Jump to content

Carole Condé

Edit links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 135.23.189.171 (talk) at 16:54, 22 July 2024 (→Awards: Fixed typo in name). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Carole Condé
Born (1940-06-27) June 27, 1940 (age 84)
Hamilton, Ontario
DiedJuly 19th 2024
Toronto Canada
NationalityCanadian
Known forPhotographer
WebsiteOfficial website Edit this at Wikidata

Carole Condé (born June 27, 1940) was a Canadian artist whose practice responds to critical contemporary cultural, social, and political issues through the use of collaboration and dialogue.[1] Condé and long-time collaborator and partner Karl Beveridge challenge concepts of ideology, power, and control.[1][2] In their career, which spans over thirty years, Condé and Beveridge have had over fifty solo exhibitions at major museums and art spaces across four continents, including: the Institute of Contemporary Arts in London, UK; Museum Folkswang in Germany; the George Meany Centre in Washington; Dazibao Gallery in Montréal; Centro Cultural Recoleta in Buenos Aires; the Art Gallery of Alberta; and the Australian Centre for Photography in Sydney.[3]

Background

In 1969, Condé and Beveridge, then working as independent conceptual artists, left Toronto for the burgeoning conceptual art world in New York City, where they found their overtly politicized voice.[4] In 1975, they picketed at the Museum of Modern Art, protesting its lack of inclusion of women artists.[3] The couple returned to Toronto in 1977.[3]

Artistic career

Condé and Beveridge have worked on social issues including the working conditions of migrant farm labourers, the histories of auto workers, women in the workplace, projects relating to labour education and labour arts, national and global "free trade" agreements, police brutality and systemic racism, environmental issues, nuclear power, the decline of the fishing industry, struggles against neoconservative government policies, healthcare issues, anti-globalization protests, and the transnational politics of water.[1] The artists use dialogical aesthetics as a way of breaking down the conventional distinctions between artist, artwork, and audience.[1]

The artists have been important advocates for artist-run centres in Canada, which give empower smaller curators and photographers working outside of traditional institutions.[5] Condé and Beveridge are key figures in the Workers Arts and Heritage Centre in Hamilton, Ontario.[5] As part of their artistic advocacy, Condé and Beveridge have worked closely with artist unions and CARFAC to advocate for fair copyright and compensation for artists working in Canada.[5]

Style

Condé and Beveridge utilize actors, staged tableaux, montage, thematic slogans, captions, and the construction of emblematic props and non-naturalistic sets to generate an atmosphere of serious visual expression grounded in theoretical and ethical contexts.[1][6] Their work expresses the fundamental principal that art is a social transaction that becomes a participatory, collaborative process, communicating and articulating commonalities and differences shared by all.[1]

Selected artworks

  • 2012 – Public Matters 2012 - A photographic series that explores the reality of women's work over the last hundred years.[7]
  • 1982–83 – Oshawa—A History of CAW Local 222 – A collaboration with members of the Canadian Auto Workers Local 222 (at the time still a part of the US-based United Auto Workers), which investigated the changing role of women in both the workplace and the union.[6] The 56-part photo narrative, divided into 5 sections, utilized oral and photo history to express the 1937 founding of the union, World War II changes, post-war growth and stability, gender tensions which resulted from the introduction of women into non-traditional jobs during the 1970s, and the looming threats of technology felt in 1984.[6]
  • 1976 – It's Still a Privileged Art – This seminal artwork, their first key collaboration, initiated the development of the artists’ unique form of socially engaged art practice.[1][6]

Selected exhibitions

  • 2019 – Oshawa: A History of Local 222 – Robert McLaughlin Gallery, Oshawa, ON.[8][9]
  • 2018 – Winds of Change: Carole Condé and Karl Beveridge – Durham Art Gallery, Durham, ON.[10]
  • 2016 – I stood before the source – Blackwood Gallery, Mississauga, ON.[11]
  • 2015 – Carole Condé and Karl Beveridge: Scene Otherwise – Khyber Centre for the Arts/Anna Leonowens Gallery, Halifax, NS.[12]
  • 2012 – Open Conversations: The Art Practice of Carole Condé and Karl Beveridge - Richmond Art Gallery, Richmond, BC.[13]
  • 2009 – Carole Condé and Karl Beveridge: Working Culture – Art Gallery of Windsor, Windsor, ON.[14]

Selected publications

  • 1998 – Carole Condé & Karl Beveridge: Political Landscapes – Investigates the strategies employed in the artists’ tableau photographs, which centre around the collapse of the cod fishery, strikes by union workers and activism by students, teachers, etc.[15]
  • 1986 – First Contract: Women and the Fight to Unionize – Focusing on working women and how women, more than men, have been forced to confront the interconnection of work and life after work. Although originally conceived as true documentary, the project used fictionalized accounts and actors after fears of employer reprisals arose.[16]

Selected film/video

  • 2011 – Portrait of Resistance: The Art and Activism of Carole Condé and Karl Beveridge – Intimately captures the artistic duo as they create their provocative and powerfully political staged photographs.[17]

Awards

Collections

Archives

There is a Carole Condé and Karl Beveridge fonds at Library and Archives Canada. The archival reference number is R9079.[22] The fonds covers the date range 1980 to 1984. It consists of 40 audio cassettes, 71 photographs and 4.6 centimeters of textual records.

