti, Ron – The James Dean Story, Pinnacle Books, 1975 p. 177
  • Radic, Leonard -"Contemporary Australian Drama'", Brandl & Schlesinger, 2006 p. 285
  • Paterson, Barbara - "Renegades - Australia's First Film School from Swinburne to VCA", Helican Press, 1996 p. 184