Koichi Sugii

Koichi Sugii
Koichi Sugii
Background information
Born	1906; Tokyo, Japan
Died	April 5, 1942; Nakamura Hospital, Tokyo, Japan
Occupation(s)	bandleader, composer, arranger, conductor, singer, accordionist and recording artist.
Instrument	orchestral music along with Japanese folk instruments
Years active	1936-1941
Labels	King Records

Koichi Sugii (杉井幸一) (1906-1942) was a Japanese bandleader, composer, arranger, conductor, singer, accordionist

and recording artist. He skillfully bridged Eastern and Western styles, combining American orchestral jazz with Japanese pop and Chinese folk music to create a sophisticated and melodic hybrid with broad appeal.

Biography

Sugii was born in Tokyo in 1906. His mother sang traditional Japanese music while accompanying herself on the samisen, a three-stringed instrument. An early familiarity with his country's native folk songs later inspired Sugii to arrange these melodies in jazz settings.

Sugii took piano lessons from a Canadian teacher, and became an ardent admirer of Western classical traditions, jazz, and film music. In 1930, after graduating from Tokyo Imperial University, he was hired by the Osaka Merchant Shipping company, which assigned him to Buenos Aires. In Argentina the young business executive became fascinated by musical trends, especially the tango. Convinced his true interests were in music, Sugii returned to Japan in 1932 and found work composing and recording for a film studio. In 1935 he joined Sakurai Kiyoshi's Sakurai y Su Orquesta, a Latin-influenced band which specialized in tangos.

In 1936, under contract to the King Records label, Sugii made his first recordings as a solo accordionist and singer. In 1938, as a staff arranger, he masterminded a series of orchestral recordings which launched a "Salon Music" vogue. The sessions were released under a variety of names, including the King Novelty Orchestra, the King Salon Orchestra, the King Jazz Band, and the Sugii Accordion Ensemble. In addition to providing arrangements, Sugii conducted the orchestras, played accordion, bandoneon, or piano, and occasionally sang on these recordings.

Death

Sugii performed in concert and movie theaters and on radio, and was artistically and commercially successful. But he paid a price for his tireless work ethic: Sugii was hospitalized in late 1941, and died on April 5, 1942, age 36. Some authorities attribute his early death to the exhaustive workload or acute nephritis.

Music Archives

The once-popular Sugii released dozens of discs between 1936 and 1941 in his native Japan, but his work has rarely been reissued. In 2011, the archival digital label Radiophone Archives compiled 51 of Sugii's recordings into a three-volume series called Japanese Jazz & Salon Music, 1936-1941, featuring most of his known orchestral and solo recordings. The tracks were remastered from original 78s, many of which are extremely rare. [1]

Discography


Year	Title	Original Title
1936	Oiwake	(追分)
1936	Chinrai-Bushi	(チンライ節)
1937	Gypsy-Dream-Rose	(ジプシー・ドリーム・ローズ)
1937	Tahako-Sendou-Uta	(母子船頭歌)
1939	Kanki-No-Uta	(歓喜の歌)
1940	When It's Lamplighting Time in The Valley	(谷間の灯ともし頃)
1940	Tairyo-Bushi	大漁節
1940	Kiso-Bushi	(木曾節)
1941	Kagoshima-Ohara-Bushi	(鹿児島小原節)
1941	Kushimoto-Bushi	(串本節)