References

  1. ^ a b c d e f g Open conversations : the art practice of Carole Condé & Karl Beveridge. Marsden, Scott, 1956–,, Condé, Carole, 1940–,, Beveridge, Karl, 1945–,, Richmond Art Gallery. Richmond, B.C. ISBN 9781926594231. OCLC 971138313.{{cite book}}: CS1 maint: others (link)
  2. ^ "Carole Condé + Karl Beveridge: Canada's Enfants Terribles of the Art World – Point of View Magazine". povmagazine.com. Retrieved March 10, 2019.
  3. ^ a b c d "Bio and CV | Carole Conde and Karl Beveridge". Retrieved March 10, 2019.
  4. ^ Cohen, Nicole S.; Peuter, Greig de (May 8, 2015). "The Art of Collective Bargaining: An Interview with Carole Condé and Karl Beveridge". Canadian Journal of Communication. 40 (2): 333–346. doi:10.22230/cjc.2015v40n2a2994. ISSN 1499-6642.
  5. ^ a b c Bassnett, Sarah; Parsons, Sarah (2023). Photography in Canada, 1839 - 1989: An Illustrated History. Art Canada Institute. ISBN 978-1-4871-0309-5.
  6. ^ a b c d Rogers, Kevin. "The Changing Picture". Fuse: Art, Culture, Politics. 33. Number 3: 28–33.
  7. ^ Grodzinski, Natasha (April 27, 2018). "A Conversation with Carol Condé and Karl Beveridge". Novella. Retrieved March 10, 2019.
  8. ^ "Oshawa: A History of Local 222". Robert McLaughlin Gallery. Archived from the original on April 28, 2021. Retrieved December 22, 2020.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  9. ^ Wu, Yan. "Carole Condé and Karl Beveridge". www.canadianart.ca. Canadian Art, April 28, 2020. Retrieved December 22, 2020.
  10. ^ "Carole Condé & Karl Beveridge, in Winds of Change". durhamart.on.ca. Retrieved March 10, 2019.[permanent dead link]
  11. ^ "Blackwood Gallery | I stood before the source". blackwoodgallery.ca. Retrieved March 10, 2019.
  12. ^ "Exhibition: Carole Condé and Karl Beveridge: Scene Otherwise | The Khyber Centre For The Arts". Retrieved March 10, 2019.
  13. ^ "Open Conversations: The Art Practice of Carole Condé & Karl Beveridge". richmondartgallery.org. Retrieved March 10, 2019.
  14. ^ "Carole Condé and Karl Beveridge: Working Culture". Art Gallery of Windsor.
  15. ^ Robertson, Clive; Macleod, Catherine (1998). Carole Condé and Karl Beveridge : Political Landscapes. Clive Robertson, Catherine Macleod. Toronto, Ont.: Gallery TPW. ISBN 9780969475545.
  16. ^ Condé, Carole; Beveridge, Karl (1986). First contract: women and the fight to unionize. Toronto: Between the Lines. ISBN 0919946704. OCLC 16055588.
  17. ^ "Portrait of Resistance: The Art and Activism of Carole Condé & Karl Beveridge". cinema politica. Archived from the original on August 4, 2020. Retrieved March 10, 2019.
  18. ^ "OCAD to confer honorary doctorates on Carole Condé, Karl Beveridge, Anita Kunz and Buffy Sainte-Marie". OCAD UNIVERSITY. December 20, 2013. Retrieved March 10, 2019.
  19. ^ "NSCAD Announces Honorary Degree Recipients for Conovocation Spring 2018, to Recognise them for their Support of the Arts". NSCAD. April 24, 2015. Retrieved March 10, 2019.
  20. ^ "Carole Condé and Karl Beveridge". en.ggarts.ca. Governor General of Canada. Retrieved August 20, 2022.
  21. ^ "Conde, Carole – Beveridge, Carole Bernice Condé Carole Conde". belkin.pastperfectonline.com. Retrieved March 10, 2019.
  22. ^ "Carole Condé and Karl Beveridge fonds description at Library and Archives Canada". Retrieved July 31, 2020.[permanent dead link]

Further reading

  • Condé and Beveridge: Class Works. Barber, Bruce, Agnes Etherington Art Centre. Halifax, N.S.: Press of the Nova Scotia College of Art and Design. 2008. ISBN 9780919616486.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Carole_Condé&oldid=1236053378"