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Herzogstraße

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Herzogstraße is a 1.8-kilometer-long street in Munich's Schwabing district. The street's name came from Duke Maximilian Emanuel in Bavaria.

Route

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Herzogstraße starts at Leopoldstraße, then crosses Belgradstraße and Schleißheimer Straße and ends at Winzererstraße. While in the area between Münchner Freiheit and Wilhelmstraße initially relatively small shops line the street, the Herzogstraße became predominantly a residential street over the years. In the area between Apianstraße and Fallmerayerstraße, numerous restaurants can be found on both sides of the street, which in the summer months, with their free play areas, shape the impression of the street. Further to the east, the Herzogstraße is primarily a residential street again.

Historical buildings

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In the area between Münchner Freiheit and Fallmerayerstraße, Herzogstraße is part of the protected construction ensemble Nordschwabing (E-1-62-000-42). Its design, by Theodor Fischer, was set back to the expansion of the city after the incorporation of Schwabing in 1890 to Munich and the city expansion competition of 1892. Overall, the Herzogstraße has 54 protected historical monuments, which were provided by the Bavarian State Office for Monument Protection,[1] of which 36 are in Schwabing-West and 19 in Schwabing.

Famous residents

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In Herzogstraße 3, Júlia da Silva Bruhns lived with her daughters, her youngest son, and the mother of Thomas and Heinrich Mann from August 1898.[2][3] The landscape painter, August Edler von Rüdt (born 1900 in Munich, † 1966 in Munich), son of the landscape painter August Edler von Rüdt and the coat of arms painter, Alexandra Noble von Rüdt had his studio in the Herzogstraße.[4] The writer, Carry Brachvogel lived from 1910 until her deportation in 1942 in the Herzogstraße 55. Her brother, the historian Siegmund Hellmann received a professional and publication ban because of his Jewish origin in 1933 while the National Socialists were in power, therefore he moved in with his sister and lived there until 1942.[5] In October 1914, the cinema "Odeon Lichtspiele" was founded in Herzogstraße 1, which was taken over in 1967 as "ABC-Kino" by Thomas and Steffen Kuchenreuther.[6]

Andreas Baader, German terrorist of the late 1960s and 1970s, grew up with his mother together with a painter in the Herzogstraße.[7][8] The director, Helmut Dietl lived in the mid-1960s in the Herzogstraße.[9]

In 1967/68, the artist group Geflecht-Keller with Lothar Fischer, Heimrad Prem, Hans Matthäus Bachmayer, Reinhold Heller, Florian Köhler, Heino Naujoks, Helmut Rieger, Helmut Sturm and HP Zimmer, founded a studio in Herzogstraße.[10][11] In 1975, twelve artists founded the "Kollektiv Herzogstraße", named after their joint studio there, with the aim of promoting the expressive abstraction of the artist groups CoBrA, SPUR and WIR: Heimrad Prem, Helmut Sturm, Hans Matthäus Bachmayer, Dietrich Bartscht, Heiko Herrmann, Thomas Niggl, Armin Saub, Diri (Dieter) Strauch and Heinz Weld. In contrast to the groups of the 1960s, Renate Bachmayer, Jutta von Busse and Ursula Strauch-Sachs were also included as female painters.[12][13] Margit Krauss, who founded the folk-beat duo 'Peter & Margit' in 1968 with her former classmate Peter Maffay, also lived in Herzogstraße.[14]

From 1978 to 1986, there was the Rigan Club in the Herzogstraße 82, where it came to live performances, of for example, The Searchers, The Marmalade, the Bay City Rollers, Nina Hagen and Mike Oldfield.[15] In 1985, Franz Georg Strauss founded the private TV channel TV Weiß-Blau in Herzogstraße.[16] Transregional resonance was also given to the cloud house of architect Walter Winkelmann at the corner of Siegfried- /Herzogstraße, as a Hippie center in the early 1970s, the outer walls were painted entirely with clouds.[17][18]

References

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  1. ^ "Baudenkmäler" (PDF) (in German). Bayerisches Landesamt für Denkmalpflege. 28 December 2017. Retrieved 10 January 2018.
  2. ^ Hempel, Dirk (2013). Die Manns: Der Zauberer (in German). Regensburg: Verlag Friedrich Pustet. ISBN 9783791760032.
  3. ^ Jasper, Willi (2012). Carla Mann: Das tragische Leben im Schatten der Brüder (in German). Berlin: Ullstein Verlag. p. 16. ISBN 9783843703413.
  4. ^ Ludwig, Horst (1944). Münchner Maler im 19. Jahrhundert (in German). München: Bruckmann Verlag. p. 248. ISBN 9783765416330.
  5. ^ Ritter, Judith. Die Münchner Schriftstellerin Carry Brachvogel: Literatin, Salondame, Frauenrechtlerin (in German). Berlin: Verlag Walter de Gruyter. ISBN 9783110490800.
  6. ^ Johannes Löhr (7 October 2014). "Schwabinger ABC-Kino wird 100 Jahre alt" (in German). Münchner Merkur. Retrieved 10 January 2018.
  7. ^ Stern, Klaus (2007). Andreas Baader: das Leben eines Staatsfeindes (in German). München: Deutscher Taschenbuch Verlag. p. 28. ISBN 9783423245845.
  8. ^ "Andreas Baader – seine Münchner Jahre" (in German). tz München. 13 March 2009. Retrieved 10 January 2018.
  9. ^ "Helmut Dietl zum 70.: Ein Preis fehlt im Regal" (in German). tz München. 30 March 2015. Retrieved 10 January 2018.
  10. ^ "Gruppe Geflecht" (in German). Ketterer Kunst. Retrieved 10 January 2018.
  11. ^ Schmid, Nicola (2002). Bilder sind wie Batterien: Bilder und Skulpturen von Helmut Rieger (in German). Berlin: Logos Verlag. ISBN 9783897228146.
  12. ^ Friedel, Helmut; Wilmes, Ulrich (1999). Das Gedächtnis öffnet seine Tore (in German). Berlin: Hatje Cantz Verlag. p. 128. ISBN 9783775708890.
  13. ^ Oscar Sala (4 May 2016). "Heiko Hermann und das Kollektiv Herzogstraße München" (in German). Baden Online. Retrieved 10 January 2018.
  14. ^ Hartsch, Edmund (2010). Maffay - Auf dem Weg zu mir (in German). Gütersloh: C. Bertelsmann Verlag. p. 128. ISBN 9783641050092.
  15. ^ Lisa Sonnabend (17 May 2010). "Da bleibe ich lieber daheim" (in German). Süddeutsche Zeitung. Retrieved 10 January 2018.
  16. ^ TransAtlantik (in German). Munich: NewMag-Verlag. 1985. p. 26.
  17. ^ "Wir wollen, daß man sich an uns gewöhnt" (in German). Der Spiegel. 9 August 1971. Retrieved 10 January 2018.
  18. ^ Penzel, Matthias; Waibel, Ambros (2 February 2014). Rebell im Cola-Hinterland (in German). Hamburg: CulturBooks Verlag. p. 128. ISBN 9783944818399.